Things to do in Los Angeles today

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Stroll through a mile-long trail filled with all things pumpkins, including an illuminated forest of jack-o’-lanterns, during Descanso Gardens’ annual Carved. For a month this fall (Oct 2–Nov 1), the event lines a loop of the botanical garden with pumpkins in all sorts of forms: as a sea monster rising from a pond, in thick clusters on the ground and cobbled together into a house. Last year, the event introduced a new route, and for the 2026 edition, the popular neon-hued Rhizome light sculpture will move into the dramatic Oak Grove, and the labyrinth will feature immersive new sculptures by Helsinki-based artist Alexander Reichstein. The gardens’ model trains will again be illuminated during the event. Timed tickets ($29–$52, kids 2–12 $19–$37) are on sale now. This year also sees the introduction of a new “anytime” ticket that can be used on any date—though at a pricey $85, it makes a case for just committing to a day and time. Look out for the expanded Día de los Muertos ofrenda altar near the entrance on your way to the two main jack-o’-lantern areas. The first is a forested section lined with expressively carved (but fake) pumpkins, some of which have been arranged into wonderfully whimsical characters (a crow-like scarecrow and a pumpkin holding its own head, among them). Meanwhile, there’s a pavilion in the rose garden with real gourds whose designs are inspired by pop culture characters (plus a station where you can see them being carved). There are a few...

The Outsiders graduates from required reading to a Tony–winning musical, which got its start in San Diego before taking Broadway by storm (read Time Out theater critic Adam Feldman’s full review here). Now the production is stopping at the Hollywood Pantages as part of its national tour, and settling the decades-old feud between Greasers and Socs.

You might have seen ads on Instagram over the past couple of months for Hospital of Emotions—a colorful, cartoony flyer that heralds a site-specific art pop-up located in a real hospital with the tagline “a place to heal your heART.” The conceit intrigued me off the bat: 70 artists (both local and international) given hospital rooms as a canvas to transform as they wished. Hospital of Emotions ads are also referring to it as “the experience of the year.” We’re only in May so that’s still TBD, but I do think the exhibition—which is inhabiting the former St. Vincent Medical Center in Westlake and is officially open to the public as of May 27—is well worth your time. While the entire experience is hospital-themed—you walk through a waiting room and are given an intake form and hospital wristband, employees are in doctors’ coats—it’s not the cheesy type of immersive exhibition (read: selfie factory) that you might expect. Instead you’ll find 80 rooms filled with thought-provoking, visually dazzling and, yes, eminently photogenic installations. But there’s both style and substance here. And though the tickets are definitely on the pricey side, there’s so much to see—I spent nearly two hours there during my visit—that it (almost) makes up for it. The rooms are organized by theme; you start at the top of the building in the “Resilience Department” and make your way through clusters of rooms inspired by feelings like joy, sadness, anger, grief, fear and hope. The emphasis on...

Scope out B-movie classics and under-the-radar premieres at Beyond Fest. Held in partnership with American Cinematheque (which the fest raises funds for), it includes two weeks of screenings and Q&As with actors and filmmakers. Highlights from this year’s lineup include a day-long celebration of Robert Eggers’s work, the world premiere of V/H/S/MIXTAPE, and M. Night Shyamalan and Bruce Dern retrospectives. You’ll find the films spread across town at the Cinematheque’s three venues: the Aero Theatre in Santa Monica, Los Feliz 3 and Egyptian Theatre in Hollywood, which is reopening after technical upgrades just in time for the festival.

The inimitable artist, musician and activist—and John Lennon’s other half—is the subject of the Broad’s new show, Ono’s first-ever solo museum exhibition in Southern California. Organized in collaboration with the Tate Modern in London, “Music of the Mind” is perhaps the Broad’s most participatory exhibition to date. Many of the works from the artist’s seven-decade long career invite audience engagement, all working toward a common goal of peace and connection. Hammer a nail into the wall (and hold your ears intermittently throughout the rest of your walk-through) in a re-creation of the piece that occasioned Ono and Lennon’s meeting; grab a blue marker and add your mark to a blank room anchored by a wooden boat; and listen to recordings of Ono’s music. You can even crawl into a black bag and strike a pose for Bag Piece (though no one took the plunge during my visit). In conjunction with the show, the museum has transformed the olive trees on the outdoor East West Bank Plaza into Wish Trees for Los Angeles, where visitors can tie their own wishes on the branches. Also on display is Acorn Event (1968) and Bed Peace (1969), anti-war works of activism Ono and Lennon worked on together, as well as additional performance art pieces captured on video. The minimalist exhibition is thought-provoking and mind-expanding—though it probably won’t change whatever opinion of Ono, whether positive or negative, you hold before the show.  Tickets for the special exhibition are $21 and...

Just in time for Halloween, literature’s most iconic vampire is coming to the stage in Los Angeles—accompanied by a whole lot of whiskey and mayhem. Having already conquered audiences from New York to Phoenix, celebrated immersive comedy troupe the Drunk Shakespeare Society is bringing its signature brand of alcohol-infused theater to the Hotel Cafe (before it moves locations). The conceit: One professional actor takes five shots of liquor before taking the stage, while a sober supporting cast scrambles to keep the plot on track, creating a mix of classical theater, pop-culture riffs and audience interaction where no two nights are ever the same. The company’s newest show, Drunk Dracula, is a chaotic version of Bram Stoker’s classic vampire tale—fitting for its Halloween time debut.

It’s been almost a decade since 24K Magic, but its foot-tapping facsimile of ’70s funk, ’80s disco-pop and ’90s R&B still hasn’t lost its sheen, and we’re betting that Mars’s party tunes will still have enough funk to get you uptown—or to SoFi Stadium, where Mars is stopping for four nights in October on his Romantic Tour. The outing marks the singer’s first global headline tour since his 24K Magic World Tour (though L.A. was treated to a couple of shows in summer 2024 when he christened Intuit Dome as its first performer). Opening the shows will be Raye and Mars’s Silk Sonic collaborator, Anderson .Paak, who’ll perform as DJ Pee .Wee. 

It feels like Oktoberfest all year round at Silver Lake’s long-running Red Lion Tavern, but it’s especially festive in the fall, when it celebrates the Bavarian tradition all the way through mid-November. Order the Oktoberfest platter—an epic array of pretzels, brats, schnitzel and sides—alongside a four-liter boot of beer. You’ll also find live music and stein-holding contests on select nights. Check the bar’s Instagram for programming updates.

Admire suspended sheets of textiles—including the metallic ones that would be incorporated into the curtains at the new David Geffen Galleries—along with colorful sketches and a recreation of Tokyo store NUNO at LACMA’s showcase of pioneering textile designer Reiko Sudō.