Skyler Higley
Photograph: Brandon Moningka for Time Out
Even if you haven’t heard Skyler Higley’s name before, you’ve definitely heard at least one of his jokes. The former Conan scribe was in the writers’ room for the Oscars this year and penned host Conan O’Brien’s mid-ceremony joke—“We’re halfway through the show, which means it’s time for Kendrick Lamar to come out and call Drake a pedophile”—winning him $50 after he bet the show’s executive producer that the joke would kill.
But while his work has been in headlines just recently, he’s already well established in the comedy world. Higley grew up in Salt Lake City—he was adopted and raised by white parents, which is a frequent source of material in his sets—later becoming a fixture in the Chicago comedy scene and writing full time for The Onion. He’s now in L.A., where after Conan ended, the in-demand writer and WGA Award winner joined late-night panel show After Midnight. In his stand-up, Higley pushes boundaries while retaining his warmth, sharing a skillful mix of biting satire, cutting observations and personal anecdotes. In his former boss O’Brien’s own words, he’s “delightfully bizarre and undeniably hilarious.”
What’s the funniest thing about your life right now?
[On tweeting about the Kendrick vs. Drake joke] I guess the funny part is now like all of these really angry Drake stans are in my mentions being like, “You sold out your community. You let a white man call Drake a pedophile—which he didn’t! It was a reference to Kendrick at the Super Bowl, it wasn’t like calling out Drake. So, yeah I guess it’s funny that I’m kind of in a weird media thing right now, and that people are mad for reasons that I did not anticipate. But it was really cool to do that.
The one joke that always lands:
I don’t think there’s any such thing as a joke that always lands if you do comedy in enough places. But I guess I have two that are closest to that. One’s old and one’s new. The old one is about doing acid on the train in Chicago, and I sort of overcomplicate seeing someone’s naked ass on the train and say, “That ass is amazing.” It’s one of these long-setup, complicated-setup analytical things that has a punchline—and that works I would say most all of the time.… And then a new one is something where I say, “You know, people accuse me of hating white people—I don’t, I don’t hate white people. Why would I waste my energy hating a group of people who are already going to hell?” That kills pretty hard.