Ride the tram to the Getty on select days for this experimental series of ephemeral performances and listening sessions. Formerly known as Friday Flights, the series takes its name from an engraving that marks the entrance to Robert Irwin’s central garden at the museum: “Ever present / Never twice the same / Ever changing / Never less than whole.”
In July you’ll find a recreation of a 1960s performance piece from artist Joan Jonas. Dubbed Mirror Piece I & II, it entails 15 dancers in the museum’s tram arrival plaza moving mirrors in synchronization.