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Unicorn Theatre

London's finest kids' theatre
  • Theatre | Off-West End
  • Tower Bridge
  • Recommended
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Time Out says

This light, bright children's theatre has two performance spaces and an increasingly formidable reputation. Over her eight years at Unicorn Theatre, its previous artistic director Purni Morell reenergised the venue with a boldness rarely associated with this sort of work. She's made astute use of the Unicorn's hefty ACE grant, bringing many 'grown-up' playwrights and directors on board to offer fare that's routinely praised by forward-thinking theatre buffs.

The Unicorn's new artistic director Justin Audibert looks set to keep the theatre's programming in similarly forward-looking shape: he's been behind a run of successful kids' versions of classic stories, as well as directing work for adult audiences at the RSC.

Today, Unicorn Theatre sits in a modernist concrete-and-glass building in London Bridge that has two separate performance spaces, and is full of quirky flourishes, including scratchy wall illustrations, a piano, and a kid-tempting range of snacks sold at its Unicornershop. But it's only been in situ there since 2005. Unicorn Theatre's history stretches right back to 1947, when it was known as Mobile Theatre, a theatre company that toured post-war Britain bringing performances to culture-strapped young people.

There's still a seriousness to its regular programming, with shows tackling gory Greek myths, exploring opera, or bringing in the most exciting experimental theatremakers around. But the venue also comes into its own with its joyful string of hit Christmas shows, as well as long-running favourites like 'Baby Show', which gets the next generation of theatregoers started very, very early.  

Find more shows for kids of all ages with our guide to children's theatre in London

Details

Address
147
Tooley St
London
SE1 2HZ
Transport:
Tube: London Bridge
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What’s on

Huddle

4 out of 5 stars
This review is from November 2018. Huddle returns to the Unicorn for 2024. Penguins, never exactly out of fashion, are particularly on-trend this season thanks to the emperor penguins who made global headlines after a BBC camera crew controversially rescued them from a gully.Huddle, from Filskit Theatre, doesn’t offer anything quite so nerve-wracking, but it’s certainly more good news for everyone’s favourite flightless birds. Against a deadpan animated backdrop of a larger colony, Joseph Barnes-Phillips’s Papa Penguin squawks and waddles and gets up to general penguin business. Of course, he looks like a dude in a penguin suit, and part of the charm of Huddle is how far the creative team have gone with this: Papa Penguin is a sort of semi-anthropomorphised creature, with a small clutch of physical possessions that he hoards on his rusty old sled, above which hangs a line he uses to hang fish on. It’s a slightly surreal but charming flourish.He also appears not to have a mate, but is nonetheless blessed with an egg that duly hatches into Victoria Dyson’s Penguin Chick. The rest of Katy Costigan and Sarah Shephard’s production is basically two adults making penguin noises at each other – and it’s just delightful, packed with nice little details like Dyson’s costume (by Maxwell Nicholson-Lailey), which sheds layers of grey fluff as she slowly advances towards adulthood. Some mild peril kicks in at the end, as Papa Penguin is forced to head out to sea to get more fish and...
  • Children's

Odd and the Frost Giants

4 out of 5 stars
Since the Unicorn’s big Christmas show was announced, the career of writer Neil Gaiman – the author of the novel Odd and the Frost Giants is adapted from – appears to have more or less imploded under allegations of sexual misconduct. Not the ideal sentence to kick off a review of a piece of kids’ theatre. But I suppose it’s worth acknowledging it straight up rather than praise Gaiman and ignore the allegations, or pretend that his empathetic eye for writing about childhood isn’t at the heart of this show’s success (sturdy as Robert Alan Evan’s adaptation is). It was a coup for the Unicorn to bag a Gaiman adaptation because his writing is very good – sadly it now feels icky to acknowledge that. Odd (Archee Aitch Wylee) is a young Viking lad with a limp and a tyrannical stepfather. A dreamer whose physical frailties limit his capacity for classic Viking business, he spends his time playing with the wooden carvings of the Norse gods his late father left for him. As the story begins his stepfather is in a fury with him for not having filled up the waterbutts before a deep, unnatural freeze set in.  Upset, Odd storms off into the snow to try and find his father’s old hut; there he comes across a peculiar assortment of animals - a fox, a bear and a one-eyed eagle. Long story short, it turns out they are Loki, Thor and Odin, their bodies transformed by a frost giant who tricked them and cast them out of their godly home of Asgard. Aimed at ages seven-plus, Rachel Bagshaw’s...
  • Children's
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