A promo shot for Jade Wood at the Australian Ballet
Photograph: Justin Ridler
Photograph: Justin Ridler

Australian Ballet 2016 season

Much-loved classics and edgy contemporary pieces share the spotlight in artistic director David McAllister’s 2016 season

Rose Johnstone
Advertising
If 2015 was the Australian Ballet’s ‘year of beauty’, then 2016 delves into darker (yet no less ambitious) territory, with classic and contemporary works depicting turbulent romances, supernatural forces and a tortured genius. “Ballet has the ability to transform,” says McAllister. “This is a richly dynamic and diverse season which I am proud to present.”
 
An anticipated highlight of the season will be the Australian premiere of Nijinsky (Sep 7-17) an emotional tribute to the Ballets Russes prodigy, lauded as one of the greatest dancers and choreographers of the 20th century. Created by master choreographer John Neumeier and first performed by the Hamburg Ballet in 2000, Nijinsky tells the story of the dancer’s meteoric rise to fame, the controversy around his sensual choreography, and his battle with mental illness that eventually saw him pass away in a mental institution in 1950.
 
Following the huge success and critical acclaim of 2015’s 20:21, contemporary ballet will again come to the fore with Vitesse (Mar 11-21), which will featuring new works by three world-famous choreographers: Christopher Wheeldon, Jiří Kylián and William Forsythe.
 
On the other end of the spectrum are lavish productions of ballet classics. Stephen Baynes’ traditional staging of Tchaikovsky’s Swan Lake (Jun 7-18), created by the resident choreographer for the Australian Ballet’s 50th anniversary in 2012, will return for an encore run, complete with Edwardian set design by the masterful Hugh Coleman.
 
The talented Stanton Welch, who is both a resident choreographer with the Australian Ballet and artistic director of Houston Ballet, will bring his much-loved production of Romeo and Juliet (Jun 30-Jul 9) exclusively to Melbourne. Rounding out the season will be the family favourite fairytale Coppélia (Sep 23-Oct 1).

What's on stage in Melbourne?

  • Musicals
  • Southbank
  • 5 out of 5 stars
  • Recommended
Due to popular demand, Melbourne Theatre Company's rip-roaring musical adaptation of My Brilliant Career is returning for a limited five-week run in 2026.  This incredible production takes one of the best-known early Australian novels, the 1901 book of the same name by Miles Franklin, and twists it into a musical for a new generation. Six star Kala Gare is reprising her role as Sybylla Melvyn, with much of the original ensemble of actor-musicians also coming back and new cast member Melanie Bird taking on the roles of Gertie/Blanche/Ensemble. Set in 1890s drought-stricken rural Australia, the novel follows Sybylla Melvyn’s dreams of an illustrious life as a writer, as she’s stifled by Edwardian mores. At the time Franklin published the book (under a male pseudonym that was quickly seen through), she was just 21 years old. My Brilliant Career will kick off Melbourne Theatre Company's 2026 season. My Brilliant Career is showing at Southbank Theatre from January 23 to February 28, 2026. For more information and to book tickets, head to the website. *** Time Out Melbourne reviewed My Brilliant Career when it played at Southbank Theatre in November 2024. Read on for that five-star review:   Pardon a moment’s naval-gazing here, but beyond the sparkly Instagram pics from glittering opening nights, the freelance writing gig can be tough. Despite powering through with optimism and encouraging others to follow their passions, I almost gave it all up this week. Or at least I...
  • Musicals
  • Melbourne
  • Recommended
Hey Melbourne, the Mormons are back! After wowing audiences in Sydney with plenty of "did they really just say that?” humour, The Book of Mormon is heading to the Princess Theatre from February 6. This somewhat unconventional musical comedy cleaned up at the Tony Awards after it debuted on Broadway in 2011, going on to break box office records and garner near-unanimous critical acclaim when it opened on London’s West End. When tickets for the show’s Australian debut in Melbourne were released in 2015 – nearly a year in advance of opening night – the Princess Theatre recorded its highest pre-sale period of any production in its 159-year history, also going on to win the Helpmann Award for Best Musical. For the uninitiated, The Book of Mormon follows two inept Mormon missionaries from Salt Lake City on their journey to save mortal souls in a corner of Uganda ruled by a one-eyed warlord. It’s the brainchild of South Park creators Trey Parker and Matt Stone – hence, you can expect a lot of explicit language – along with Avenue Q and Frozen co-creator Robert Lopez.  So what’s the secret of the show’s success? As Time Out London’s Theatre and Dance Editor Andrzej Lukowski wrote, Mormon was always going to be a hit, but what made it into the Mormania phenomenon is the fact that non-South Park fans love it too. The songs are excellent. Filthy, witty and outrageous, but also sumptuous and note-perfect, they nod to the golden age of the American musical.  As for how the show has...
Recommended
    Latest news
      Advertising