Things to do in London this weekend (8-9 November)

Escape the Oxford Street crowds with a detour into pretty Carnaby Street, which puts on memorable Christmas light displays each year. Last year's sustainability-led installation ‘Into the Light’ was a bit controversial, with viewers reckoning that the eco glowing cuboid shapes didn't have the wow factor of previous efforts. It looks like the same display will be repeated this year, but there'll be a welcome splash of neon colour added to bring some jollity to Carnaby's skies. 

Pitchfork Music Festival is gearing up for another edition, with a jam-packed schedule of eclectic live music encompassing everything from avant-rock and post-punk to psych-pop, UK rap and deconstructed dance music. This year's headliners include Aussie psych band King Gizzard and the Lizard Wizard (Royal Albert Hall, November 4), anonymous electronic mavericks Two Shell (Here at Outernet, November 5), Canadian techno producer Marie Davidson (Fabric, November 6) and rising French electronic pop artist Oklou (Roundhouse, November 7).

The seriously good Soho flagship of this creative Filipino bakery is part of the 1996 Group, which also includes the acclaimed Donia restaurant. Their Manila-flavoured take on the humble bakery serves all manner of treats, including doughnuts pumped full of photogenic purple ube ooze and chocolate-slathered brown butter cookies, as well as iced ube matcha drinks for unbeatable TikTok clout. But it’s their savoury goods that are particularly outstanding. Everything is made on-site, and the longanisa roll offers a giddy take on the sausage roll, its sweet, flaky pastry stuffed with succulent meat, while their chicken adobo pocket is like Greggs gunning for a Michelin star.

Of all of the UK’s winter traditions, there’s nothing like gathering in a park in the nippy nights of early November to watch a pile of flaming wood and fireworks piercing the sky. Bonfire Night – aka Guy Fawkes Night –might sound strange to those unfamiliar with it, but it’s a great British tradition and one of the highlights of the second half of the year. London puts on a plethora of Bonfire Night and fireworks displays with sparkly skies, yummy street food and so much more. See our list of the best celebrations taking place this week. 

Played by Riz Ahmed with terse meticulousness in David Mackenzie’s New York-set thriller, Ash is a former addict who runs a business as a ‘fixer’, helping corporate whistleblowers and malcontents to quietly take their hush money from angry companies. In Relay, an old-school thriller with a drum-tight script and real style, he runs into trouble when a client, Sarah (a tenacious Lily James), seems to be at risk of being snuffed out.  The unlikely duo, forced together by desperate circumstances, race against time and the arrogant capitalist goons on their tails. Relay is enjoyably tactile and old-fashioned, contriving to allow its characters to interact in an environment where things can play out with maximum mystery. 

Born in a fishing village in Denmark in 1859, Anna Ancher painted and memorialised life on the coast, cementing herself as a Danish household name. Now Dulwich Picture Gallery brings Ancher’s work to a UK audience in her first ever British exhibition, which will showcase over 40 of her luminous paintings, many of which are reminiscent of the coastal community where she grew up. Also featuring in the exhibition will be four of Ancher’s contemporaries: Marie Luplau, Emilie Mundt, Marie Sandholdt, and Louise Bonfils. 

Bugonia, an English language remake of 2003 Korean film Save the Green Planet!, is Yorgos Lanthimos’s first film since the early Greek ones to be set in something approximating recognisable modern times. Here, in an armpit of smalltown America, Emma Stone and Jesse Plemons go head to head, delivering bravura performances that put a shine on what, at its core, is a high-concept exploitation movie. Teddy (Plemons) is a greasy-haired, beekeeping, tinfoil-hat wearing obsessive who recruits his sweet-natured cousin Don (Aidan Delbis) into a plan to kidnap the CEO of a big pharma biotech company. Because he believes, beyond a shadow of a doubt, that sleek girlboss Michelle Fuller (Stone) is an alien from the planet Andromeda. Lanthimos is at the peak of his powers when it comes to production-design led set pieces, while Stone and Plemons’ verbal battles of wits are worth the price of admission alone. 

Every winter the Southbank Centre turns the banks of the Thames into a frosty wonderland, full of little wooden Alpine-style cabins selling gifts, warming drinks, and snacks. You’ll find huts serving up truffle burgers, duck wraps, mulled wine, Dutch pancakes, churros and many more tasty morsels to nibble on while you look through gifts, jewellery and decorations made by independent craft traders. Or, once you’re done browsing, snuggle up at pop-up king Jimmy Garcia’s riverside venue Fire And Fromage, where you can snaffle all you can eat raclette, sip on seriously decadent hot chocolates, and even toast your own marshmallows round a cosy fire pit. 

Director Michael Grandage and playwright Jack Holden’s stage adaptation of Alan Hollinghurst’s seminal novel of the ‘80s does a tremendous job of cutting Hollinghurst’s period odyssey into a gripping, flab-free two-and-a-half hours of theatre. It is, above all, a great piece of storytelling. If you’re not familiar, The Line of Beauty concerns Nick Guest (Jasper Talbot), a young gay man who in 1983 moves into the ultra fancy home of his uni mate Toby Fedden’s parents as a lodger. The story charts his journey through the decade: adjacent to the ruling classes but not a member of them, he is further removed from the mainstream by his sexuality, which he is open about, but also othered by. It’s a fine, sensitive articulation of the novel. 

Returning for a fourth winter season in 2025, this ice-skating pop-up in the shadow of the rejuvenated Battersea Power Station is one of London’s most aesthetic. Returning to its usual spot right next to the Thames, it offers magnificent views over the riverside, a twinkling 30ft Christmas tree that forms the perfect backdrop for your on-ice selfies, and all the fun of the fair courtesy of an adjacent vintage fairground. It’s the perfect date night spot, Christmas party location or a well-earned reward after a hectic day of gift shopping.  

Deliver Me from Nowhere digs into Bruce Springsteen’s bout with depression and the childhood trauma from which it stemmed, as well as his fastidious dedication to (arguably) his finest album, 1982’s moody Nebraska. As a living, loving portrait of blue collar Americana, Deliver Me from Nowhere excels. The late-night diners, faded fairgrounds, and classic cars are gloriously, richly rendered while black-and-white flashbacks to Springsteen’s youth and original are shot with all the misery of Dorothea Lange’s Depression-era portraits. Jeremy Allen White also slips into Springsteen’s Levi’s with ease. From his spot-on incidental grunts to the uncanny singing voice, it’s clear that White has put in the work. If you want American gothic with a side of pancakes, this is the right place. 

Anna Ziegler’s play The Wanderers makes its UK debut at the Marylebone Theatre after becoming an off-Broadway hit in 2023, starring Katie Holmes. Tracking the lives and loves of two Jewish couples from different generations in Williamsburg, Brooklyn, it is a crafty, gradually intensifying drama that examines the values we embrace and reject. Directed here by Igor Golyak, it’s staged on two sides of a translucent screen, with the tensions from the separate eras overlapping and reverberating across time.

If you’ve seen a ballet at the Royal Opera House, there’s a high chance you will be familiar with the work of Wayne McGregor. The ROH’s resident choreographer since 2006, the dance polymath brought a sleeker, more minimal and modern style of ballet, rooted in contemporary, to the Covent Garden stage. He has worked with numerous companies, including his own Studio Wayne McGregor, and even choreographed ABBA Voyage. Now Somerset House is staging a huge exhibition dedicated to McGregor’s three-decade-long repertoire, which includes ballets inspired by Virginia Woolf, Margaret Attwood, and 1980s sci-fi. Through a series of multi-sensory choreographic installations, performances and experiments, Infinite Bodies will explore how technology is used in dance choreography, music, and lighting, with works that incorporate motion capture, machine learning, AI interactivity, and digital imaging, alongside hybrid realities and robotics. 

Nick Payne’s new Royal Court play The Unbelievers isn’t the instant classic his last one (2012’s Constellations) was. But its star gives a turn that is absolutely, magnificently, unfettered Nicola Walker. Her unique gift for proper, nuanced acting filtered via an unshakeable deadpan grumpiness is harnessed to perfection as she plays a grieving mother whose sorrow and grief at the unexplained disappearance of her son has curdled into something darker and more disturbing. The play is set in three timelines, albeit heavily jumbled up and somewhat blurred. There’s the immediate aftermath of Oscar’s disappearance, a year on, and seven years on where Miram’s grief has metastasised into something truly monstrous. It is a remarkable performance from Walker, affecting, upsetting and often savagely hilarious, it grabs you instantly and paints a haunting but disarmingly funny portrait of grief turning into something else. 

While the millennia-old union between planet Earth and humanity might not be the first coupling that springs to mind when you think of unhealthy relationships, there’s no denying it is pretty toxic. The Earth gives! Humanity takes! The Earth had boundaries, and humanity violated ‘em. Could the climate crisis, with its ruinous wildfires and unforgiving floods be a scorned Earth’s way of telling humanity to do one? It’s a theory! Or at least, it’s the premise of this pop musical romcom from Ellie Coote (book) and Jack Godfrey’s (music and lyrics). Earth and Humanity (aka Hu) are personified as a couple and under this guise, their entire, increasingly troubling partnership is explored. Over the course of one breathless hour of back-to-back songs, the big breakthroughs of our species are reframed as our rocking what could have been a peaceful, happy relationship. A toxic relationship is a clever lens through which to analyse humanity’s self-serving greed, and framing the climate emergency as a romcom musical is nothing short of inspired.

The radical work of Indian artist Mrinalini Mukherjee – known for her fantastical and overtly sexual sculptures made from woven fibres – is at the centre of the upcoming RA exhibtion that spans a century of South Asian art. Telling the story of Indian Modernism, more than 100 works comprising sculpture, painting, drawing, textiles, ceramics and printmaking, from a constellation of avant-garde artists, many whom were Mukherjee’s mentors, friends and family, will be on display. 

★★★★ 'Frameless has managed to create something genuinely exciting' – Time Out

Escape reality through maximum immersion and experience 42 masterpieces from 29 of the world’s most iconic artists, each reimagined beyond belief, through cutting-edge technology. Situated in Marble Arch, Frameless plays host to four unique galleries with hypnotic visuals and a dazzling score. Enjoy 90 minutes of surreal artwork from Bosch, Dalí and more for just £24!

Get £24.80 tickets (originally £31), only through Time Out Offers.

From top secret D-Day documents, to hidden treasure maps, Secret Maps at the British Library will explore the relationship between mapping and secrecy, showing how maps from the 14th century to the present day were used to conceal knowlegde, control populations and create power. Visitors will see charts used by governments, armies, businesses, organisations, communities and individuals, and explore how these mysterious cartographies were used to disseminate, and hide, information, and sometimes purposefully decieve people. From a destroyed Ordnance Survey map from the General Strike of 1926, to landscapes that have been erased from official histories, Secret Maps will provide a new insight into the power of spatial information. 

Get a dose of hip hop history at Somerset House this autumn, where the first major solo exhibition from British photographer Jennie Baptiste will be displayed. Having photographed everyone from NAS, to Jay Z, Estelle and Biggie Smalls, Baptiste’s work spanning the last three decades has been at the forefront of R&B, hip hop, fashion and youth culture, as she documented the influence of Black British communities on culture and art from the 1990s to today. 

Tracy Letts’s 2018 play embraces and subverts bio-drama cliches. It’s the story of an alcoholic woman who lives a hard life, largely as a result of being the daughter of an alcoholic woman who also lived a hard life. Did Mary Page Marlowe ever have a chance? What sets it apart is the way Letts has chosen to tell the story. Instead of a linear narrative, Mary Page Marlowe covers the eponymous midwestern Boomer’s entire life in 11 scenes that run in a non-linear fashion and rather than a single big central role, the title part is performed by five actors. Two of the Mary Pages are famous – Andrea Riseborough and Susan Sarandon and chopping and changing lead actors without aligning their performances creates an exquisite corpse of a life story, that speaks to the idea that none of us are one single person throughout our lives. It’s a smart piece of writing. 

This renowned annual photography exhibition returns to the Natural History Museum for its 61st edition, showcasing the very best entries of the Wildlife Photographer of the Year competition. On display are images of the most extraordinary species on the planet captured by professional and amateur photographers. This year’s entries are TBA right now, but the winners are reliably spectacular – pictured is last year’s champion Shane Gross, whose mesmirising underwater shot of western toad tadpoles involved snorkelled for hours in a lake on Vancouver Island, making sure not to disturb fine layers of silt and algae at the bottom. Don’t miss what is always a highlight in the NHM’s calendar.

One hundred years ago, a strange curtained box appeared on Broadway in New York City. If you went inside and slotted in 25 cents, you’d emerge with eight sepia tinged photos of yourself in a matter of minutes. It was the Photomaton – the world’s first fully automated photobooth. Fast forward to the 21st century and photobooths are in bars, train stations, cinemas, record shops and on streets all over the world. The Photographer’s Gallery is marking a century of the machines with Click!, an archival exhibition exploring their imperfections, their quirks and their most famous fans. Naturally, there’ll be a working photobooth for visitors to take their own snap.

‘Nigerian Modernism’ celebrates the achievements of Nigerian artists working on either side of a decade of independence from British colonial rule in 1960. As well as traversing networks in the country’s locales of Zaria, Ibadan, Lagos and Enugu, it also looks further afield to London, Munich and Paris, exploring how artistic collectives fused Nigerian, African and European techniques and traditions in their multidimensional works.

Love sushi, dumplings or noodles? Inamo’s got you covered. This high-tech spot in Soho or Covent Garden lets you order from interactive tabletops, play over 20 games while you wait and even doodle on your table. Then it’s all you can eat pan-Asian dishes like Sichuan chicken, red dragon rolls and Korean wings with bottomless drinks. Usually £113.35, now just £33 or £26 if you're in early at the weekend!

Get Inamo’s best ever bottomless food & drink brunch from only £26 with Time Out Offers.

Imagine indulging in all the dumplings, rolls, and buns you can handle, crafted by a Chinatown favourite with over a decade of culinary excellence. Savour Taiwanese pork buns, savoury pork and prawn soup dumplings, and luxurious crab meat xiao long bao. To top it off, enjoy a chilled glass of prosecco to elevate your feast. Cheers to a truly delightful dining experience at Leong’s Legend!

Peter Doig is one of the greatest living painters, an artist whose approach to hazy, memory-drenched figuration has had an enormous impact on the visual landscape of today. For his show at the Serpentine, he’s going well beyond the canvas, filling the gallery with speaker systems to explore the impact of music on his work. Does DJ-set-meets-art-exhibition sound like your idea of hell? Mine too, but it’s Doig, so it just might work. Maybe.

This huge show at Tate Britain is the most extensive retrospective of Lee Miller’s photography in the UK, celebrating the trailblazing surrealist as one of the 20th century’s most urgent artistic voices. Around 250 vintage and modern prints will be on display – including some previously unseen gems – capturing the photographer’s vision and spirit.

Kerry James Marshall is an artist with a singular vision. He has become arguably the most important living American painter over the past few decades, with an ultra-distinctive body of work that celebrates the Black figure in an otherwise very ‘Western’ painting tradition. This big, ambitious show will be a joyful celebration of his lush, colourful approach to painting.