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Stratford East

A buzzing community theatre with an impressive history.
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Time Out says

Talk about having a lot to live up to: in the '50s and '60s Theatre Royal Stratford East was arguably the most influential theatre in London, thanks to the presence of the visionary Joan Littlewood and her Theatre Workshop.

These days its output tends to send fewer shockwaves around the world. But under recent artistic director Nadia Fall it has a lively and diverse programme with a breadth and eclectism somewhat comparable to the National Theatre’s. 

Her lasting legacy may be to have dropped the ‘Theatre Royal’ from the name, though to be fair it’s hardly impossible to contemplate the idea a future AD might change it back. Her successor will be Lisa Spirling, formerly of Theatre 503.

Details

Address
Gerry Raffles Square
Stratford
London
E15 1BN
Transport:
Rail: Stratford International; Tube/DLR: Stratford
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What’s on

The Women of Llanrumney

A co-production with Sherman Theatre, Azuka Oforka’s historical drama is set on the Llanrumney plantation in Jamaica in 1765. It follows Annie and Cerys, two women enslaved by the Welsh Morgan family who worry about their future as the family face up to the prospect of leaving the rebellious island. Patricia Logue directs.
  • Drama

Tambo & Bones

4 out of 5 stars
This review is from 2023. Tambo & Bones returns to Stratford East for 2025 as part of a UK tour. Clifford Samuel takes over the role of Tambo, and Daniel Ward reprises the role of Bones. US poet and playwright Dave Harris’s ‘Tambo & Bones’ is a funny, filthy, often gleefully ridiculous satire about the African American male experience as embodied by the two title characters: Tambo (Rhashan Stone), a thoughtful, troubled guy concerned with the betterment of Black America and the expansion of its consciousness; and Bones (Daniel Ward), an incorrigible hustler almost entirely fixated on how much money he can make out of any given situation.  When we first meet them, they’re dressed in battered, silly minstrel outfits, stuck in an overtly artificial, cartoonish-looking field. Tambo is trying to have a nap. Bones wants to get some money out of us, the audience. They bicker and debate and come up with various harebrained schemes before realising something is off and that they need a more contemporary way of telling their story/making a shitload of money. In the next scene, they’re reborn as an old-school rap duo, now espousing their worldviews in rhyme. Rude and ridiculous and anchored by two full-bodied performances from Stone and Ward – who absolutely go for it with the rapping –‘Tambo and Bones’ is a blast. Yes, it’s also a consideration of African American male archetypes and the Black American dream. But it’s a very irreverent one, something underscored by a totally...
  • Drama
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