1. Photo: Manuel Harlan
    Photo: Manuel Harlan |

    The Old Vic

  2. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic

  3. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic bar

Old Vic

One of London's oldest theatres, the Old Vic offers big, serious plays, big, serious stars and a few musicals and surprises.
  • Theatre | West End
  • Waterloo
  • Recommended
Ella Doyle
Advertising

Time Out says

What is it?

The Old Vic is an iconic theatre right next to Waterloo rail station that’s been around since 1818. It has a lively history, and was once famous for staging all of Shakespeare’s plays between 1914 and 1923 (the first theatre to do so). In 1963 it became the first home of the National Theatre, which finally moved to its purpose-built South Bank digs in 1976. After a tumultuous few decades, the ‘modern’ Old Vic launched in 2003, and is now under the leadership of Matthew Warchus, whose programming constitutes an eclectic array of shows, from musical theatre to modern classic adaptations (it’s especially famous these days for Jack Thorne’s adaptation of A Christmas Carol, for example). It’s been home to theatre stars Judi Dench, Laurence Olivier and Maggie Smith, to name a few. 

Is it worth visiting?

Absolutely, yes. This is, in our opinion, one of the best theatres in London, a blend of star-studded casts, large-scale production and a really beautiful historic theatre space. One-off tourist or life-long local, The Old Vic is a big ol’ fun London night out for families, pals or as a solo eve to see some seriously good theatre. Plus, The Old Vic is worth visiting even if you’re not seeing a show; take advantage of good wifi at the café or check out its bar, also open to non-theatre-goers (and open till 2am Thurs-Sun). Aside from the classics (reds, whites, rosés, Camden beer and Tony’s Chocoloney) there’s seasonal cocktails, like the winter Aperol Spritz featuring ginger beer instead of soda, which I think is a stroke of genius. 

Tickets, accessibility and booking

Ticket prices here really depend on the show, but generally they’re pretty affordable, ranging from £10-20 to £100+ for the really good seats or for peak-time performances. The Old Vic is fully wheelchair accessible (as is its downstairs bar), and it runs accessible performances (BSL interpreted, relaxed viewings, etc). Tickets can be booked online or over the phone, and you get out of the booking fee if you’re a member of Old Vic Together. 

Where’s good to eat near the Old Vic?

You’re 10 minutes’ walk from Forza Wine at the National Theatre, for great cocktails, Italian small plates and a very long wine list. Or if you’re craving good, hearty pub food, head to the Anchor & Hope for nose-to-tail cooking, headed up by St John’s old chef team. For drinks, you’re five minutes from Scootercaffé, a seriously cool retro café/bar with mismatched vintage furniture, a sultry basement and twinkling jazz music. Or try the very swanky Lyaness for pricey but delicious cocktails.

Can’t get enough? Here are the best theatre shows in London, handpicked by our theatre critic Andrzej Lukowski

Details

Address
103 The Cut
Waterloo Rd
London
SE1 8NB
Transport:
Tube: Waterloo; Rail: Waterloo
Opening hours:
Bar open 6pm-midnight Mon and Tue; 1pm-midnight Wed; 6pm-2am Thu and Fri; 1pm-2am Sat
Do you own this business?Sign in & claim business

What’s on

A Christmas Carol

3 out of 5 stars
This review is from 2024. In 2025 A Christmas Carol returns to the Old Vic for the ninth years in a row (and possibly its last as it’s Matthew Warchus’s final Christmas at the Old Vic). Paul Hilton will play Scrooge. Although it’s the second most influential Christmas story of all time, Charles Dickens’s A Christmas Carol is a tale that’s disseminated by adaptations rather than because everyone still religiously reads the 1843 novella. And for eight Christmases in a row – including 2020! – the main form of dissemination for Londoners has been the Old Vic’s stage version, which packs ‘em into the huge theatre for two months every year. I haven’t been since it debuted in 2017, when Rhys Ifans played supernaturally reformed miser Ebeneezer Scrooge. Back then, Matthew Warchus’s production of Jack Thorne’s adaptation was simply a stage version, of a story endlessly retold each year. Now it is essentially the version, not because nobody else does it (in 2022 I counted 11 adaptations), but because of the unparalleled scale of its success: it’s certainly the most successful stage adaptation of this century, and quite possibly ever. Eight Christmases on and it’s charming, but groans under the weight of its own success. What really struck me on second viewing was the conflict between Thorne’s smartly empathetic text and Warchus’s ecstatically OTT Christmasgasm of a production. Making a few judicious departures from Dickens, Thorne seeks to humanise Scrooge, get to the heart of his...
  • Drama

Arcadia

It’s with grimly perfect timing that Tom Stoppard’s undoubted masterpiece – the jewel in the crown of one of the most remarkable bodies of work by any playwright ever – gets its first major London revival in ages less than two months after his death. Not only that, but it’s at the Old Vic: hardly a stranger to Stoppard recently (it ran an excellent production of The Real Thing in 2024), but it is of course where his career began in a mainstream sense with the first major production of his breaththrough Rosencrantz and Guildenstern are Dead. Arcadia is a tremendously witty meditation on the nature of history, truth, sex, mathmatics and more that is set in two timelines: in 1809, teenage prodigy Thomasina Coverley makes astonishing scientific breakthroughs while under the tutelage of the brilliant but conflicted Septimus Hodge; in the present, a group including the descendents of the original characters try to determine the truth about the events that unfolded two centuries ago. Carries Cracknell directs: at time of writing in early December casting was still TBA, though this will surely change soon.
  • Comedy

One Flew Over the Cuckoo’s Nest

The first major London revival for the stage version of Ken Kesey’s countercultural classic in over 20 years comes this spring, as Clint Dyer directs Aaron Pierre and Giles Terera as two inmates of a hellish psychiatric ward. Published in 1962, Kesey’s darkly comic satire on psychiatry and institutionalisation was quickly adapted into a 1963 play that starred Kirk Douglas as Randall P McMurphy, a rebellious prisoner who makes the mistake of faking insanity, believing he’ll have an easier time of it in a mental hospital (Jack Nicholson famously starred in the 1975 film as Douglas was too old old for the role by the time it finally got made). Pierre – best known for his role in Netflix hit Rebel Ridge – will star as McMurphy, with Olivier winner Giles Terera as his fellow inmade Dale Harding. The rest of the casting is TBC, though it’s interesting Dyer has cast two Black actors as inmates and that he’s said he wants to pick up on the novel’s ‘conversation on colonialism and identity’. There are certainly plenty of juicy roles up for grabs, notably the vile Nurse Ratched.
  • Drama
Advertising
London for less
    You may also like
    You may also like