Howard Brenton’s version of Strindberg’s oft-revived classic ‘Miss Julie’, about a wealthy young woman who engages in sexual power games with a servant, was much-praised when first seen in 2017. Now Tom Littler’s production is back, and playing in rep with Brenton’s new translation of another Strindberg play, ‘Creditors’, with various matinee days when you can do the double and see them both.
Time Out says
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