This is no Hollywood display of pyrotechnics: the violence is psychological and the battles fought mostly internal, emphasised by Niall MacCormick’s unforgiving way with a close-up. Oyelowo is superb as the frustrated patriot reaching breaking point; Ali is equally good as the ambiguous, no less patriotic accused; when they finally meet on screen, the tension crackles and the exchange of moral provocations grips like a vice. The ending may frustrate a few, but is of a piece with a drama whose only certainty is that nothing is certain.
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