Things to do in Los Angeles today

Geek out with fellow TV nerds at PaleyFest, the annual weeklong festival of exclusive episodes, clips and panel discussions with the cast and creators of the hottest TV shows. The Paley Center for Media-hosted festival is headed back to the Dolby Theatre in Hollywood from April 4 through 12, 2026. This year’s lineup includes cast and creator panels for The Pitt, Pluribus, Emily in Paris, Scrubs, Your Friends & Neighbors, a 50th anniversary celebration of Charlie’s Angels and a pair of beloved L.A.-set shows, Nobody Wants This and Shrinking. Each event includes a screening—usually either a finale or a preview—as well as a conversation, and as you might expect, the talent lineup is pretty staggering. This year’s roster includes—and this is truly just the abbreviated version—Rhea Seehorn and Karolina Wydra (Pluribus); Kate Jackson, Jaclyn Smith, and Cheryl Ladd (Charlie’s Angels); Jason Segel, Harrison Ford and Jessica Williams (Shrinking); Kristen Bell, Adam Brody and Justine Lupe (Nobody Wants This); Lily Collins and Ashley Park (Emily in Paris); Zach Braff, Donald Faison, Sarah Chalke, Judy Reyes, John C. McGinley, Neil Flynn, Christa Miller and Bill Lawrence (Scrubs); Jon Hamm, Amanda Peet and Olivia Munn (Your Friends & Neighbors); and Noah Wyle, Katherine LaNasa and R. Scott Gemmill (The Pitt).

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

Nature lovers, rejoice! The Natural History Museum is bringing back its annual Butterfly Pavilion, which will be open March 22 through August 23 and house up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. You’ll need to purchase a $10 add-on ticket on top of your museum ticket in order to explore the pavilion for a half-hour.

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).

Travel back to the LBC circa 1996 inside the Grammy Museum’s new celebration of Sublime. Three decades after the release of the legendary Long Beach ska-punk-reggae trio’s self-titled breakthrough—as well as the passing of singer and guitarist Bradley Nowell—the museum has assembled this nostalgic showcase of flyers, instruments and black-and-white performance photos. Highlights include handwritten lyrics to “Wrong Way,” archival live footage and Nowell’s sticker-covered acoustic guitar.

It doesn’t matter if you win by an inch or a mile—or if you’re more of a fan of the street racing and respect era or heists and hackers phase of Fast & Furious: There’s plenty of familiar motorized might to behold at this Petersen Automotive Museum exhibition honoring the high-adrenaline film franchise. You’ll find roughly 20 screen-used cars and production prototypes—including ones on loan from Vin Diesel’s private collection, as well as from the late Paul Walker—on display in the second floor of the Miracle Mile museum. It’s a very Fast & Furious kind of year in L.A. between Universal Studios’ roller coaster and this 25th anniversary exhibition. While the Petersen’s exhibition is certainly encyclopedic (the selections here span the entirety of the franchise, with a particular focus on the first three films), it’s not overly academic: Brief labels will let you know the story behind the stunt car you’re staring at, but this is ultimately an opportunity to ogle American muscle cars and custom Japanese imports (as well as the franchise’s melodramatic quotes about family). Highlights on display include the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, and Suki’s (Devon Aoki) very pink 2001 Honda S2000.

You may have come across Danish artist Thomas Dambo’s massive troll sculptures—which he makes from reclaimed wood and hides in nature to encourage people to get out and enjoy the outdoors—on Instagram. But you don’t need to book a trip to Denmark to see the gentle giants. The 87 acres of Palos Verdes’s South Coast Botanic Garden are currently home to 12 of the whimsical figures, and you can glimpse them all with your general admission ticket. For $33, you can take a guided walking tour of the Twelvelings (with general admission included). To see the trolls in a different light, one night a month, the gardens will host the Canopy Club—an after-hours dance party in the woods with pop-up performances, food and drinks ($34–$50).

The reopened Getty Villa will descend into the underworld with this exhibition, which looks at the ritual spells and religious writings ancient Egyptians employed to garner favor with Re and Osiris in the afterlife. See the Getty’s collection of rare Book of the Dead rare hieroglyphics-adorned and illustrated manuscripts, dating back to around 1000 BCE, which were last displayed in 2023. The show should dovetail nicely with the museum’s “Sculpted Portraits From Ancient Egypt,” which runs through January 2027.

Made up of a Melrose Avenue workshop and two galleries—including one designed by Frank Gehry—Gemini G.E.L. has been at the forefront of fine art printmaking for 60 years now, an accomplishment it’s celebrating in this show which doubles as a love letter to L.A. On display are innovative works by artists including David Hockney, Roy Lichtenstein, Ed Ruscha and Robert Rauschenberg—many of which haven’t been shown in decades—which are inspired by the atmosphere and streets of Los Angeles.