Ibrahim Fakhri is an artist who moved to London in 2013.
‘I consider myself a sculptor but have become famous for my graffiti, and the activism that goes with it. I use stencils based on head shots of Syrian people, victims, those caught up in the madness. Many of my subjects are now dead.
‘I use graffiti because it is disobedient but also beautiful and accessible. Easy for people to find, easy for people to see. Thanks to artists like Banksy, it has a very high profile now. I’ve graffitied in a lot of places – London, The Hague, Amsterdam, Spain – to get the message out. I was part of a project called Freedom Graffiti Week, where people could download our stencils to print, then cut out and spray in their own city.
‘The idea is to show the world that the Syrian crisis shouldn’t be reduced to an abstract figure that appears on the red ticker at the bottom of a news bulletin: 200,000 Syrians dead, 300,000 Syrians dead or whatever. We’re talking about actual people with actual lives. Their faces deserve to be seen, their stories deserve to be heard.
‘Word spread of what we were doing and last year I had my work displayed at the Victoria & Albert Museum. It was incredible to be spraying my work on to the wall there. Truly a lifetime achievement.
‘I’m always looking for opportunities to tell a different story to what the media focuses on. I’m really happy I have a platform, but I want to do more. Getting the attention of the media is hard. I don’t know why that photo of the boy on the beach in particular rose to prominence. He’s not the first child we’ve lost, definitely not; three days earlier, 12 bodies of children washed up on the beach. This photo managed to break the silence. I don’t know why, but it seriously made all the difference. I think it was one of the main reasons there was that massive demonstration recently. That’s the power of the right image.’