Things to do in Los Angeles today

Masterpiece isn't a word to be casually tossed around, but it’s hard not to ascribe it to musician turned artist Christian Marclay’s 24-hour video, in which thousands of short film clips are strung together to form a seamless, big-screen collage charting the passage of each minute of the day in real time. After 15 years away, The Clock is going back on display on the first floor of the BCAM building, and to bookend the exhibit, the museum is hosting two specially ticketed 24-hour screenings on July 25 and August 22 starting at 7pm (welcome news for L.A. night owls). Otherwise, the work will be on display during regular museum hours and is included with admission.

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Each summer, Bard fanatics watch their favorite works come to life at the historic Old Zoo in Griffith Park. For 16 years running, Independent Shakespeare Co. has put on a series of lively productions each week, inviting audiences to take a seat on the grass (bring a picnic blanket) and enjoy performances like this season’s headliner, Shakespeare political thriller Coriolanus, which will be followed by the self-explanatory The Comedy of Errors. With construction of a permanent stage still in process on the main lawn, this summer’s shows will again be held in the dell at the top of the Old Zoo—meaning available space is smaller, and although performances are still free, reservations are required.

The Skirball puts on its annual series of free summer concerts, highlighting artists from L.A. and beyond. Guests can arrive early and visit the museum’s galleries for free, grab a seat for the show in the beautiful central courtyard, and dine and dance under the stars. The concerts are free—no reservations are needed, but entry is first-come, first-served—and parking is $20. This summer’s lineup celebrates America250 with a lineup dedicated to the uniquely American genre of jazz: Cory Henry and the Funk Apostles with Katalyst (July 16), Terrace Martin Plays Miles with Brandee Younger (July 23), Tortoise with Kassa Overall (July 30), and Annie and the Caldwells with the Campbell Brothers (Aug 6).

The latest addition to the growing roster of free summer concert series is a heavy hitter. Twenty-seven parks will host 108 concerts all across L.A. county. The shows—held Thursday, Friday and Saturday evenings throughout July and August—will reflect the culture and diversity of the communities where they’re held, from North to East to South L.A. County. You can find a full list of the parks here. As for the lineup, independent music festival NextFest L.A. is in charge of the programming, highlighting local artists from the city’s thriving music scene. You can find the schedule here—new lineups are announced at the start of each week.

Mix fried food, carnival attractions and the occasional rodeo or demolition derby, and you’ve got the OC Fair. What started as a quaint fair in 1889 has since grown into a monthlong fest in the middle of summer. It also boasts a lineup of alfresco live music that’s more impressive than most fairs’—this year you can catch Willie Nelson, Cypress Hill, Patti LaBelle, the Head and the Heart, Diana Ross, Alison Krauss, Steve Aoki, Boy George and even comedian Trevor Noah, among others. See the full lineup here. 

Swing by Redondo Beach’s Fisherman’s Wharf on Thursday and Saturday evenings in the summer for a free series of concerts held on the west end of the pier. You can expect tribute shows on Thursdays (from Weezer to Oasis cover bands) and local contemporary acts on Saturdays.

An evolution of the long-running Downtown Los Angeles Art Walk, the newly dubbed DTLA Artnight finds dozens of Downtown businesses opening their doors to art lovers on the first Thursday of every month, when over 25 galleries will debut new exhibitions. It’s a choose-your-own-adventure kind of experience, but if you start at Emerging Gallery (125 E 4th St), you can pick up a map of all the participating spots. MOCA is even joining the fun this time around as the cultural event expands from the Historic Core to Grand Avenue. Head to the museum for a free exhibition tour at 5pm.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

The multisensory nature of art is explored in this exhibition, which looks at the intertwined relationship between contemporary art and living materials. With its focus on artists’ relationships to the materials they use, “Several Eternities” highlights that commonality and aims to reframe the discussion around artists and race. Twenty-two artists from North, Central and South America have employed mediums like soil, stones, avocado, cacao, achiote, cochineal and clay in their works—the organic matter making it an ambitious exhibition to mount. From the moment you walk in, you can smell the soil, feel a vibrating wall and listen to the many “sonic interventions” throughout the show. The large-scale installations and sculptures—many rooted in Indigenous worldviews—steal the show. The experience ends with a welcome moment to pause: a meditative, black-walled room, with ocean sounds and sand covering the floor.