The weird flashbacks that accompany her and the stray dog who’s adopted her, plus obvious supernatural abilities and hints of a centuries-old sibling feud would suggest so, but the various strands of an elliptical narrative that put her in the hands of charming historian Daniel and sweet-natured widow Miranda (Anne Reid, shifting effortlessly from sweet to menacing) take a long time to come together in Bafta-winning writer Sally Wainwright’s engaging tale.
Once they do, the devilish action develops at a breakneck pace to a denouement that will leave you feeling as cheated as the final episode of BBC2’s ‘The Fall’ did earlier this year. More please, and soon.
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