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An installation featuring the hut in which, for two weeks in December 2010, artist Jim Woodall lived and work, watching the site of the 2012 Olympic Games from a rooftop vantage point. Exploring ideas of isolation and security, Woodall observed the site through a bank of CCTV monitors that lined the walls of his 'control room'. The hut is reinstalled in the gallery as a monument to his performance, while the recorded CCTV footage is relayed on the screens inside.
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