A man and his dog walking down a path in Brockwell Park on a spring morning
Photograph: Chris Bethell for Time Out
Photograph: Chris Bethell for Time Out

Things to do in London today

The day’s best things to do all in one place

Rosie Hewitson
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In this city, you’re never too far away from a picturesque park, a lovely pub or a cracking cinema, and on any given day, you’ve got a wealth of world-class art shows, blockbuster theatre and top museum exhibitions to choose from if you’re twiddling your thumbs.

Use your spare time wisely with our roundup of the best things happening in London today, which gets updated every single day and includes a specially selected top pick from our Things to Do Editor seven days a week.

Bookmark this page, and you’ll have absolutely no excuse to be bored in London ever again!

Find even more inspiration with our curated round-ups of the best things to do in London this week and weekend

More things to do in London today

  • Things to do
  • Markets and fairs
  • South Bank
Every winter the Southbank Centre turns the banks of the Thames into a frosty wonderland, full of little wooden Alpine-style cabins selling gifts, warming drinks, and snacks. You’ll find huts serving up truffle burgers, duck wraps, mulled wine, Dutch pancakes, churros and many more tasty morsels to nibble on while you look through gifts, jewellery and decorations made by independent craft traders. Or, once you’re done browsing, snuggle up at pop-up king Jimmy Garcia’s riverside venue Fire And Fromage, where you can snaffle all you can eat raclette, sip on seriously decadent hot chocolates, and even toast your own marshmallows round a cosy fire pit.  When is Southbank Christmas Market open? The market opens on November 2, and will stay open until January 3 in the New Year. Do you need to buy a ticket? No, it's free to enter and have a wander. 
  • Things to do
  • Exhibitions
  • Camden Town
  • 4 out of 5 stars
  • Recommended
We’ve all heard of Sid Vicious, Joe Strummer and Iggy Pop. But what about Gina Birch, Ari Up and Gaye Black? Although not completely unknown, these women pioneers of punk often go unsung. In a new free exhibition, the Museum of Youth Culture (MOYC) is finally giving them their safety pin-adorned flowers with a show dedicated entirely to the ‘she punks’ of the past 50 years.  Taking place in a single room at the MOYC, God Save the Queens brings together rare and previously unseen artwork, photography, fashion, film and archival material. A large chunk of the exhibition comes from the archive of the late Poly Styrene – the braces-wearing frontwoman of X-Ray Spex – and is curated by her daughter Celeste Bell.  The museum crams a lot into the fairly compact space. On the far wall is a gallery of larger-than-life photos – the highlight of the exhibition. Vivienne Westwood, shot by Dennis Morris (1978), leans nonchalantly against the SEX shop counter with her iconic spiked hair. Debbie Harry, by Bob Gruen (1977), looks at the camera in her Wayfarers, while sitting in a car smoking a cigarette. Jayne County of the Electric Chairs squats down on stage, holding the mic stand to her crotch like an appendage, shot by Jill Furmanovsky. Poly Styrene, Siouxsie Sioux and Soo Catwoman are also all here.  The women in these photos look like the coolest people on earth The women in these photos look like the coolest people on earth, and what’s most striking is how they all appear...
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  • Things to do
  • Exhibitions
  • South Kensington
This major exhibition from the V&A will transport visitors to one of the world’s great cities, exploring its best-known landmarks, from the Hippodrome and Hagia Sophia to Topkapı Palace and the Galata Tower. Constantinople to Istanbul: One City, Two Empires will explore 1,600 years of this influential city. Once called Constantinople and now called Istanbul it was the imperial and religious capital at the heart of two successive empires: the Byzantine (AD 330– 1453) and the Ottoman (1453–1922), and this show will span AD 330 to 1922, it will bring together remarkable works of art, design and architecture to reveal the enduring creative legacy of an imperial capital that shaped the Mediterranean world and far beyond.  This will be the first exhibition in the UK to tell this story in full, serving up a new perspective on a city defined by artistic excellence across more than a millennium. Expect rarely seen objects dating back to 4th century, drawn from the V&A collection as well as national and international loans, including decorative arts such as fine silks and textiles, ceramic tiles, mosaics and tableware, precious metalwork and jewellery, as well as sculpture and architectural furnishings, works on paper, manuscripts and paintings. 
  • Things to do
  • Ice skating
  • Aldwych
  • Recommended
Skate at Somerset House
Skate at Somerset House
Somerset House’s annual ice rink pop-up has long been one of the city’s favourite festive traditions, with thousands of Londoners and tourists alike making it part of their celebrations each year, and for good reason. Gliding (or nervously shuffling) around the rink, gazing upon the surrounding Georgian architecture and the courtyard’s magnificent 40ft Christmas tree feels like you’ve skated onto a movie set, ready to be watched by families settling in for their post-turkey food coma.  There’s more to this rink than just skating, though. This year's Skate Lates programme is sponsored by Aperol Spritz, who'll have an orange van parked rinkside for refreshments. Soar round the rink to a DJ soundtrack at these night time ice parties. The line-up for 2026 includes community sounds from Netil Radio, ground-shaking bass from UKF and BUMPAH, South Asian creative collective Daytimers, queer Latinx partystarters 2CPERREA, and selections from the team behind Gauchoworld. For the first time ever, there's also a K-Pop party (Nov 23) with a special live set from DY EMKAY. While you're at Somerset House, don't forget to head indoors for Through Our Eyes, a free group exhibition of works by indigenous Sámi artists, who'll explore their lives in snowy Nordic landscapes using sculpture, photography, video and performance art. How much does Skate at Somerset House cost? Ticket prices for Skate at Somerset House vary depending on what time you visit, with cheaper tickets at less popular...
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  • Things to do
  • Food and drink events
  • Covent Garden
Dreaming of a kitsch Christmas? New York’s famous Miracle on Ninth Street bar is popping up in London for its eighth year, ‘50s Christmas decorations, nostalgic accessories and creative new spins on beloved cocktail favourites in tow. For festive season 2026, it’s taking over 9 Russell Street in Covent Garden. Past years have seen the bar slinging the likes of a Snowball Old Fashioned or a Christmapoliton, which includes cranberry sauce and absinthe mist – a take on Christmas trimmings that’s not for the faint-hearted. If you’re failing to get into the Christmas spirit, this is one great place to find it.
  • Things to do
  • Walks and tours
  • Kew
A humongous light trail that takes over south west London’s 300-acre World Heritage Site botanic garden, Christmas at Kew has become a key date in London’s festive calendar since its first iteration in 2013. Visitors embarking on the 3km trail will get see the space lit up with dozens of larger-than-life illuminations, with both the venue’s glass houses and the trees that cover its grounds drenched in different hues. The whole thing is stunning, but don’t miss the lake, where you’ll catch reflections of the vibrant bulbs dancing on the water, taking the magical feeling to another level. Specific details for the light trail 2026 are yet to be unveiled but, as ever, the traditional fairground and warming winter snacks from food vendors are sure to be there.  How to get Christmas at Kew 2026 tickets  Tickets for Christmas at Kew 2026 are on sale right now. The sooner you book the better – as the UK’s original festive light trail, it sells out fast, especially for December. If you’re willing to wait until the New Year, there are normally a decent number of tickets available for the first week of January. And if your desired dates are booked up, it’s worth checking back regularly for returns.  What are the prices and opening times? Tickets for non-members start at £28.50 for off-peak slots and £36 at peak times. Members can get 15 percent off.  Christmas at Kew is open from 4.20pm to 10pm. Each visitor is given a specific time slot, with the last entry at 8pm.  How long does...
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  • Things to do
  • Markets and fairs
  • Marylebone
Marylebone Village’s Christmas lights are always super sustainable. Designed by Blachere Illumination, the displays are completely made from recycled plastic bottles and use recyclable LED systems that require 95% less energy than conventional lighting. Featuring curly banners adorned with golden leaves, the displays operate on reduced hours, from dusk until 11pm daily.  For a big party, head to the switch-on, which will see Marylebone Village transformed into a winter wonderland with stalls selling festive food and drink as well as crafts, family entertainment, and even a 55-foot Ferris wheel. The centre of the celebrations will be on Devonshire Street, where BBC broadcaster and local resident Jo Good will host an afternoon of live performances culminating in the official lights switch-on at 6pm, led by a tbc special celebrity guest.  This year, the switch-on will support Evelina London Children’s Charity, part of Guy’s & St Thomas’ NHS Foundation Trust, which helps to improve specialist care and outcomes for young patients and their families.  
  • Things to do
  • Soho
Oxford Street is one of the most iconic areas for London’s Christmas lights, and for good reason, given that a hefty proportion of us Londoners will see them lighting our way as we do battle for Yuletide gifts. This year, the lights are Harry Potter-themed to mark the release of Harry Potter and the Philosopher’s Stone TV show, scheduled to premiere on HBO on Christmas Day. Alongside the usual display, look out for the Hogwarts-themed designs. As is now tradition, the lights will be made from eco-friendly materials, including LED lights and recycled plastic. Featuring 5000 twinkling stars – they shine from 4pm to midnight daily until early January.  The switch-on, on November 4, will also coencide with the opening of the new Harry Potter Shop Oxford Street, which will be the largest shop in the UK to sell memorabilia from the magical franchise. 
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  • Things to do
  • pop-ups
  • Belgravia
Father Christmas clearly enjoys his posh new-ish Chelsea digs as for 2026 he’s returning to Anya Hindmarch’s Village store for the third year on the trot. In it, visitors will be guided through a wintry wonderland of candy cane forests and icicle caves. When they make it to their destination, they’ll be rewarded with a festive story by the fire and a gift from Saint Nick. Grown-ups get a free hot drink from the Anya Cafe, where there will be piles of mince pies, gingerbread men and Christmas cakes on sale. Exit through the gift shop to buy limited-edition Anya Hindmarch gifts and Christmas decorations, including ceramic tree baubles, crackers, puzzles, mugs, crayons and teddy bears. 
  • Things to do
  • Festivals
  • London
A month-long feast of contemporary Czech cinema, the Made in Prague Festival is back for its 30th edition with a thrilling selection of high-calibre dramas, comedies, docs and family films, hosted by the Regent Street Cinema and The Garden Cinema. This year’s programme brings together two distinct strands: the first celebrating the legacy of the Czechoslovak New Wave, and the second showcasing a selection of acclaimed new Czech films, all accompanied by live introductions and post-screening discussions. Highlights include the award-winning documentary Better Go Mad in the Wild, which follows a pair of 60-year-old twin brothers as they ‘booze, banter and bicker’ in their remote home in the Šumava mountains; the Oscar-nominated Father, which tackles a phenomenon known as ‘Forgotten Child Syndrome’; and Changes, the latest film from acclaimed director David Ondříček, which builds on his cult comedy, Loners, bringing together seven characters navigating life in modern-day Prague, each finding themselves at a crossroads and taking stock of their relationships, careers and personal ambitions. 

Theatre on in London today

  • Experimental
  • South Bank
Read our review of Cloud 9 HERE. Although Top Girls and A Number pop up relatively frequently, most of the great Caryl Churchill’s other works are simply too out there to revive with any regularity, and despite its renown her breakthrough play Cloud 9 hasn’t actually had a major London production in 30 years. This autumn, however, is the time, as the National Theatre’s leisurely series of Lyttelton revivals (Top Girls and A Light Shining in Buckinghamshire have both happened recently-ish) continues with Dominic Cooke’s take on Cloud 9. Set in both colonial Africa and ’70s England – with its characters only aging 25 years in a 125-year jump – the play is anything but straightforward but basically draws a line between sexual and colonial repression via its dizzying array of characters. Although hardly racist, its depictions of racism and colonialism are somewhat informed by it being written in a very different era and it’ll be interesting to see if Churchill has updated it in any way.  Rebecca Humphries, Eloka Ivo, Tom Mothersdale, Charlotte Ritchie, Ellen Robertson, Stuart Thompson and Sam Troughton star.
  • Experimental
  • Shaftesbury Avenue
  • 5 out of 5 stars
  • Recommended
‘Tis the season: master mentalist Derren Brown is back on the West End, this time with a disorienting show that sets out to challenge the illusion of free will and our ownership of the future. Pretty classic Brown stuff, right? Well, indeed. You might think that, some 30-odd years into his career, you know exactly what Brown’s shtick is. He’ll put someone to sleep with a tap on the head; he’ll plumb the depths of a stranger’s mind with a single glance; he’ll predict what will happen in five minutes’ time with uncanny accuracy. But, of course, the thing you can always expect from Brown is the unexpected. His stunts, however routine they might be, still manage to confound. The first half of Only Human cycles through a circus of tricks, some more convoluted than others, some requiring physical participation from the entire audience. It’s complete chaos in the theatre at times, particularly compared to the decidedly more solemn Showman, his last Apollo show which centered on themes of grief and death.  Having been to both shows, I found Only Human far more unsettling. The first half is disorienting but still buoyant, thanks to Brown’s excellent comedic timing and disarming warmth. The second half takes a drastic turn; a sense of alarm no doubt helped by masterful stage effects, lighting and sound design, but largely down to Brown taking some of his more extreme psychological manipulation, usually reserved for television, to the stage. Without giving too much away, trigger...
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  • Musicals
  • Elephant & Castle
  • 3 out of 5 stars
  • Recommended
Obviously it would be lovely if the final musical from Spring Awakening composer Duncan Sheik and his lyrical partner Steven Sater was a masterpiece.  It’s not. Nero isn’t entirely new, either – a very different version entitled Nero (Another Golden Rome) ran in San Francisco back in 2006 (back then it was billed as a play with songs rather than a musical). But Sater has been actively working on this Southwark Playhouse production from veteran British director Lindsay Posner and so I don’t suppose we can really shrug it off as an early, sophomoric work: this is Nero’s final form. The concept is fun: it imagines the Roman Emperor Nero as a sort of frivolous theater kid who is blindsided when his scheming mother Agrippina (Sally Dexter) murders everyone in his path to the throne. Sater’s book is lurid into the extreme, with Andrew Barth Feldman’s Nero an omnisexual cross-dressing horndog who fritters Rome’s wealth away on golden monuments to himself and maintains a semblance of control by impressive deliveries of the speeches written for him by pragmatic advisor Seneca (Stephen Carlile). This is, to be fair, congruent with ancient histories: which may or may not have been accurate but clearly that’s the version of the man that intrigued Sater and Sheik.  Nero is an omnisexual cross-dressing horndog And that’s fine but the problem is Sater’s book and lyrics make so little effort to understand where Nero is coming from that it loses any emotional impact it might have had. You...
  • Shakespeare
  • Barbican
London hasn’t had a big sleb-centric Hamlet in long while – although James Norton’s doing it next year – but the recent trend for slightly alternative takes on Shakespeare’s greatest play reaches something like its apotheosis with the RSC’s Hamlet Hail to the Thief. Debuting at Manchester’s Factory International last year, the show – directed by Christine Jones and Steven Hoggett – does indeed combine Thom Yorke’s specially rearranged score of tracks from Radiohead’s sixth album Hail to the Thief, with a very edited version of (duh) Hamlet. It’s a pretty mad idea and reviews were slightly mixed. Buf Hoggett has suggested it’ll be a tweaked version of the show. With a live band – not Radiohead – playing the rearranged songs (the most famous which is the top five hit ‘There There’), it’s a short, gloomy, strange take on the play with moments of spine-tingling magic when songs and story do hit mesh perfectly.  Though the cast has been somewhat overshadowed by the songs when it comes to talking aboyt the show, it’s a very decent ensemble – largely retained from Manchester – with Samuel Blenkin as Hamlet and Paul Hilton as Claudius. 
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  • Drama
  • Regent’s Park
  • 3 out of 5 stars
  • Recommended
Is this what the world needs right now: another conspiracy drama about how we were lied to over the Kennedys and Marilyn? Torben Betts' new play Speculations does at least have a fresh historical protagonist: Dorothy Kilgallen, the Pulitzer-nominated journalist who interviewed Jack Ruby in prison after he gunned down JFK's assassin Lee Harvey Oswald in public and was herself found dead, like Marilyn, from an overdose of booze and barbituates. It also has the reliably luminous Janie Dee as Kilgallen, and heavyweight director Trevor Nunn at the helm. Kilgallen's a fascinating figure to disinter, and Nunn's production has gravitas, and a couple of outstanding performances, but ultimately I wasn't persuaded: by the speculations on whodunnit, or by the drama. Betts' play is subtitled On the Unexplained Deaths of Several American Icons - which is a lot of speculation to wrap up in a two hour stage play. There are three scenes, which unfold in instalments. First, Kilgallen's New York apartment where she types, swigs vodka and confides her theories to a fictional Black babysitter she's only just met; then Lee Newby's fantasic modular set swivels open to reveal an underworld bar where Lee Harvey Oswald (a nicely twitchy Joseph Potter) is being groomed by a crime boss; finally Marilyn's last night on earth, imagined as a deadly confrontation with Bobby Kennedy. Betts' play is more of a whydunnit than a whodunnit: we know from the get go that Bobby, Marilyn, Dorothy, and Lee will...
  • Drama
  • South Bank
Although the National Theatre will be running shows in all three theatres over the Christmas hols, The Jungle Book is emphatically its Big Christmas Show. A lavish family friendly adaptation of Rudyard Kipling’s India-set story cycle, it’s adapted by Indian playwright Anupama Chandrasekhar (of the excellent The Father and the Assassin fame), and emphatically not a stage version of the beloved Disney film. Specifically, we know that the action is being relocated to the mangrove forests of the Sundarbans in the country’s east. But one would imagine Chandrasekhar’s spin will be distinctly postcolonial, and while Disney’s plot was cobbled together from selected bits of Kipling’s collection of stories, the playwright may opt for others. Still, don’t imagine it’ll be radically different: it’ll focus on Mowgli the Man-Cub – played by NT stalwart Hiran Abeysekera – and feature spectacular puppet renderings of his various animal friends and enemies. NT boss Indhu Rubasingham will direct, with puppets by Finn Caldwell and Nick Barnes.
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  • Drama
  • Waterloo
Swiss writer Christian Kracht’s acclaimed autofiction novel about a mother and son (named Christian) who head out on a road-trip through the Alps in an effort to give away the family fortune (and escape a shameful legacy). In this new adaptation from Irish writer Colin Teevan – directed by Walter Meierjohann – big names Ben Whishaw and Kathryn Turner star as the roadtripping duo.
  • Musicals
  • Covent Garden
  • 5 out of 5 stars
  • Recommended
A baker, a witch and a boy with a cow walk into the woods. It sounds like the set-up to a dodgy Christmas cracker joke, but plenty of Londoners already know how this one ends, given Jordan Fein’s lavish revival of Sondheim’s subversive fairytale musical Into the Woods spent last year packing out the Bridge and hoovering up Oliviers. Now it’s crossed the river to the Noël Coward with a mostly new cast, and it’s every bit as good.  Sondheim and book writer James Lapine throw Cinderella, Jack, Rapunzel and Little Red Riding Hood into the same forest as a childless baker and his wife, and then ask what happens after ‘happily ever after.’ It’s the show’s first West End run since 1991, and if your only previous encounter with it is Meryl Streep and James Corden on Disney+, you’re in for a much stranger night.  Kate Fleetwood is back as the Witch and she owns every inch of stage. She first appears looking thoroughly fed up, like the cynical aunt you only see at Christmas who’s had beef with your parents for decades. She stands on the kitchen table barking orders at the Baker and his Wife, then sprawls across the counter to finish the job, lounging as if she’s on a sunbed while they scurry about beneath her. The Baker and his Wife are petrified, but Fleetwood keeps slipping in moments where she’s a bit ridiculous, even a bit sad, and those are what makes her more memorable than a panto baddie.  John Dagleish and Laura Pitt-Pulford are new as the Baker and his Wife, and they’re a...
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  • Drama
  • South Bank
  • 4 out of 5 stars
  • Recommended
Helen Edmundson’s new play Some Woman is described as a thriller, but the experience of watching it is more like a slow strangulation – one that leaves you feeling thoroughly shaken and queasy on the other side.  The ever luminous Anne-Marie Duff plays Julie, a downtrodden mother and divorcee, who puts everyone before herself to such a degree her own needs and opinions are barely a footnote in the minds of her family.  Her ex-husband, Richard (Geoffrey Streatfield), is attempting to chivvy her through the sale of the family home so that he can do it all again with a younger woman. Elder daughter Kate (Hannah Onslow in a cracking stage debut), is sharp-tongued and dismissive – she’s on the fast track to conventional success with a swanky corporate job in Spain, and keen to put as many miles between herself and her dysfunctional family as possible. Younger daughter Ginny (Grace Doherty) is the polar opposite: her mental health struggles make the thought of her leaving home for university seem like an impossibly big mountain.  Stuff’s not much better at Julie’s demanding but dead-end job doing admin in a school. She’s just been overlooked for a promotion that went to some young guy with letters after his name but no common sense.  If it sounds amazingly pedestrian thus far, that’s the point: Julie is an every-woman! But to top it off, she’s had a bad day. An 11-year-old boy called her a ‘fucking bitch’ out of the blue, and Julie takes this as the moment to prove to herself...
  • Drama
  • Seven Dials
  • 4 out of 5 stars
  • Recommended
You know what they say: they fuck you up, your mum and dad. And in Danny Lee Wynter’s new play, based on his own experiences, so do your sisters. Here we are in a big, busy family home in Ilford – both in 1995 and in 1980 – effervescent with life. In the 90s, Ted (an impressive stage debut from Leo Whitfield Harris) is an awkward, mixed-race teen trying to work out his place in the world. He, along with his mother Tillie (Ria Zmitrowicz) and her dysfunctional family of sisters – the sour-tongued and fiercely loyal Jackie, and the youngest and feistiest, Anne – is off to the funeral of his grandmother Elaine, one of the few people who made him feel genuinely at home. Grief swells around the family, in shadows and memories, as they try to sift through the sadmin and prepare to put the house they grew up in on the market. And then there’s Patrick (a sparkling Craig Stein), a former professional dancer known, not-so-affectionately, to some of the family as ‘Pat the poof’. Tillie’s childhood best friend, he shows up to pay his respects to her mother, who opened her heart and home to him when his own father beat him for his sexuality. Wynter’s dialogue feels like it could be lifted straight from a sitcom; we get all the colour and expletives you’d expect from a close-knit family, fractured by clashing personalities and worldviews. But the play is at its best when Pat and Ted begin to form a bond. Pat – a Black gay man, and a fan of big show tunes like Elaine – opens up a whole...

Exhibitions on in London today

  • Art
  • Painting
  • Barbican
  • 4 out of 5 stars
  • Recommended
Anyone who’s ever done a bit of DIY at home will know the struggle of picking the right shade of white paint. That lovely, warm, buttery hue you’ve eyed up in the brochure inevitably turns into the jarring white of a doctor’s surgery once it’s on your own walls. The American artist Robert Ryman knew a thing or two about this, devoting his nearly 60-year painting career to exploring how paint, surface and light can transform what we see.  Ryman wanted to ‘paint the paint’, you see. That is, he wasn’t interested in depicting people, places or things, but rather in how paint – more often than not white – behaved on different surfaces, catching and responding to real light rather than simply creating the illusion of it. A major retrospective at the Barbican, Robert Ryman... The Real Thing, brings together more than 60 works spanning his career, from his earliest experiments in the 1950s to his final paintings in the 2000s. Many might look deceptively similar at first glance, but it’s close up, with your nose inches away from the canvas, where things get interesting. A young Ryman discovered the great rewards of looking at paintings while working as a guard at the Museum of Modern Art in New York (a job also once held by British Museum director Nicholas Cullinan) . It was during those years that he made the first painting he would ever exhibit, which is on view here: ‘Gertrud Mellon’, named after the individual who bought it for $70 at the 1958 staff exhibition. Consisting of...
  • Art
  • Contemporary art
  • Millbank
If Tate’s 2025 programme was big on the 80s – thanks to Photographing Britain and Leigh Bowery! – then 2026 is all about The 90s! Following on from a major Tracey Emin retrospective at Tate Modern, its sister gallery Tate Britain will host a blockbuster autumn show about British art, fashion, photography and pop culture in the final decade of the last millenium. And if that isn’t already a tasty enough prospect, it’s being curated by none other than former British Vogue editor Edward Enninful OBE. Expect flashy photography from the likes of Juergen Teller, Nick Knight, David Sims and Corrine Day, iconic looks from Vivienne Westwood and Alexander McQueen, and era-defining artworks by Damien Hirst, Gillian Wearing, and Yinka Shonibare. The opening party will no doubt give the Met Gala a run for its money.
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  • Museums
  • History
  • Bloomsbury
  • 5 out of 5 stars
  • Recommended
In a massive coup for the British Museum and for London as a whole, the Bayeux Tapestry is on display in Britain for the first time in 900 years. The 70-metre-long artwork is an intricately embroidered depiction of the 1066 Battle of Hastings, in which William the Conquerer took the English throne, and it’s coming to the British Museum. Although it’s believed to have been embroidered in Canterbury, the tapestry has resided in Bayeux, Normandy for the past nine centuries. Despite numerous attempts from Brits to borrow the masterpiece over the past century, it is finally on show on British soil for the first time, nearly 1000 years after it was made. You absolutely don’t want to miss an exhibition which feels like the most significant thing British Museum has done in our lifetimes. Read our full review of the exhibition here.
  • Museums
  • Euston
The Wellcome Collection’s big spring exhibition is a deep dive into perceptions of ageing. Expect the Euston Road institution’s typical blend of art, science and pop culture in the 120+ artworks and objects on display, which range from16th century woodcuts made by German printmaker Sebald Beham to Deborah Roberts’ contemporary collages exploring Black childhood. There’ll also be a spotlight on the Wellcome Trust-funded health research project Age of Wonder – one of the largest studies of adoloscence in the world – and an exploration of how societies can adapt to improve everyone’s experience of ageing.
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  • Art
  • Sculpture
  • Kew
Henry Moore’s bulbous and undulating sculptures were designed to be seen outside and surrounded by nature. So we’re happy to say that Kew is displaying a huge collection of his works as they were intended at this mega exhibition. The world’s biggest ever exhibition of Moore will open at the botanical gardens, with 30 sculptures on show in the open air and more than 90 works including carvings and drawings displayed in the Shirley Sherwood Gallery. Several of his famous and iconic reclining figures will be on view, as well as more abstract and amorphous pieces like the massive bronze marvel ‘Large Two Forms’. 
  • Art
  • Installation
  • Bankside
In our age of mind-boggling CGI and AI-optimised everything, it’s easy to forget how much pleasure can be had from the simple optical tricks of mirrors and lights. But not for Julio Le Parc. A key figure of the Kinetic and Op Art movements of the 1960s, the late Argentinian artist spent seven pioneering decades making illuminated, kinetic and participatory works, and was still making art at the ripe old age of 97 before his death this past May. This major retrospective celebrates his visionary seven-decade career, spanning from from his arrival in Paris in the late 1950s to his resurgence in the 2010s, with over 60 colourful, immersive (and extremely Instagrammable) works.
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  • Art
  • Piccadilly
Painters have been being dazzled by the glorious natural light and sparkling azure sea of the French Riviera for centuries. This autumn, you’ll be able to feel like you’re taking in the sea air on the Côte d’Azur from London, as the Royal Academy brings together artworks depicting the French southern coast from greats including Monet, Braque, Picasso, Matisse, Cézanne, Renoir and Klein. Spanning the Impressionists, Post-Impressionists and Modernists, Painting the French Riviera will not only transport you to the SAD-beating coastline, but explore how the riviera was inextricably linked to the rise of modern art. 
  • Art
  • Aldwych
  • 5 out of 5 stars
  • Recommended
‘This painting makes me so happy,’ said my usually gallery-averse friend, pulling me over to Salman Toor’s ‘The Women’, on display in the painter’s first solo museum show in Europe, at the Courtauld Gallery. ‘We’ve had so many Sunday mornings like this.’ In the painting in front of us were three women slumped across a bed, each propping her head up with one arm. In our version, we’d probably be debriefing on the events of the night before. The painting is small, the room cosy and cocooned from the outside world in Toor’s characteristic velvety green, laid down in thick, parallel strokes of oil paint. At the dresser stands a boy. Toor has said that if he were to write a collection of stories, this image would be the first: ‘a coming-of-age moment for the boy experiencing a blossoming sense of self.’ Toor was born in Lahore, Pakistan, into a middle-class Muslim family. At 20, he moved to the US to study painting, and eventually settled in New York. It was there that he began painting the world that now fills his canvases: queer South Asian men drinking, dancing, flirting, scrolling, lying around with friends, falling in love and being alone. His figures aren’t portraits of real people, but they come from a world he knows. They occupy the sometimes uncomfortable territories between intimacy and exposure, belonging and estrangement. His work draws as much from the Old Masters and the traditions of Western painting as it does from the art history of Pakistan and South Asia,...
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  • Mayfair
Gagosian’s Grosvenor Hill gallery will be filled with apples, hats, pipes and clouds this autumn as it hosts a free exhibition on Belgian surrealist René Magritte. A first major London exhibition of Magritte’s subverside artwork in more than 30 years, it will feature works on paper, sculptures and photography from Magritte’s four-decade-long career, many of which have been loaned by museums and private collectors. These include ‘La Lampe Philosophique (The Philosopher’s Lamp)’, made shortly before the International Surrealist Exhibition that took place in London in 1936, and last displayed in a landmark Magritte exhibition at the Los Angeles County Museum of Art (LACMA) 20 years ago. Gagosian’s exhibtiion will also explore Magritte’s legacy via works created specifically for the exhibition by several contemporary artists, including painters Harold Ancart, Allison Katz and Dana Schutz. 
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  • Photography
  • Charing Cross Road
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Tim Walker is a phenomenal fashion photographer. The 55-year-old has created iconic spread after iconic spread for the likes of British Vogue, i-D and Vanity Fair, and he’s shot famous faces including Tilda Swinton, Kate Moss and Harry Styles. Walker's surreal, Alice in Wonderland-inspired style is whimsical, always surprising, and somehow still cool. So then, why is the majority of this landmark show made up of boring celebrity portraits taken on plain grey backgrounds? The premise of Fairyland: Love and Legends is simple: a celebration of queerness comprising 250 portraits, all shot by Walker, of LGBTQ+ activists, artists, actors, singers and allies, taken across six years. Walker got the idea for the exhibition when he stumbled across the plaque commemorating the first gay rights demonstration in Britain while walking in Highbury Fields. A replica of this triangular plaque is displayed proudly at the entrance to the exhibition.  Some of it is subversive and exciting Fairyland opens with stronger works, in a room dedicated to gay rights campaigners of the ‘70s and ‘80s, all defiantly posing in portraits that mimic the style of Tudor painters Hans Holbein the Younger and Nicholas Hilliard. Olivette Cole-Wilson, a founding member of Stonewall, delicately holds a blackbird in jewellery-encrusted hands that are framed by a thick gilded frame. Musician and longtime supporter of the London Lesbian and Gay Switchboard Tom Robinson smirks at the camera, holding a kestrel and...

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