Things to do in Los Angeles today

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Co-organized with Warner Bros. Archives, this immersive exhibition explores the world-building of Ryan Coogler’s record-breaking and Oscar-winning film Sinners. Centered around the film’s iconic Club Juke sequence, it uses music as an ancestral thread to trace Black cultural memory and the Great Migration from the Mississippi Delta to California. Featured artifacts include original film costumes for Michael B. Jordan’s Smoke and Stack, the Club Juke sign and Sammie “Preacher Boy” Moore’s guitar. On your way out, stop by the interactive installation “Sounds That Carry Us,” where visitors can reflect on their own musical memories.

You might have seen ads on Instagram over the past couple of months for Hospital of Emotions—a colorful, cartoony flyer that heralds a site-specific art pop-up located in a real hospital with the tagline “a place to heal your heART.” The conceit intrigued me off the bat: 70 artists (both local and international) given hospital rooms as a canvas to transform as they wished. Hospital of Emotions ads are also referring to it as “the experience of the year.” We’re only in May so that’s still TBD, but I do think the exhibition—which is inhabiting the former St. Vincent Medical Center in Westlake and is officially open to the public as of May 27—is well worth your time. While the entire experience is hospital-themed—you walk through a waiting room and are given an intake form and hospital wristband, employees are in doctors’ coats—it’s not the cheesy type of immersive exhibition (read: selfie factory) that you might expect. Instead you’ll find 80 rooms filled with thought-provoking, visually dazzling and, yes, eminently photogenic installations. But there’s both style and substance here. And though the tickets are definitely on the pricey side, there’s so much to see—I spent nearly two hours there during my visit—that it (almost) makes up for it. The rooms are organized by theme; you start at the top of the building in the “Resilience Department” and make your way through clusters of rooms inspired by feelings like joy, sadness, anger, grief, fear and hope. The emphasis on...

Cole Escola’s gleefully irreverent comedy—a hilariously anachronistic historical burlesque about Mary Todd Lincoln in the weeks leading up to her husband’s assassination—is the funniest play in years. The touring production hits Downtown L.A.’s Ahmanson Theatre this fall, with Alaska Thunderfuck in the title role. Check out our full five-star review of its Broadway run. Tickets for the run can be pretty pricey, but you can try your luck at same-day rush tickets for $49 or $79; they’re available online each morning at 9am (use code MARYRUSH) or at the box office one hour before curtain.

Admire suspended sheets of textiles—including the metallic ones that would be incorporated into the curtains at the new David Geffen Galleries—along with colorful sketches and a recreation of Tokyo store NUNO at LACMA’s showcase of pioneering textile designer Reiko Sudō.

L.A.’s star-studded lecture series returns—both virtually and in person—with a lineup of writers, artists, performers, scientists and business leaders who will graciously blow your mind. For both online and IRL events, you’ll often have the option of purchasing a signed copy of the speaker’s book, as well. Highlights from the upcoming months include evenings with Michael Douglas (Oct 10), David Byrne (Oct 13), Andy Serkis (Nov 6) and Andy Richter (Nov 19).

Artist Cj Hendry’s faux-floral pop-ups in New York regularly attract blocks-long lines, and now Angelenos can take home the soft, sculptural blooms: Flower Shop is setting up at 6 Rose Avenue in Venice (barely a block from the boardwalk) daily from 10am to 6pm from November 8 to 21. Each fabric flower costs $10, though if you’re interested in assembling an entire bouquet, the tenth is free. The flowers are available on a first-come, first-served basis with no ticket or RSVP required, and new inventory will be added throughout the duration of the pop-up.

You’ve heard “Pinball Wizard” approximately a million times. But now see it all play out onstage when The Who’s Tommy comes to the Pantages. A dazzling new production of Pete Townshend’s groundbreaking 1969 rock opera will be performed in L.A. October 27 to November 15, introducing a whole new generation to the deaf, blind and mute boy who nonetheless “sure plays a mean pinball.” Expect powerhouse vocals, explosive choreography and enough rock ’n’ roll bombast to shake the chandeliers. Sadly, the baked beans choreo is strictly in the movie adaptation.

It feels like Oktoberfest all year round at Silver Lake’s long-running Red Lion Tavern, but it’s especially festive in the fall, when it celebrates the Bavarian tradition all the way through mid-November. Order the Oktoberfest platter—an epic array of pretzels, brats, schnitzel and sides—alongside a four-liter boot of beer. You’ll also find live music and stein-holding contests on select nights. Check the bar’s Instagram for programming updates.

“Somehow it’s a happier ending than I thought it would be—it felt so bleak,” Tacita Dean says of crafting this tribute to the then-fading format of analog film back in 2011. But now in the year of The Odyssey, Dean’s commission for the Tate Modern—restaged here at the Marciano Art Foundation’s cavernous theater gallery—feels like a triumphant touting of film’s resurgence: An 11-minute-long collage (all of the cutouts were achieved in camera) plays out on a vertically-oriented reel of 35mm film. Make sure to head up to the mezzanine viewpoint to peek into the projection booth. The show coincides with Pierre Leguillon’s selection of old advertisements that feature prominent artists promoting commercial brands, with presentations created for both the ground-floor library and the second-floor gallery.