Regent’s Park Open Air Theatre, 2021
Photo by: David Jensen | Regent’s Park Open Air Theatre, 2021

Regent's Park Open Air Theatre

London's most beautiful theatre lies tucked away in the middle of Regent's Park
  • Theatre | Outdoor theatres
  • Regent’s Park
  • Recommended
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Time Out says

Founded in 1932, central London's most beautiful and secluded theatre is surrounded by Regent's Park on every side and is completely uncovered – so consequently open only between May and September each year.

Though its twinkling, manicured prettiness makes Regent's Park Open Air Theatre resemble something out of 'A Midsummer Night's Dream', the volume of Shakespeare performed on its stage has dwindled from almost exclusively to fairly sporadically under long-serving artistic director Timothy Sheader. His seasons generally start with a gritty opener, have a populist classic in the middle, then climax with one of the big musicals that he's made his name with. Around that there's acoustic gigs, comedy and usually some kids' theatre.

Ticket prices are comparable to the West End, though the sightlines are good at most prices. There are cheap tickets available for younger audiences (including the BREEZE membership scheme, which offers £10 tickets for 18-25-year-olds), and concessions can buy discounted standby tickets prior to the day's performance (from 5pm for evenings and noon matinees).

Having no roof, rain does sometimes lead to performance cancellations: if this happens you can exchange your ticket for a future performance, but no refund is permitted.

The Regent's Park Open Air Theatre has plenty of food options, from a barbecue to picnic hampers, and the bar is the longest in any London theatre.

If you're interested in theatre history, the Open Air Theatre's archives are available to view online at openairtheatreheritage.com and contain images galore of former company members include Benedict Cumberbatch, Judi Dench and Ralph Fiennes.

Details

Address
Inner Circle
Regent's Park
London
NW1 4NR
Transport:
Tube: Baker St
Price:
Various
Opening hours:
Check website for show times
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What’s on

Shucked

Drew McOnie’s first season in charge of the Open Air Theatre isn’t hugely distinguishable from those assembled one by his predecessor Timothy Sheader. Which is all to the good really, and nobody was seriously expecting musical theatre director and choreographer McOnie to ditch the splashy outdoor musicals. Plus, Shucked is a superb way to kick off his tenure: it’s the UK premiere for Robert Horn, Brandy Clark and Shane McAnally’s multi Tony-nominated 2022 musical comedy about a comically isolated rural farming community which must send representatives to the big city after their corn crop starts to fail. US director Jack O’Brien will restage his smash show with a new, UK cast. 
  • Musicals

Noughts & Crosses

The only straight up play this season at the Open Air Theatre is this revival of Dominic Cooke’s acclaimed 2007 adaptation of the Malorie Blackman dystopian smash. Here directed by OAT associate Tinuke Craig, the story concerns a future in which the darker-skinned Noughts rule over the lighter-skinned Crosses, and follows the complicated, clandestine friendship between Nought Sephy and Cross Callum, who has been allowed to attend her prestigious school. 
  • Drama

Brigadoon

This 1947 musical from My Fair Lady writers Lerner & Loewe has faded out of fashion in recent years, presumably largely because its premise of a couple of American tourists stumbling across a magical Scottish village that only appears every couple of hundred years is actually pretty patronising to the Scottish. That’s presumably why top Scottish playwright Rona Munro has been brought in to update the book of the first major UK revival since 1988, which will see Drew McOnie direct his in augural production as Open Air Theatre artistic director. The exact nature of the update is TBC, but it appears that lost-in-the-Highlands American protagonists Tommy and Jeff have been changed from game hunting tourists to crashed WW2 fighter pilots.
  • Musicals

The Enormous Crocodile

3 out of 5 stars
This review is from May 2024. How scary should a crocodile be?  That for me was the issue at the heart of Suhayla El-Bushra and Ahmed Abdullahi Gallab’s jaunty mid-budget kids’ musical adaptation of Roald Dahl’s picture book, which concerns a gang of timid jungle creatures who join forces to see off a crocodile who has decided that it absolutely must eat a human child. Emily Lim’s production is blessed with very eye-catching, very witty puppets from Toby Olié (whose lavish ‘Spirited Away’ designs can currently be seen in the West End). From the bug-eyed croc who assembles and disassembles in numerous clever ways as he adopts sundry disguises in an effort to lure a group of children into his mouth, to the amusingly realised children themselves (basically members of the ensemble with little puppet child bodies dangling absurdly under their heads), it looks great. Lim’s production has lots of lovely flourishes, from the smoke-filled bubbles that drift through the OAT at the beginning and end of the show, to the opportunity to pelt the crocodile with (foam) peanuts.  But while it’s certainly one of Dahl’s tamest stories (not to be confused with his  macabre poem ‘The Crocodile') something feels a little off about its total lack of peril. Malinda Parris is a game performer as the crocodile – a triple threat of sorts as she acts, sings and controls a complicated puppet – but she plays him as a bumbling, fruity-voiced panto villain who never seems very threatening, or likely to...
  • Children's
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