March 29
Bottomless Top Boy brunches. Augmented-reality, 1080-degree, full-body Gilbert and George experiences. Interactive, life-sized, neon Chas and Dave-themed escape rooms. All that stuff is super (and loads of it features in this issue) but London’s status as an overwhelmingly immersive city predates it.
London can overwhelm the senses. A true tube connoisseur, for example, can identify a line just by sniffing its air, as each one has its own unique bouquet. I’m partial to the tangy punch of the Bakerloo, personally. The sound inside Big Primark on a Saturday is an all-pervading cocktail of dissonant noise, comparable to any John Cage concert. And finally, there’s the look of the city at night time. A wonky, blackened splodge that’s equal parts Hieronymous Bosch, Mark Rothko and that bloke who sells appalling acrylic paintings outside of Hyde Park.
After the last few years it’s understandable that we’d all be desperate to immerse ourselves in worlds that aren’t our own. Particularly if they contain infinite glasses of prossescco. But sometimes the jolt to the synapses provided by a slug of chip shop vinegar is all the immersiveness a Londoner needs.