The best art exhibitions in Melbourne this week

Actress Elizabeth Taylor’s stunning diamond and ruby necklace. Dazzling tiaras worn by singer Rihanna. Princess Margaret’s rose-shaped diamond brooch. Treasured pieces owned by Australia's first international opera singer (and beloved Melburnian) Dame Nellie Melba. Yes, we’re talking obviously Cartier. Founded in Paris in 1847 by Louis-François Cartier, this French brand is synonymous with high-end luxury – and now, you can see it in all its glittering glory up close and personal.  The NGV’s blockbuster Winter Masterpieces exhibition, Cartier, will give you a chance to see some of the world’s most famous jewels on display. Exclusive to Melbourne and running from June 12 to October 4, the exhibition brings together nearly 400 jewels, gemstones, watches and decorative objects, many of which have never travelled to Australia before. Created by London’s Victoria and Albert Museum in partnership with the NGV and Cartier, the exhibition explores the evolution of the legendary French maison. Check out more than 20 spectacular tiaras, the iconic ‘Tutti Frutti’ collection with colourful rubies, emeralds and sapphires, as well as timeless timepieces and contemporary creations featuring Australian opals from Lightning Ridge. It promises to be a glittering journey through nearly two centuries of artistry, innovation and timeless style. Interested? Find out more here. Stay in the loop: sign up for our free Time Out Melbourne newsletter for the best of the city, straight to your...

NGV Friday Nights is returning to kick-start your weekend with a glamorous glow-up. Taking place from June 12 to October 2, the National Gallery of Victoria will become the ultimate after-dark destination with the arrival of Cartier, the 2026 Melbourne Winter Masterpieces exhibition – yes, that's the same French luxury brand known for its designer jewellery and watches.  NGV Friday Nights is your chance to wander through the gallery and enjoy a rotating line-up of live music, film screenings, food and, of course, Champagne. Each Friday brings a completely different vibe, with music residencies hosted by some of Melbourne’s biggest cultural names including the MSO, Melbourne International Jazz Festival, Waxflower and Wax Museum Records. Expect everything from jazz and soul to classical performances and DJs, with artists including Olivia Excuses, Yunior Terry Quartet, DJ Earl Grey, Plexus and the MSO Cello Quartet taking the stage. Opera lovers are also in for a treat. Across two nights (June 12 and September 11), Melbourne Opera will present Diamonds for the Diva – a special tribute to legendary Australian soprano Dame Nellie Melba GBE, who was one of Cartier’s early clients. Some of Melba’s Cartier jewels and memorabilia are also featured in the exhibition. Adding to the glamour are film screenings of classics including The Great Gatsby (July 31) and High Society (August 14), plus Fast Friends sessions with Alliance Française de Melbourne held on the third Friday of each...

Do you consider yourself somewhat of a Monet maestro, or even a Degas devotee? You can thank Paul Durand-Ruel, the dealer who backed the Impressionists when no one else would dare. A major new exhibition at Geelong Gallery puts the man who made the movement possible in the spotlight. Discovering the Impressionists: Paul Durand-Ruel brings together more than 70 paintings across five galleries, many from private French collections and never before seen in Australia. Alongside household names like Claude Monet, Pierre-Auguste Renoir, Berthe Morisot and Camille Pissarro, the show celebrates a second generation of artists long overlooked, including Albert André and Gustave Loiseau, whose work expands and reshapes the way Impressionism has been looked at in its later years. At the centre is Paul Durand-Ruel, the visionary dealer who staked everything on a movement once ridiculed by the establishment. Over his lifetime, he bought thousands of works, championed their artists and helped transform public taste across Europe and America. Without him, Impressionism as we know it might not exist. Beyond the works on display, highlights in the exhibition will include rare decorative panels created for Durand-Ruel’s Paris apartment and a partial recreation of the salon where he hosted collectors, offering a glimpse into the world that helped shape modern art.  Marking Geelong Gallery’s 130th year, this is its most ambitious exhibition to date, and the only Australian stop for a show...

From Raphael’s 'Madonna and Child' to Louise Bourgeois’ 'Maman', the maternal bond has long been one of art’s most enduring subjects. And now, a new exhibition at the NGV, Mother: Stories from the NGV Collection, puts motherhood firmly in the frame, bringing together more than 200 historical and contemporary works to examine how the experience of being, becoming and relating to motherhood has been imagined across cultures, generations and media. Running from March 27 to July 12, 2026, at the NGV's Ian Potter Centre, Mother will span painting, sculpture, photography, weaving, decorative arts and moving image, moving beyond sentimental tropes to grapple with the realities and contradictions of motherhood – warts and all. Themes range from societal expectations and invisible labour to mythology, religion and the deep connections between motherhood, nature and Country for First Nations communities. A standout from the exhibit is Ruth O’Leary’s 'Flinders Street, 2017', created after the birth of her first child, in which a public photobooth becomes a makeshift studio: a poignant meditation on care and the blurred boundaries between public and private life. Other highlights include two new acquisitions by David Hockney, a moving image work by Hayley Millar Baker and a towering sculpture from 1893 by Betram Mackennal. The exhibition features works by an expansive roster of artists, including Louise Bourgeois, Tracey Emin, Camille Henrot, David Hockney, Tracey Moffatt, Iluwanti...

Traversing time and space, Wurrdha Marra is an ongoing exhibition celebrating the diversity of First Nations art and design. Since late 2023, the ground floor and foyer of the Ian Potter Centre: NGV Australia has become home to a dynamic and ever-changing exhibition space that displays masterpieces and never-before-shown works from the NGV’s First Nations collection. Translating to ‘many mobs’ in the Wurundjeri Woi Wurrung language, Wurrdha Marra showcases pieces from emerging and established artists from across Australia, including Tony Abert, Treahna Hamn, Kent Morris, Marlene Gilson, Rover Thomas, Christian Thompson, Gary Lee, Nicole Monks, Gali Yalkarriwuy, Dhambit Mungunggurr, Nonggirrnga Marawili and more.  Highlights of the free exhibition include a large-scale installation of fish traps produced by Burrara women from Maningrida – the objects have been crafted over weeks using vines from the bush. Also on display is a new collection of contemporary resin boomerangs by Keemon Williams, a First Nations queer artist hailing from Meanjin/Brisbane. Another unseen work is titled History Repeats by Girramay/Yidinji/Kuku Yalanji contemporary artist Tony Albert, who has used mass-produced objects – from tea towels to ashtrays – to reframe Indigenous histories.  More recently, the exhibition has been updated to include the largest-ever display of the NGV's expansive collection of bark paintings. Bark Salon subverts the traditional European salons of the 18th and 19th...