The best things to do in Los Angeles this week

Organized by New York’s Museum of Modern Art and presented by the Hammer Museum, the MoMA Contenders series presents 10 influential, innovative films made in the past year that MoMA’s Department of Film believes are bound for big things. In addition to screenings of all 10 films, most are normally accompanied by a post-screening discussion with some of the creatives involved in the project. This week, catch I Want Your Sex and Obsession.

Perhaps the Los Angeles area’s most iconic flea market, this event around the exterior of the Rose Bowl is staggeringly colossal—but what else would you expect from a 90,000-seat stadium? The sheer size and scale of this flea market means that it encompasses multitudes: new and old, hand-crafted and salvaged, the cheap and the costly.

Boyle Heights–adjacent gallery and community center Self Help Graphics & Art has presented this Day of the Dead celebration for over half a century. And though its brick-and-mortar location is currently under renovation until 2027, SHG will still stage its annual tradition outside of the gallery as it prepares for its homecoming. The event will begin with a procession at Mariachi Plaza (1:45pm), where Danza Azteca Chicomecoatl will lead an animated procession to the nearby arts center, which will host a big outdoor block party with local food and craft vendors, altars, face painting, drop-in workshops and live entertainment—including sets by Los Lobos, La Santa Cecilia and Chulita Vinyl Club LA. Look out for some themed, family-friendly art workshops in the lead-up to the event, too, at the East L.A. County Library (Oct 24, 31: noon–3pm).

Are you listening? The anthemic Jimmy Eat World pairs up with reunited indie pop darlings the Format for this celebration of two aughts classics, Bleed American and Dog Problems, at the Hollywood Bowl.

You’ve heard “Pinball Wizard” approximately a million times. But now see it all play out onstage when The Who’s Tommy comes to the Pantages. A dazzling new production of Pete Townshend’s groundbreaking 1969 rock opera will be performed in L.A. October 27 to November 15, introducing a whole new generation to the deaf, blind and mute boy who nonetheless “sure plays a mean pinball.” Expect powerhouse vocals, explosive choreography and enough rock ’n’ roll bombast to shake the chandeliers. Sadly, the baked beans choreo is strictly in the movie adaptation.

Co-organized with Warner Bros. Archives, this immersive exhibition explores the world-building of Ryan Coogler’s record-breaking and Oscar-winning film Sinners. Centered around the film’s iconic Club Juke sequence, it uses music as an ancestral thread to trace Black cultural memory and the Great Migration from the Mississippi Delta to California. Featured artifacts include original film costumes for Michael B. Jordan’s Smoke and Stack, the Club Juke sign and Sammie “Preacher Boy” Moore’s guitar. On your way out, stop by the interactive installation “Sounds That Carry Us,” where visitors can reflect on their own musical memories.

Celebrated Chicana artist Judy Baca’s half-mile-long The Great Wall of Los Angeles, a collaborative mural begun in the ’70s along the Tujunga Wash, has received all sorts of museum love in the past few years, including at a LACMA show where the muralist and her team painted new sections of the work during museum hours. Now, Baca and her Social and Public Art Resource Center team are the center of a new exhibition at the Skirball, where you can see recently completed mural sections focused on the 1960s—in particular the Civil Rights Movement—that soon will be part of the larger work.

It’s hard to imagine a lovelier setting than the Huntington’s rose garden in bloom. Add in live music provided by the Pasadena Conservatory of Music, and there’s no better place to spend a Monday afternoon. Wander among the blooms while solo and duo performers share their strings skills on violin, cello and guitar. Admission is included with your $29 Huntington ticket.

It feels like Oktoberfest all year round at Silver Lake’s long-running Red Lion Tavern, but it’s especially festive in the fall, when it celebrates the Bavarian tradition all the way through mid-November. Order the Oktoberfest platter—an epic array of pretzels, brats, schnitzel and sides—alongside a four-liter boot of beer. You’ll also find live music and stein-holding contests on select nights. Check the bar’s Instagram for programming updates.

Catch Curtis Cook, Brandie Posey, Rick Wood and John Michael Bond host this free comedy show on Wednesday nights at Hollywood’s Y2K-inspired Zero Lounge. The event coincides with the bar’s daily 7-to-10pm happy hour, so hang out for a bit and garnish your comedy with a cocktail or mocktail.

Right in time for Halloween season, the Academy Museum seeks to answer the question “Why do horror films matter so deeply to so many?” in this immersive look at the genre whose cultural cachet is always increasing. Knowingly employing horror tropes and exploring the lasting appeal of scary movies, the show will be divided into six subcategories of horror—gothic, psychological, science, slasher, religion and ghosts. Expect re-creations of iconic settings where visitors will encounter creatures, monsters and objects from their favorite horror flicks and, in typical Academy fashion, a behind-the-scenes look at the storytelling and production processes of films from the original Frankenstein to The Shining to Get Out.

L.A.’s star-studded lecture series returns—both virtually and in person—with a lineup of writers, artists, performers, scientists and business leaders who will graciously blow your mind. For both online and IRL events, you’ll often have the option of purchasing a signed copy of the speaker’s book, as well. Highlights from the upcoming months include evenings with Andy Serkis (Nov 6) and Andy Richter (Nov 19).

Following the wildly successful first edition of her Daisy Chain Fields music festival, Olivia Rodrigo is stepping into the spotlight at the Grammy Museum, where a new two-part exhibition is devoted to the pop star. Running through February 22, 2027, “Olivia Rodrigo: the cure unraveled” features an exclusive look at the handcrafted hospital sets, costumes, props, stop-motion animatronics and original artwork from the singer’s music video for single “the cure.” Meanwhile, “note by note,” the second installment, which opens September 25, offers a journey through the prolific singer’s career so far, with outfits and accessories spanning all three of her album cycles and two world tours, plus items fresh from the Daisy Chain Fields grounds.

See the marionette theater’s family-friendly take on Halloween during the two-month return of its Hallowe’en Spooktacular—a refurbished production of its long-running “boo-sical revue” where you can see over 100 silly and spooky puppets take the stage. A newer addition is the Día de los Muertos sequence that pays tribute to the holiday. Once October arrives, each show will include a costume parade, so dressing up is encouraged.

Head to the mountains for the annual Oktoberfest at Big Bear Lake, where you’ll be able to clink steins every weekend from September to early November. Beer will be flowing, knockwursts will be cooked up, and dirndls will be worn. The entertainment lineup includes numerous bands—many straight from Germany—and other performances, and one lucky damsel will be named the Oktoberfest Queen when she wins the stein-carrying contest. Others can test their skills with free log-sawing, stein-holding and chugging competitions.

Face your fears and head to the Natural History Museum’s Spider Pavilion, where you can observe several hundred orbweaver spiders in a living exhibit just outside of the museum. Scared the spiders might be hard to spot in the wild? Fret not. In previous iterations, we’ve spotted ones about the size of an adult’s palm. Gulp. (But don’t worry: The scariest ones—from tarantulas to wolf spiders—are in enclosed habitats.) 

“Somehow it’s a happier ending than I thought it would be—it felt so bleak,” Tacita Dean says of crafting this tribute to the then-fading format of analog film back in 2011. But here in the year of The Odyssey, Dean’s commission for the Tate Modern—restaged here at the Marciano Art Foundation’s cavernous theater gallery—feels like a triumphant touting of film’s resurgence: An 11-minute-long collage (all of the cutouts were achieved in camera) plays out on a vertically-oriented reel of 35mm film. The show coincides with Pierre Leguillon’s selection of old advertisements that feature prominent artists promoting commercial brands.

Admire suspended sheets of textiles—including the metallic ones that would be incorporated into the curtains at the new David Geffen Galleries—along with colorful sketches and a recreation of Tokyo store NUNO at LACMA’s showcase of pioneering textile designer Reiko Sudō.

Five photographers who pushed their medium in new directions in the second half of the 20th century present their unique takes on the city in this Getty Center show. Influenced by techniques including social documentary practices, staged scenes and fashion, the photographs of Laura Aguilar, Reynaldo Rivera, George Rodriguez, Patssi Valdez and Ricardo Valverde expanded Chicano and Chicana representation in Los Angeles.

Billing itself as “Orange County’s biggest party since 1977,” the Old World Oktoberfest promises enough beers, brats and bands to make you feel like you’re in Munich—albeit with better ocean views. Every Wednesday through Sunday between September 12 and November 8, this re-created Bavarian village will offer a sausage-filled menu, oompah and German bands, a biergarten, dancing and more. While Old World’s Oktoberfest is 21-plus with a cover charge on Friday and Saturday evenings, it’s open to families and revelers of all ages on Saturday afternoons and other nights. (Entry is free on Wednesday and Thursday nights, as well as Saturday afternoons, just book ahead online.)

Just in time for silver screen starlet Marilyn Monroe’s 100th birthday, the Academy Museum is presenting a centennial celebration dedicated to the woman and her work, offering “unique insight into her agency in becoming a Hollywood icon.” In addition to posters, portraits, letters and rarely seen personal items, highlights from the exhibition include two screen-worn costumes from Some Like It Hot and the rarely exhibited famous pink dress Monroe wore in Gentlemen Prefer Blondes.

Borrowed from Woody Guthrie’s egalitarian folk anthem, the title of this exhibition at the Huntington offers a pretty literal teaser of what you can expect to see: lots of relics tied to land, specifically American land. But that lens provides an insightful and profound perspective on 250 years of ambition, achievement, struggle, exclusion and belonging in the United States. There are some truly remarkable documents on display here—including Guthrie’s original lyrics sheet for “This Land is Your Land,” paired with one of his acoustic guitars with a faded proclamation that “this machine kills fascists” scratched into the back. But the most humbling piece on display just might be the one that first greets you: the cross section of an oak tree that stood on the grounds of the Huntington for 250 years.

The Skirball’s Jack Kirby exhibition may be over, but the museum has followed it up with this expansive look at how comics came to dominate pop culture. Many of the creators of the medium were immigrants and outsiders—including Jewish Americans—who poured their experiences with struggle, aspiration and reinvention into their work. From the Great Depression through Y2K, comics reflected the national moment and actually helped shape American identity. On display, you’ll find original artwork and artifacts relating to beloved comic book characters, from Superman and Black Panther to Little Lulu and Archie.

This L.A.-centric exhibition looks at the Declaration of Independence’s promise of life, liberty and happiness, and how that promise has been fulfilled—or not—throughout the city’s development. Told via the stories of diverse Angelenos alongside historical and contemporary objects, media and art, the show “invites you to step into a conversation that has been shaping Los Angeles for over two hundred years.” 

This show aims to give Black queer culture in California—particularly in Los Angeles—the credit it’s due as a part of the decades-long fight for LGBTQ+ rights and recognition. Through historical materials, photographs, film and vintage newspapers, the exhibition recovers a history that’s been largely excluded from the record, introducing visitors to sites, protagonists and allies who played a role in the fight for democracy and free expression. 

It’s a very Fast & Furious kind of year in L.A., between Universal Studio’s roller coaster and this 25th anniversary exhibition of the movie franchise. The Petersen Automotive Museum is showcasing movie vehicles, stunt cars and production prototypes in its second-floor galleries, including the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, Suki’s (Devon Aoki) 2001 Honda S2000 and more.

The reopened Getty Villa will descend into the underworld with this exhibition, which looks at the ritual spells and religious writings ancient Egyptians employed to garner favor with Re and Osiris in the afterlife. See the Getty’s collection of rare Book of the Dead rare hieroglyphics-adorned and illustrated manuscripts, dating back to around 1000 BCE, which were last displayed in 2023. The show should dovetail nicely with the museum’s “Sculpted Portraits From Ancient Egypt,” which runs through January 2027.

Do you get a little thrill every time you go to the Beverly Hills Hotel? You have architect Paul R. Williams to thank, even if you might not know the name. This exhibition at the USC Fisher Museum of Art aims to fix that. “Paul R. Williams: An Architect Considered” specifically spotlights the visionary architect’s multifamily housing projects through original drawings, photographs and plans, juxtaposed with new commissions by contemporary artists and architects. The message is clear: Williams didn’t just shape Los Angeles; he imagined a more livable version of it, one gorgeous building at a time. Complementary Williams exhibitions at LACMA and the Getty Center will open later in the year.