After winning the Critics’ Choice Best Play at the 2025 Time Out Melbourne Arts & Culture Awards, 'Heartbreak Hotel' is returning to Melbourne for a strictly limited time from July 14-19 at Arts Centre Melbourne’s Fairfax Studio.
Created by New Zealand theatre company EBKM and directed by Eleanor Bishop, the acclaimed production follows one woman’s journey through heartbreak with humour, honesty and an awesome soundtrack of break-up hits. Performed by Karin McCracken and Simon Leary, the 75-minute show blends memoir, science and music to explore what really happens to our bodies and minds when relationships fall apart.
From synth-backed anthems to sharp observations on love, loss and modern dating, 'Heartbreak Hotel' moves between comedy, realism and surreal moments – including a whirlwind through Berlin’s club scene. Following sold-out performances at Rising and international tours through Edinburgh, London, Toronto and New York, this heartfelt and hilarious production returns to Melbourne for one final week. Find out more and book tickets for here.
Read our five-star review of 'Heartbreak Hotel' from June 2025.
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There’s the sound of gentle sobbing in the audience when Karin McCracken gets her tax return during Heartbreak Hotel. Sitting there, also gently sobbing, I tried to remember who it was that said "There are two certainties in this world: death and taxes". I also wondered if heartbreak should be included as a third certainty, or if 'death' was close enough.
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If 2015 was the Australian Ballet’s ‘year of beauty’, then 2016 delves into darker (yet no less ambitious) territory, with classic and contemporary works depicting turbulent romances, supernatural forces and a tortured genius. “Ballet has the ability to transform,” says McAllister. “This is a richly dynamic and diverse season which I am proud to present.”
An anticipated highlight of the season will be the Australian premiere of Nijinsky (Sep 7-17) an emotional tribute to the Ballets Russes prodigy, lauded as one of the greatest dancers and choreographers of the 20th century. Created by master choreographer John Neumeier and first performed by the Hamburg Ballet in 2000, Nijinsky tells the story of the dancer’s meteoric rise to fame, the controversy around his sensual choreography, and his battle with mental illness that eventually saw him pass away in a mental institution in 1950.
Following the huge success and critical acclaim of 2015’s 20:21, contemporary ballet will again come to the fore with Vitesse (Mar 11-21), which will featuring new works by three world-famous choreographers: Christopher Wheeldon, Jiří Kylián and William Forsythe.
On the other end of the spectrum are lavish productions of ballet classics. Stephen Baynes’ traditional staging of Tchaikovsky’s Swan Lake (Jun 7-18), created by the resident choreographer for the Australian Ballet’s 50th anniversary in 2012, will return for an encore run, complete with Edwardian set design by the masterful Hugh Coleman.
The talented Stanton Welch, who is both a resident choreographer with the Australian Ballet and artistic director of Houston Ballet, will bring his much-loved production of Romeo and Juliet (Jun 30-Jul 9) exclusively to Melbourne. Rounding out the season will be the family favourite fairytale Coppélia (Sep 23-Oct 1).
