Photo by Trafalgar Theatre
Photo by Trafalgar Theatre

Trafalgar Theatre

This modern theatre is a no-frills home for the edgier end of proper drama
  • Theatre
  • Whitehall
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Time Out says

As of April 2021, Trafalgar Studios is due to reopen as the revamped Trafalgar Theatre, a larger and more conventional venue with no second studio

A kitsch-free rebel on the outskirts of theatreland, Trafalgar Studios is a modern, minimalist, not-especially comfortable space in the shell of the former Whitehall Theatre. Its two studios tend to present emerging, established and international talent with varied success. Director Jamie Lloyd successfully scuffed it up for a trio of big name, youth-focussed seasons under the banner of Trafalgar Transformed, but this seems to have ended, and the venue potters on much as it did before. The 380 seater Studio One tends to play host to celebrity-led productions that run for a few months, as well as transfers from big producing houses like the NT's 'Nine Night'. With just 100 seats, Studio Two is essentially a glorified fringe theatre, and often hosts shows from the likes of the Finborough and Theatre 503.

Trafalgar Studios assumed its current form in 2004, when an ambitious conversion turned the austere art deco 1930s theatre into two spaces: the dress circle was turned into Studio One, with a new elevated stage, while the former stalls area was turned into Studio Two. The great divide marked a change of pace, too. The old Whitehall Theatre was best known for Brian Rix's so-called Whitehall farces, a series of five long-running comedies in the '50s and '60s which featured crowd-pleasingly silly plotlines full of misunderstandings and trouser-dropping mishaps. And in grey wartime Britain, the Whitehall follies featured naked turns from Phyllis Dixey, who tickled audiences with dances with feathered fans in the West End's first stripshow.

Details

Address
14
Whitehall
London
SW1A 2DY
Transport:
Rail/Tube: Charing Cross
Opening hours:
Temporarily Closed
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Clueless

A quintessential ’90s high school comedy that launched the brief Hollywood career of Alicia Silverstone, Amy Heckerling’s 1995 ‘Clueless’ is a smart rewrite of Jane Austen’s ‘Emma’ that centres on Cher Lloyd, a priviliged but kind-hearted student at a Californian high school whose efforts to help her peers in life and love leave her somewhat neglected. In its way a forerunner of ‘Mean Girls’, it makes the leap to West End musical a year after Tina Fey’s adaptation of her own film opened here, with Heckerling writing the book and big-in-the-’00s Scottish songwriter KT Tunstall doing the music, with direction from Rachel Kavanaugh. Opening at the relatively intimate Trafalgar Theatre, it’s clearly positioning itself on the more indie side of the West End spectrum, but if it can match the culty charm of Heckerling’s original film then it could have some real legs. Casting is currently TBC, though the fact most of the characters are schoolkids means big names are unlikely.  
  • Musicals
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