1. Photo: Manuel Harlan
    Photo: Manuel Harlan |

    The Old Vic

  2. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic

  3. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic bar

Old Vic

One of London's oldest theatres, the Old Vic offers big, serious plays, big, serious stars and a few musicals and surprises.
  • Theatre | West End
  • Waterloo
  • Recommended
Ella Doyle
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Time Out says

What is it?

The Old Vic is an iconic theatre right next to Waterloo rail station that’s been around since 1818. It has a lively history, and was once famous for staging all of Shakespeare’s plays between 1914 and 1923 (the first theatre to do so). In 1963 it became the first home of the National Theatre, which finally moved to its purpose-built South Bank digs in 1976. After a tumultuous few decades, the ‘modern’ Old Vic launched in 2003, and is now under the leadership of Matthew Warchus, whose programming constitutes an eclectic array of shows, from musical theatre to modern classic adaptations (it’s especially famous these days for Jack Thorne’s adaptation of A Christmas Carol, for example). It’s been home to theatre stars Judi Dench, Laurence Olivier and Maggie Smith, to name a few. 

Is it worth visiting?

Absolutely, yes. This is, in our opinion, one of the best theatres in London, a blend of star-studded casts, large-scale production and a really beautiful historic theatre space. One-off tourist or life-long local, The Old Vic is a big ol’ fun London night out for families, pals or as a solo eve to see some seriously good theatre. Plus, The Old Vic is worth visiting even if you’re not seeing a show; take advantage of good wifi at the café or check out its bar, also open to non-theatre-goers (and open till 2am Thurs-Sun). Aside from the classics (reds, whites, rosés, Camden beer and Tony’s Chocoloney) there’s seasonal cocktails, like the winter Aperol Spritz featuring ginger beer instead of soda, which I think is a stroke of genius. 

Tickets, accessibility and booking

Ticket prices here really depend on the show, but generally they’re pretty affordable, ranging from £10-20 to £100+ for the really good seats or for peak-time performances. The Old Vic is fully wheelchair accessible (as is its downstairs bar), and it runs accessible performances (BSL interpreted, relaxed viewings, etc). Tickets can be booked online or over the phone, and you get out of the booking fee if you’re a member of Old Vic Together. 

Where’s good to eat near the Old Vic?

You’re 10 minutes’ walk from Forza Wine at the National Theatre, for great cocktails, Italian small plates and a very long wine list. Or if you’re craving good, hearty pub food, head to the Anchor & Hope for nose-to-tail cooking, headed up by St John’s old chef team. For drinks, you’re five minutes from Scootercaffé, a seriously cool retro café/bar with mismatched vintage furniture, a sultry basement and twinkling jazz music. Or try the very swanky Lyaness for pricey but delicious cocktails.

Can’t get enough? Here are the best theatre shows in London, handpicked by our theatre critic Andrzej Lukowski. 

Details

Address
103 The Cut
Waterloo Rd
London
SE1 8NB
Transport:
Tube: Waterloo; Rail: Waterloo
Opening hours:
Bar open 6pm-midnight Mon and Tue; 1pm-midnight Wed; 6pm-2am Thu and Fri; 1pm-2am Sat
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What’s on

Martin Guerre

French songwriting duo Claude-Michel Schönberg and Alain Boublil gave superproducer Cameron Mackintosh two of the most successful musicals of all time in the shape of Les Miserables and Miss Saigon. So it’s no surprise he really tried to make Martine Guerre work: the 1996 musical loosely based on the life of the real Guerre – a 16th century French peasant who disappeared and was replaced some time later by an imposter who was put on trial – was majorly reworked throughout its 18-month West End run. Although that’s a decent enough stint, it pales next to the the duo’s other Mackintosh numbers and the producer handed the rights back to its makers. But by all accounts they have been tinkering with it further: Matthew Warchus has now snuck it in as the final show he’ll direct at the Old Vic before he leaves. It’s running for just five weeks, which is unusually short for a musical, but the secret ingredient here is the fact the theatre is still in an in the round set up – the more intimate staging might be just the ticket to find new life in the musical. 
  • Musicals

A Christmas Carol

3 out of 5 stars
This review is from 2024. In 2026 A Christmas Carol returns to the Old Vic for its tenth and presumably final year, as its director Matthew Warchus’ very final piece of prgramming at the theatre. Giles Terera will play Scrooge. Although it’s the second most influential Christmas story of all time, Charles Dickens’s A Christmas Carol is a tale that’s disseminated by adaptations rather than because everyone still religiously reads the 1843 novella. And for eight Christmases in a row – including 2020! – the main form of dissemination for Londoners has been the Old Vic’s stage version, which packs ‘em into the huge theatre for two months every year. I haven’t been since it debuted in 2017, when Rhys Ifans played supernaturally reformed miser Ebeneezer Scrooge. Back then, Matthew Warchus’s production of Jack Thorne’s adaptation was simply a stage version, of a story endlessly retold each year. Now it is essentially the version, not because nobody else does it (in 2022 I counted 11 adaptations), but because of the unparalleled scale of its success: it’s certainly the most successful stage adaptation of this century, and quite possibly ever. Eight Christmases on and it’s charming, but groans under the weight of its own success. What really struck me on second viewing was the conflict between Thorne’s smartly empathetic text and Warchus’s ecstatically OTT Christmasgasm of a production. Making a few judicious departures from Dickens, Thorne seeks to humanise Scrooge, get to the...
  • Drama
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