March 2025 events calendar for Los Angeles

This spectacular exhibition from the Icelandic–Danish artist brings a new series of optical installations to MOCA’s Little Tokyo location. Don’t let the reflective, colorful pieces fool you into thinking this is some run-of-the-mill “immersive” exhibit: Olafur Eliasson’s works invite you to admire the everyday miracles of physics that shape how we see the world. The towering, mirror-lined stacks that fill the entrance of “OPEN” bring the outside in, as the warehouse-style Geffen Contemporary’s skylights create infinite spaces and mini worlds out of the sun and sky. The surprisingly analog optics behind them can be truly sublime: Gently moving water has a pair of pieces appear as shimmery landscapes, mirrors turn tubing into floating rings that trail into a black void and a simple array of pendants produce colorful flares against a screen. These aren’t pieces you’re meant to disappear into; instead, they provide a lens for the enviornment around us. You’ll need a timed ticket ($18) to see “Olafur Eliasson: OPEN.” Look for reservations on the first Friday of the month, from 5 to 8pm, for free admission.

You can’t seem to get more a stone’s throw away from a huge festive light display in Los Angeles come holiday season. Well, except for this new entry to the scene, which is making its L.A. debut all the way at Raging Waters. If you feel like making the trek out to San Dimas, though, Lektrik looks like quite the impressive display, boasting over 1,000,000 LED lights and larger-than-life lanterns through miles of illuminated trails. Adding to the experience are acrobatic performers, artisan vendors, food trucks and even some stone-carving.

This exhibition of 21 soundstage-sized installations has floated its way into L.A. Don’t expect mere bundles of birthday balloons: Instead, these pieces range from room-filling ball pits to reflective LED tunnels to giant grabbable bubbles, all inspired by air in some way. The “museum” part of the name might be a little bit of a stretch (though each photogenic piece is actually credited to a named artist), but the “Let’s Fly” edition of this touring show is a more fun experience than your run-of-the-mill made-for-Instagram attraction: Whether you’re bonking the bouncy “Ginjos,” pushing a charcoal-tipped sphere or getting swept up in a staticky whirlwind of balloons, there are some undeniably entertaining—and yes, very photogenic—hands-on scenes here.

After welcoming more than 5 million guests worldwide, the Balloon Museum is making its way to Los Angeles with Let's Fly. This immersive inflatable art experience lands at the iconic Ace Mission Studios and is opening its doors to the public on October 30. Featuring mind-blowing installations from 21 world-renowned artists, the pop-up installation blends contemporary art with hands-on experiences. Here you're meant to touch, interact and explore. From a visit to an extra-terrestrial planet to a collection of graceful bubbles and a kaleidoscopic fountain, these exhibits will let your imagination take flight.

This first-floor exhibition at the Broad features hundreds of German artist Joseph Beuys’s “multiples,” editioned objects (with a focus here on environmentalism) that stretched the meaning of sculpture. But the most notable aspect of this show extends beyond the gallery walls: Inspired by Beuys’s 7000 Eichen (7000 Oaks), the concurrent Social Forest: Oaks of Tovaangar will plant 100 native trees (primarily coast live oaks) in Elysian Park and at Kuruvungna Village Springs.

It’s more than just the low clearance: This exhibition at the Petersen explores the custom paint, engraving, upholstery and, of course, the gravity-defying suspension of the lowrider scene. In addition to iconic cars, the exhibit spotlights influential artists in the Chicano lowrider art scene. Even if you have no interest in cars, this colorful showcase of 20-plus lowered cars and bikes is excellent: The candy-colored paint jobs are dazzling, and the craftsmanship of the customizations—many vehicles are on display with their engines and undercarriages visible—is remarkable. You’ll learn a little bit of history here, how the “low and slow” movement is rooted in the postwar Mexican American zoot suit counterculture, but largely this is an excuse to ogle some L.A. automotive icons.

We kind of just take it for granted when we gawk at a screen, but there’s a ton of science and craft behind the use of color in film. This Academy Museum exhibition dives into just that, with more than 150 objects—cameras, costumes, props and film posters—from the 1890s to today. The show’s rainbow-sequence costume gallery—with pieces from Django Unchained, The Shining and the return of Dorothy’s ruby slippers from The Wizard of Oz—is a visual feast of recognizable cinema relics. But the most eye-catching components come in the hands-on Color Arcade, where you can splash digital paint across a screen or press into the stretchy recreation of Oskar Fischinger’s Lumigraph, a trippy illuminated instrument. “Color in Motion” is broken up into six areas: The exhibition looks at the connection between color, music and movement, like in early dance and animated shorts; decades of color technologies, from Technicolor processes and Disney’s women-led Ink & Paint Department to contemporary digital tools; tinted reels of otherwise-black-and-white silent films; the narrative role of color; and experimental works (the Color Arcade fills that sixth slot). The show debuts alongside “Cyberpunk: Envisioning Possible Futures Through Cinema,” a comparatively smaller exhibition in the museum’s central double-height gallery. On the bottom floor, you can watch a supercut of films in the genre, while upstairs features props and artwork from Blade Runner, The Terminator and Ex Machina, plus a restore

A collaboration with the Carnegie Observatories and the Griffith Observatory, this LACMA exhibition brings together a global collection of pieces, from the Stone Age to today, that reflect humans’ ever-evolving attempts to explain the origins of the universe. Alongside pieces of sacred artwork and architecture, you can expect some heady, scientifically-minded contemporary works—like a teaser from Josiah McElheny that’s already on display in the center of the Resnick Pavilion. Island Universe features five reflective, rod-encircled spheres; each individual sculpture is supposed to represent a different parallel universe, and each branching rod the passage of time.  

A true multi-hyphenate, Carver was a painter in addition to a pioneering agricultural scientist. CAAM will display seldom seen paintings as well as his lab equipment alongside contemporary works that were inspired by his foundational work in modern conservation—ideas that started to spread with his “Jesup Wagon,” an early 1900s moveable school.

Explore the Autry into the evening at the Griffith Park museum’s Thursday-night series that spotlights the city’s emerging and established artists, musicians, poets, writers. Programming ranges from a sound bath to alfresco music to a meet-and-greet with the world’s first Indigenous droid.