A man and his dog walking down a path in Brockwell Park on a spring morning
Photograph: Chris Bethell for Time Out
Photograph: Chris Bethell for Time Out

Things to do in London today

The day’s best things to do all in one place

Rosie Hewitson
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In this city, you’re never too far away from a picturesque park, a lovely pub or a cracking cinema, and on any given day, you’ve got a wealth of world-class art shows, blockbuster theatre and top museum exhibitions to choose from if you’re twiddling your thumbs.

Use your spare time wisely with our roundup of the best things happening in London today, which gets updated every single day and includes a specially selected top pick from our Things to Do Editor seven days a week.

Bookmark this page, and you’ll have absolutely no excuse to be bored in London ever again!

Find even more inspiration with our curated round-ups of the best things to do in London this week and weekend

More things to do in London today

  • Things to do
  • Festivals
  • London
Every year, London’s famous river gets a whole festival of art installations, performances, and talks devoted to her watery charms, many of which are free to check out. This year’s Totally Thames Festival has scores of events throughout September, all dotted along riverside locations from Richmond to Barking & Dagenham. This year, look out for The Waterfront Journals, (Sep 6), a promenade performance of New York City artist and AIDS activist David Wojnarowicz’s monologues, Turning the Tide (Sep 17-20), a site-specific film installation by Turner Prize-nominated artist Catherine Yass projected onto the columns of the disused Blackfriars Railway Bridge and Where the River Holds Us (Sep 27-28), a site-responsive opera on Victoria Embankment. There’ll also be a dance performance from ex-Rambert dancers in the atmospheric Brunel Museum Tunnel Shaft (Sep 24) and recitals aboard Victorian steamship the SS Robin (Sep 26). Old favourites will also be making an appearance, including the Great River Race (Sep 12) from Tower Hamlets to Richmond – where 330 crews from across the world spending the morning speeding down the Thames on wooden rowboats, many of them in fancy dress costumes – and the St Katharine Docks Classic Boat Festival (Sep 12-13), where visitors can clamber aboard more than 50 historic vessels. You can also join a river exploration session as part of Mudlarking Weekend (Sep 5-6), take part in paddlesports sessions and a fishing competition as part of Tidefest (Sep 6)...
  • Things to do
  • Festivals
  • London
Ever wanted to have a nosy around some of London’s coolest private buildings? Open House London gives guests free access to architectural wonders that are not normally open to the public – from schools and offices to places of worship. It’s an often rare chance to explore iconic or just interesting buildings that make up the capital’s storied history, while the programme usually includes tons of workshops, exhibitions and more, as well as the usual tours. This year, the full programme will be announced on July 15, with bookings opening on August 19. Get practising your clicking now – these tickets go faster than Glastonbury.  
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  • Things to do
  • Festivals
  • London
  • Recommended
London is widely recognised as one of the design capitals of the world. Cementing this title is the annual Design Festival, a colourful and thought-provoking celebration of some of the world's best designers, who interrogate the boundaries of design through events, exhibitions and installations. The 2026 programme is packed full of surprising installations and intriguing collaborations. Wander down the Strand in Covent Garden and you'll spot The Pangolin Shield, a pavilion inspired by the endangered scaly beasts, situated opposite India's High Commission as a comment on the movement of people and species across borders, and the legacy of colonialisation.  Head to the Barbican and you'll have the opportunity to lounge on a comfy installation by MADE, as part of an interiors collection inspired by this architectural landscape. Over at the V&A, Craft x Tech will show works made in collaboration between international designers and Japanese craftspeople. There'll also be an immersive sound installation by L-Acoustics at Wapping Hydraulic Power Station, a retrospective of Kenzo's designer Nigo at London Design Museum, and Reviving Craft, a group exhibition exploring Chinese craftsmanship in new eras.  The festival's events will be spread between 11 distinct design districts, designed to highlight the places where creative Londoners cluster: Bankside, Brompton, Chelsea, Dalston to Stokey, EC1, Fleet Street Quarter, Mayfair, Park Royal, Shoreditch Design Week, Blackhorse Creates...
  • Things to do
  • Festivals
  • King’s Cross
  • Recommended
Tired of merely listening to your favourite podcast hosts yabbering away? Now you can watch them at it IRL at London Podcast Festival, which is hosting some of the best podcasting talents from the UK and US live at Kings Place over another 11 days this September. This year get a front seat at plenty of big shows in the audio world, including hugely successful British Asian pod Tommy's Brownload, Wrong Turns with Jameela Jamil, family fact show No Such Thing As A Fish, The Empire Film Podcast and The Beef and Dairy Network Podcast (trust us, it’s waaay more fun than it sounds!)
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  • Things to do
  • London
This community festival is back, taking over unusual local indoor and outdoor venues across south east London to screen feature films for kids and adults, artists' film and video and archive footage. This year’s highlights include a screening and film quiz at The Man of Kent (Sep 8), a spooky screening of The Blair Witch Project in Nunhead Cemetery (Sep 5), a short film night at Peckham Plex (Sep 5), and a finale screening of standout 2025 film Sinners at LEX2 Livesey Exchange (Sep 13). Look out also for showings of Blue Velvet, Paddington 2, Moonlight, Human Traffic, Burning an Illusion, and Labyrinth at weird and wonderful venues. 
  • Things to do
  • Exhibitions
  • South Kensington
  • 4 out of 5 stars
  • Recommended
A hat in the shape of an upside-down shoe; a dress resembling an inside-out human body; embroidered jackets covered with gorgeous pink roses, sparkling zodiac symbols and vibrant vegetables. Elsa Schiaparelli made clothes that were as surprising as they were beautiful. The V&A has plundered the well of ingenuity that is Maison Schiaparelli in its latest landmark fashion exhibition – the first British exhibition dedicated to the Italian designer, who rose to fame in Paris between the World Wars – and there are some real treasures to be found.  With over 400 objects, including 100 ensembles and 50 artworks (by the likes of Salvador Dalí, Picasso and Man Ray), as well as accessories, jewellery, photographs, perfumes and an excellent collection of buttons, Schiaparelli: Fashion Becomes Art presents a deep dive into the fantastical and surreal world of the fashion house. Founded on Paris’ Place Vendôme in 1927, the exhibition spans the 1920s to the present day, showing glorious garments from Creative Director Daniel Roseberry, who has been at the helm since 2019.  Excitingly, many of Schiaparelli’s 20th-century creations appear astoundingly contemporary. Knits from 1927, some of the designer’s first works, are patterned with pretty bows that the TikTok girlies of today would die for. There’s also an incredible gold chainmail headdress which wouldn’t look amiss on Florence Pugh in Dune, or on a ‘medievalcore’ Pinterest board. A shirred form-fitting dress with a visible zip – a...
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  • Things to do
  • Festivals
  • Battersea
Following its success over the last two years, CelebrASIA is once again taking over Battersea Power Station with a celebration of South East Asia that shines a light on the cuisines and creativity of the region. Held both inside and outside of the art deco power station, the whole area will get a colourful transformation in the form of lanterns, sculptures and immersive installations, transporting you straight to the continent without actually having to leave London.   As always, there will be comedy sets, cooking classes, craft workshops, film screenings, live music, an artisan market and national dress parades. But for the very first time, on top of all of that, the event will host expert panels exploring South East Asia’s influence on fashion, food, literature and culture across the globe. Those will kick off with a talk between Khairani Barokka (author of Annah, Infinite)and Ivy Ngeow (author of The American Boyfriend). Other panellists will include Helena Lee, features editor at Harper’s Bazaar, Audrey Khew from the British Fashion Council and John Chantarasak from AngloThai. Street food stalls will serve up bites from cult favourite London restos including Farang, Turo Turo, Mambow and Chick’n’Sours. Craft workshops will teach the arts of Batik painting, Sarawak beadwork, and other traditional crafts, and there will be traditional dance and music performances from Malaysia, Singapore, the Philippines and more throughout the weekend.   
  • Things to do
  • Exhibitions
  • Kensington
  • 4 out of 5 stars
  • Recommended
If streetwear is a religion, Nigo is one of its deities. The man behind A Bathing Ape (Bape, for short) is worshipped by hypebeasts the world over, not only for his pioneering approach to streetwear but also for his cultural footprint. Inextricably linked to hip hop – Nigo is besties with Pharell, and everyone from Biggie Smalls to Drake and Lil Wayne have donned his designs – the Japanese designer’s work is characterised by bold camo prints, Warholian pop-culture references and brash graphics.  For the first time, the man behind Bape and Human Made, and the creative director of Kenzo since 2021, has his own London retrospective. The Design Museum’s exhibition features 700 objects – 600 of which come from Nigo’s personal archive – including records, toys, magazines, music videos and a whole lotta clothes, spanning the ‘80s to the present day.  Nigo: From Japan With Love starts with a joyful recreation of the designer’s teenage bedroom – a dream of an ‘80s boudoir displaying Nigo’s own teenage relics: a lava lamp, a Kangol hat, stacks of hip hop records and his very first vintage piece – a shredded Levi’s type II denim jacket. It then moves through a selection of his most treasured objects, which range from Star Wars figurines to a Mr Peanut canvas jacket, and an absolutely amazing 1970s McDonald’s uniform from Hawaii, where the traditional flowers of the Hawaiian shirt are replaced by illustrations of burgers, fries and shakes. His obsession with Americana and vintage...
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  • Things to do
  • Festivals
  • London
A Viking longboat’s worth of Icelanders will be invading the capital this September. After two and a half decades of charming its way round more than 20 cities across the US, Canada, Germany and Japan, Taste of Iceland is arriving in London for the first time.  The three-day festival offers loads of opportunities to get better aquainted with the food and culture of the remote country who many Londoners mostly know through Sigur Rós and travel TikTok. Vauxhall brasserie Darby’s is hosting nightly dinners where Iceland’s reigning Chef of the Year, Hinrik Örn Lárusson, joins forces with the restaurant’s own Robin Gill to build a multi-course menu around Icelandic lamb and seafood. There’s also a guided cocktail journey through Iceland’s wildest regions, featuring a mixologist and a storyteller-guide who will walk you through three destinations via three drinks. Comedy fans can catch Iceland’s biggest stand-up Ari Eldjárn breaking down the realities of Icelandic life, fresh from his Netflix special. And don’t miss an Iceland-themed exhibition from the World’s Worst Photographer, chosen from 127,000 entries, whose slightly blurry Iceland shots are somehow still better than anything on your camera roll.  Best bit? Almost all of it’s free. Just bring an appetite and low expectations for your own photography by comparison.
  • Things to do
  • Festivals
  • Canary Wharf
Ahoy! London's annual river marathon sees over 2,500 competitors from around the globe battle to become the UK's Traditional Boat Champions. Participants in The Great River Race range from serious athletes to recreational rowers in fancy dress. It's a spectator's dream watching the motley crew of boats charge down the river, there's gigs, skiffs, Chinese dragon boats, Hawaiian war canoes, Viking longboats, Irish curraghs, shallops, wherries and whalers. For 2026, the race starts at Millwall Slipway, E14 at 12.45am and finishes at Ham House, Richmond, TW10 where food stalls and live music awaits. You can follow the race for free along the route or buy £45 tickets to watch from the Connaught supporters' boat.

Theatre on in London today

  • Musicals
  • Swiss Cottage
  • 5 out of 5 stars
  • Recommended
Kimberly Akimbo has the sort of outlandish premise that makes you wonder if it’s going to be another entry in the annals of ‘mad things that only Americans are interested in’. But any  musical that wins five Tony awards and tempts the legendary Maria Friedman out of unofficial retirement is probably going to be alright, isn’t it? Well yes. In David Lindsay-Abaire’s adaptation of his own, more obscure 2001 play, Friedman stars as Kimberly LeVaco, a 15-year-old New Jersey schoolgirl who suffers from an unnamed condition which makes her age at four times the usual speed. This is obviously not a real thing that could really happen (or not in such a neat way). But this inverted suburban Benjamin Button allows itself the one wild metaphysical flourish and plays it with a beautifully straight bat. And of course, it’s a metaphor. Kimberly laconically notes early on that not many kids with the condition live beyond the age of 16. It could have been a musical about a teen with cancer or other more tangible terminal condition. But making it weird stops it feeling like a mawkish weepie about a dying girl and opens it up – Kimberly’s condition feels as much a metaphor for the transience of childhood and the fleetingness of life in general than a story to view literally. It’s also a rare gift of a role to a sixtysomething actor and – like Victoria Clark, who won a Tony for the Broadway production - Friedman absolutely seizes it in Michael Longhurst’s UK premiere. She is sensational as...
  • Drama
  • South Bank
  • 3 out of 5 stars
  • Recommended
Tracey Scott Wilson’s US newspaper drama The Story is definitely more red top than broadsheet in tone. But there’s always a place for some thrills in the theatre. Making its UK debut almost a quarter century after its 2003 US one, its roots stretch even further back in time: it’s inspired by the story of Janet Cooke, a promising young Black reporter for the Washington Post who was forced to return her Pulitzer Prize after her 1980 story about child heroin addicts on the streets of DC turned out to be largely fabricated.  Wilson has her mind on more ambitious stuff than that, however, as she takes us into the ‘Vanguard’ section of a Post-alike newspaper in an unspecified American city. Manned by a somewhat eccentric team of three reporters, all Black, Vanguard is nominally an ‘around town’ style gossip section that has been repurposed as a African American community news by Pat (Lorraine Toussaint), the steely Civil Rights veteran who rules over the section with an iron fist.  She is supported by Neil (Ashley Thomas), her chief underling and longterm mentee, who knows his place. And she enjoys a somewhat frosty relationship with newbie Yvonne (Letitia Wright), an impressive young reporter who has a less easy relationship with the Black community than her co-workers. Bullied by her Black peers as a child, stints in boarding school and Harvard have left her feeling like an outsider, and she is engaged in a clandestine relationship with the paper’s white head of news, nepo...
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  • Shakespeare
  • South Bank
  • 4 out of 5 stars
  • Recommended
As You Like It is mostly a play about a large assortment of oddballs living in a forest for some reason. It definitely has a plot, but it also kind of plays out like an eccentric Tudor sketch show. And I’ve seen a lot of productions get lost in the woods (badoom) of its teeming character and their largely low-stakes adventures – you can watch this show a dozen times and not be entirely clear who, say, Silvius is if the director doesn’t lead you through it. Fortunately dual directors Sean Holmes and Charlie Josephine – plus their creative team headed by designer Paul Wills – are excellent guides though the trees.  This is not a production that (as far as I can tell) comes with a high concept. I don’t think the reason why the opening court-set scene sees the characters dressed in a sort of eye-poppingly absurd 17th century style – big wigs; insanely silhouetted dresses; vaguely kinky; general Marie Antoinette-on-acid vibes – comes with any great point other than that it looks awesome and it sets up a contrast with the longer more rustic sequence that follows when most of the key cast are banished or have run away to the Forest of Arden. It is very fun to spend time in designer Paul Wills’ whiteboard forest But by making every character as vivid as possible, visually and personality-wise, it’s just a great, boisterous production where you don’t find yourself questioning ‘and who is THAT guy?’ two hours in. From Lola Shalam’s highly strung romantic lead Rosalind and Grace...
  • Experimental
  • Hackney Wick
  • 4 out of 5 stars
  • Recommended
Fifty years on, For Colored Girls still hits. Ntozake Shange’s 1976 choreopoem arrives at the Yard Theatre with all the love, rage, grief, humour and sisterhood that made it a landmark — and thematically, not nearly as dated as you’d expect. Upon arrival, the first thing you’ll notice is that there’s nothing on stage. No elaborate set or props to hide behind. Instead, director Diane Page has the women watch one another from the edges, gather, separate and occasionally become silhouettes against the light. When one woman speaks, the others are there to witness her, responding with hums and snaps of assent and giving the individual poems a sense of continuity and collective experience. It’s a smart choice, particularly given that some previous productions have allowed the individual poems to feel disconnected: a series of turns, not a cohesive work. The 2022 Broadway revival, for example, was praised for its exuberance but also criticised for throwing in so much spectacle and movement that the text occasionally got lost. Shange coined the term ‘choreopoem’ for this thrilling collision of poetry, music and movement. Her longtime collaborator Dianne McIntyre described the process as responding to the energy and meaning of Shange’s words: everybody thinking in motion, with the boundaries between dancer, actor and singer deliberately blurred. There are moments at the Yard’s first UK revival in when the movement feels a little too conscious of itself as choreography rather than...
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  • Drama
  • Seven Dials
  • 4 out of 5 stars
  • Recommended
If it looks like a Chekhov play and it pines wistfully in the pre-revolution Russian countryside like a Chekhov play… that doesn’t necessarily mean it’s a Chekhov play. Sure, Lyndsey Turner’s deft revival of Ivan Turgenev’s A Month in the Country uses a not un-Chekhovian 1992 translation from Brian Friel; okay the bulrushes on Leslie Travers’ set could have been recycled from last year’s Barbican Seagull; yes it’s a story about a sprawling cast of dysfunctional aristocrats and their hangers-on falling apart on a country estate. But even in spite of all that, a little time with the play reveals it to in fact be very much its own thing. At the heart of this particular country estate is Sophie Okonedo’s jaded aristo Natalya Petrova. Legally, even wealthy women lacked real power in 19th century Russia. And yet even if Natalya doesn’t have any particularly grand ambitions, her flinty force of will, elegant looks and scorched-earth approach to anyone who annoys her means the teeming denizens of the house bend to her whim and hang on her mood. She is a much more forceful presence than her technology-obsessed husband Arkady (Thomas Arnold), who spends his days cheerily prattling around with his unreliable new winnowing machine, oblivious to the fact his pal Michel (Alistair Petrie) is in love with his wife, and that she has designs on their daughter’s tutor Aleksey (Patrick Gibson) Although there is a moment where Daniel Rigby’s sublimely annoying doctor Ignaty drops his loser...
  • Musicals
  • South Bank
  • 5 out of 5 stars
  • Recommended
This review is from May 2026, of Pride’s run at the National Theatre, Dorfman. In November it transfers to the larger Bridge Theatre. Writer Stephen Beresford’s musical adaptation of his own 2014 film is a triumph. Under the assured direction of Matthew Warchus – who also directed the film – with a by-turns playful and powerful score by Christopher Nightingale, Josh Cohen and DJ Walde, Pride succeeds in packing a wallop of an emotional punch while never neglecting to find the very human humour in even its most sombre moments. It’s an impassioned and timely plea for seeking out common ground. You’ll laugh-cry your way through it. As with the film, the show draws on the extraordinary real life story of how, in 1984, a group of gays and lesbians, led by fiery socialist Mark (Jhon Lumsden), raised donations and travelled to the small Welsh village of Onllwyn to support its striking miners against a common enemy: the British establishment. Along the way, the story takes in the media smear tactics and daily intimidation facing and uniting these seemingly dissimilar groups. It also unflinchingly charts the devastating impact of HIV/AIDS. Beresford sketches the colourful cast of characters with precision and wit, perfectly catching their personalities in the briefest lines of dialogue. Lumsden confidently walks Mark’s tightrope of charisma, drive and self-righteousness. Lewis Cornay is sweet as ‘newbie’ gay, Bromley. Jordan Shaw gets big laughs as humility-untroubled Reggie,...
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  • Musicals
  • Waterloo
Nadia Fall’s second season at the Young Vic gets off to a real firecracker of a start, with the world premiere of a new musical based on Ridley Scott’s smash 1991 film about two women who snap one day and head out on a nihilistic road trip with a very famous denoument. Written by the film’s screenwriter Callie Khouri, helmed by US indie director Trip Cullman and with songs – rather astonishingly – by cryptic alt country icon Neko Case, the musical has been in the works for some time and clearly the Young Vic has essentially baggsied the out of town tryouts for an American show (an increasing trend here). But clearly it’s a very cool American show, and the edgy Vic has been picked for a reason: we’re not expecting a big cheesy affair but something weirder – Case’s haunted country has become more commercial over the years, but it’s hard to really imagine her bashing out a conventional showtune.  In heavyweight casting, Amy Lennox will play disillusioned housewife Thelma and Rachel Tucker her sardonic waitress friend Louise.
  • Comedy
  • Regent’s Park
Mark Rylance has had one of the more gloriously wayward careers of any British actor alive and he makes his latest foray onto the stage not in a splashy West End play but a new work by Darren Raymond, the artistic director of arts charity and performance ensemble Intermission. Tartuffe (Remixed) is, unsurprining, a new version of Molière’s classic comedy concerning the eponymous grifter who has infiltrated a family and put it under his influence. In a fun twist, the play this time concerns a Jamaican-Nigerian family who are infiltrated by the sole white guy in the cast – Rylance’s charismatic conman.
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  • Experimental
  • Sloane Square
There are lots of highlights to the Royal Court’s seventieth anniversary season. But where the Gary Oldman-starring production of Krapp’s Last Tape and the hit Broadway play John Proctor is the Villain would have been expected to come to London eventually, Man to Man is altogether more of a surprise. Manfred Karge’s hallucinatory solo play about a widow who assumes her late husband’s job and identity in inter-war Germany had its UK premiere at Edinburgh Traverse Theatre in 1987 before transferring to the Court the following year. Stephen Unwin’s production provided a breakthrough for an androgynous young actor named Tilda Swinton, starting her down the path to global cult fame.  Now, in a similar way to the Court’s 2025 revival of 4.48 Psychosis, the whole band is back together for a revival of Man to Man once again starring Swinton and directed by Unwin. Although Swinton has starred in the odd stage role in Europe since, she’s not performed in the UK for over three decades, and who knows if she’ll do so again.
  • Drama
  • Stratford
Combining two of 2026’s hottest trends – the aftermath of the Trojan War and the playwright Ava Pickett – Bloodsport is a follow-up to the Iliad that sees Helen come home from battle and immediately reopen old wound with her old friend Cee, who seems less than happy she’s returned. Pickett’s first play to be staged in London since the sell out West End run of her smash debut 1536, it’s not quite clear if the play will be a period drama (like its predecessor) or a more modern take on the story – the contemporary costumes in the publicity photos suggest the latter. Starring Michelle Dockery and Laura Aikman, we can at the very least expect it to be fresh, feminist and fiery.

Exhibitions on in London today

  • Art
  • Sculpture
  • Kew
Henry Moore’s bulbous and undulating sculptures were designed to be seen outside and surrounded by nature. So we’re happy to say that Kew is displaying a huge collection of his works as they were intended at this mega exhibition. The world’s biggest ever exhibition of Moore will open at the botanical gardens, with 30 sculptures on show in the open air and more than 90 works including carvings and drawings displayed in the Shirley Sherwood Gallery. Several of his famous and iconic reclining figures will be on view, as well as more abstract and amorphous pieces like the massive bronze marvel ‘Large Two Forms’. 
  • Art
  • Photography
  • Aldwych
There’s something irresistably fascinating about seeing into artist’s studios – messy materials, stacks of canvases, and a peek behind the curtain into the work spaces for some of the world’s best creative minds. To coincide with the Courtauld’s major Barbara Hepworth exhibition, the gallery is running a companion show of photographs taken by Paul Laib offering a look inside Hepworth’s London studio that she shared with Ben Nicholson in the 1930s. 
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  • Art
  • Painting
  • Millbank
  • 5 out of 5 stars
  • Recommended
For Brits of a certain age, James McNeill Whistler will always conjure memories of that scene in the Mr Bean film. But while Rowan Atkinson’s 1997 opus was a memorable introduction to the American Gilded Age painter, Tate Britain’s grand new retrospective will properly acquaint you with his work – minus any snot-related hijinks – through his paintings, prints, and a litany of personal effects.  Using decoration from his Chelsea studio, the opening room establishes Whistler as a bohemian and fashionable man, but the contextual statement also foreshadows his fall from social grace later in his career (thanks to a lawsuit that left him penniless – more on that later). Thus, a unique, non-linear curatorial narrative is introduced. After arriving from New England in Paris in 1855, Whistler prolifically produced moody etchings that express the stoic dinginess of the French capital with dense and dynamic shadows. His first attempts at oil painting also happened here. The medium became an even bigger preoccupation when he moved to an equally morose city: London. Whether it’s choked by smog or cluttered with cargo, the Thames is his muse during his early years in the Big Smoke. The chaotic figuration of ships floating past in Wapping and the spectral abstraction of a frozen river in Chelsea in Ice represent two extremes of how Whistler turns urban ugliness into visual harmony. Conducting tone, colour, and blankness with orchestral balance, he’s acutely aware of the musicality...
  • Art
  • Installation
  • Bankside
In our age of mind-boggling CGI and AI-optimised everything, it’s easy to forget how much pleasure can be had from the simple optical tricks of mirrors and lights. But not for Julio Le Parc. A key figure of the Kinetic and Op Art movements of the 1960s, the late Argentinian artist spent seven pioneering decades making illuminated, kinetic and participatory works, and was still making art at the ripe old age of 97 before his death this past May. This major retrospective celebrates his visionary seven-decade career, spanning from from his arrival in Paris in the late 1950s to his resurgence in the 2010s, with over 60 colourful, immersive (and extremely Instagrammable) works.
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  • Art
  • Painting
  • Charing Cross Road
Since its inaugural edition in 1980, this long-standing portaiture competition has attracted more than 40,000 entries from over 100 countries and has been seen by more than six million people. The highly competitive award showcases the best of contemporary portrait painters, whose styles range from the abstract to the classic. Last year the top prize was awarded to British painter Moira Cameron for her non-naturalistic self-portrait, ‘A Life Lived’, which depicts the painter slumped in an armchair in vivid colours.   
  • Art
  • South Bank
  • 3 out of 5 stars
  • Recommended
It’s clear from his major retrospective at the Hayward Gallery that Anish Kapoor shares Time Out’s fondness for the colour palette red and black. Although, it must be said, his shades have smarter names: Alizarin Crimson and Vantablack. The latter absorbs 99.965% of visible light, holding the world record for the darkest manmade substance, and Kapoor has purchased the exclusive rights to use it (to the consternation of some of his art world peers).  It's quite a privilege to have a solo show at the Hayward Gallery. Very few artists have been invited back for a second: Kapoor’s last exhibition here was in 1998, long before Chicago’s ‘Bean’ was commissioned, before he won the Turner Prize, and before he became one of the world’s most celebrated sculptors. Nearly thirty years later, this show gathers together many of Kapoor’s greatest hits: concave mirrored surfaces that turn the world upside down; hulking great sculptures caked in thick crimson oil paint, resembling bodies turned inside out. The opening room is dominated by a monumental new work that looks like a bicycle pump has been taken to a Babybel. The jacked-up crimson PVC form bulges against the Hayward’s brutalist concrete, wedged so tightly into the corners that it looks as though, with the slightest nudge, it might pop.  The depthless voids come next; a roomful of works where Kapoor’s Vantablack is put to the test. What appears to be a deep fissure carved into the wall is, in fact, nothing more than a crack-shaped...
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  • Art
  • Textiles
  • Bermondsey
  • 4 out of 5 stars
  • Recommended
The chances are, at some point, you have probably come across a print by Collier Campbell, the London-based textile studio founded in the 1960s by Susan Collier and Sarah Campbell. For 50 years, the sister design duo created bold, colourful, and brash hand-painted textile prints featuring everything from vivid still lifes to tropical scenes, pretty flowers, and folk figures. They collaborated with the likes of Terrance Conran, John Lewis, Marks and Spencer, and fashion houses Yves Saint Laurent, Jaeger and Liberty. They designed the carpet in the North Terminal at Gatwick Airport. To celebrate the work of these legendary British textile designers, the Fashion and Textile Museum has staged a small but dense exhibition dedicated to the printmaking sisters. Spanning the 60s to the present day, Paint! Pattern! Print! documents the exuberant creations of Sarah and Susan, from their early works, to employment at Liberty, to the forming of their own company. Original paintings of prints and fabric swatches are displayed alongside clothes, homeware and artefacts that inspired the designers, like a dainty Victorian blouse with incredible striped ribbon details.  If you’re someone who has mastered the art of dopamine dressing, this will be right up your alley Many of the fabrics look like the kind of thing your eccentric, arty auntie would wear. And I mean that as a compliment. These are not your grandmother's curtains, but textiles that deserve to be as well known as the William...
  • Museums
  • Euston
The Wellcome Collection’s big spring exhibition is a deep dive into perceptions of ageing. Expect the Euston Road institution’s typical blend of art, science and pop culture in the 120+ artworks and objects on display, which range from16th century woodcuts made by German printmaker Sebald Beham to Deborah Roberts’ contemporary collages exploring Black childhood. There’ll also be a spotlight on the Wellcome Trust-funded health research project Age of Wonder – one of the largest studies of adoloscence in the world – and an exploration of how societies can adapt to improve everyone’s experience of ageing.
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  • Art
  • Piccadilly
  • 4 out of 5 stars
  • Recommended
There’s a painting that hangs in the Pre-Raphaelite room of Tate Britain that Freddy Mercury used to drag his Queen bandmates to see time and again. It’s a fantastical scene from Romeo and Juliet alive with fairies and mythical creatures, including the legendary fairy Queen Mab, who rushes through the night planting dreams in people’s heads. Mercury was so captivated by it that he wrote and named a song after it: ‘The Fairy Feller’s Master-Stroke’. The painting is the work of the often overlooked Victorian artist named Richard Dadd. The Royal Academy has reunited it with dozens of his other works in Richard Dadd: Beyond Bedlam, the first major exhibition devoted to the artist in more than 50 years. Dadd spent nearly a decade completing ‘The Fairy Feller’s Master-Stroke’ while confined to Bethlem Hospital—better known as Bedlam—after killing his father in a severe psychotic episode. In 1864, he was transferred to the newly opened Broadmoor Criminal Lunatic Asylum, where he remained until his death in 1886. The exhibition, however, doesn’t begin there. Instead, it returns to Dadd’s days as a student at the Royal Academy Schools, just across from where this exhibition hangs today. While there, he became a founding member of one of Britain’s OG artistic cliques (named the ‘Clique’). Formed by a group of fellow students, its members drew inspiration from Shakespeare and Byron, dressing one another as literary and historical figures to practise their painting. Several of these...
  • Art
  • South Bank
  • 4 out of 5 stars
  • Recommended
Got a pesky neighbour who keeps pinching your parking spot? Taiwanese artist Musquiqui Chihying’s father knew the feeling. In car-clogged Taipei, he came up with an ingenious solution: an inflatable decoy of his Toyota Corolla E100. Whenever he drove off in the morning, he’d leave the blow-up Corolla in its place. When he returned later from work, he’d deflate the decoy, roll it up, stow it in the boot and reclaim his space. He might have to fight for his spot for the next six weeks, though, as his trusty decoy is currently parked at the Hayward Gallery as part of his son’s exhibition, A Life of Navigation. It’s one of four works exploring the strange and ingenious ways we navigate our busy, high-stress urban lives. Working across installation, video, photography and sculptural objects, and often incorporating performance, Chihying approaches those pressures with a sense of humour. Another (literal) aisle Chihying explores in this urban obstacle course is the supermarket. ‘The Jog’ (2014), a two-channel video, sees Chihying don his running gear and jog against the checkout conveyor belt as if it were a treadmill, while an unimpressed cashier looks on. It’s an entertaining take on the endless cycles of consumerism and the repetitive grind of city life. On a more immediate level, all the stretching and athleisure makes it a silent, considerably less sexed-up version of Eric Prydz’s ‘Call on Me’ music video. It’s an entertaining take on the repetitive grind of city life...

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