A promo shot for Jade Wood at the Australian Ballet
Photograph: Justin Ridler
Photograph: Justin Ridler

Australian Ballet 2016 season

Much-loved classics and edgy contemporary pieces share the spotlight in artistic director David McAllister’s 2016 season

Rose Johnstone
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If 2015 was the Australian Ballet’s ‘year of beauty’, then 2016 delves into darker (yet no less ambitious) territory, with classic and contemporary works depicting turbulent romances, supernatural forces and a tortured genius. “Ballet has the ability to transform,” says McAllister. “This is a richly dynamic and diverse season which I am proud to present.”
 
An anticipated highlight of the season will be the Australian premiere of Nijinsky (Sep 7-17) an emotional tribute to the Ballets Russes prodigy, lauded as one of the greatest dancers and choreographers of the 20th century. Created by master choreographer John Neumeier and first performed by the Hamburg Ballet in 2000, Nijinsky tells the story of the dancer’s meteoric rise to fame, the controversy around his sensual choreography, and his battle with mental illness that eventually saw him pass away in a mental institution in 1950.
 
Following the huge success and critical acclaim of 2015’s 20:21, contemporary ballet will again come to the fore with Vitesse (Mar 11-21), which will featuring new works by three world-famous choreographers: Christopher Wheeldon, Jiří Kylián and William Forsythe.
 
On the other end of the spectrum are lavish productions of ballet classics. Stephen Baynes’ traditional staging of Tchaikovsky’s Swan Lake (Jun 7-18), created by the resident choreographer for the Australian Ballet’s 50th anniversary in 2012, will return for an encore run, complete with Edwardian set design by the masterful Hugh Coleman.
 
The talented Stanton Welch, who is both a resident choreographer with the Australian Ballet and artistic director of Houston Ballet, will bring his much-loved production of Romeo and Juliet (Jun 30-Jul 9) exclusively to Melbourne. Rounding out the season will be the family favourite fairytale Coppélia (Sep 23-Oct 1).

What's on stage in Melbourne?

  • Performance art
  • Southbank
There’s no more rehearsing. In fact, there was none to begin with. Not a single cast member of ECHO: Every Cold-Hearted Oxygen knows the part by heart. Welcome to a spectacle that is deliberately unprepared, unorthodox and unpredictable.  Nassim Soleimanpour is the most performed playwright in the history of Iranian theatre. You may know him for his acclaimed works like White Rabbit, Red Rabbit or NASSIM. This July, he’s joining audiences at Malthouse’s Merlyn Theatre all the way from Berlin for a spectacle that plays with technology and tricks of the trade to redefine the idea of ‘home’.  One of the key characteristics of Soleimanpour’s style is fastracking unrehearsed cold reads to showtime, and Italian-Palestinian director Omar Elerian is bringing his work to life in Melbourne. Each night Soleimanpour will guide a new guest through the script for a performance that quite literally no one has seen before.  Household Australian names taking on the challenge include everyone from journalists Stan Grant and Jan Fran to musician and presenter David Campbell and comedian Michelle Brasier, plus actors Ben Lawson, Pia Miranda and Nadine Garner. Watch them star in what Soleimanpour calls a “long-distance magic show”. ECHO: Every Cold-Hearted Oxygen plays at Malthouse Theatre from July 14 to 19. To find out when each performer takes the stage and book your tickets, head here.
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  • Musicals
  • Melbourne
  • 4 out of 5 stars
  • Recommended
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