Hello! I'm Andrzej, the theatre editor of Time Out London, and me and my freelancers review a heck of a lot of theatre. This page is an attempt to distil the shows that are on right now into something like a best of the best based upon our actual reviews, as opposed to my predictions, which determine our longer range what to book for list.
It isn’t a scientific process, and you’ll definitely see shows that got four stars above ones that got five – this is generally because the five star show is probably going to be on for years to come (hello, Hamilton) and I'm trying to draw your attention to one that’s only running for a couple more weeks. Or sometimes, we just like to shake things up a bit. It’s also deliberately light on the longer-running West End hits simply because I don’t think you need to know what I think about Les Mis before you book it (it’s fine!).
So please enjoy the best shows in London, as recommended by us, having actually seen them.
What is it? Oh come on you know what Hamilton is.
Where is it? Victoria Palace Theatre.
Why go? Well if you don’t know what Hamilton is, Lin-Manuel Miranda’s virtuosic hip-hop inflected account of the life and times of relatively obscure US Founding Father Alexander Hamilton is pretty much the biggest musical of our times. And it remains sensational an exhilarating celebration of multiculturalism that’s also a witty but broadlyt accurate romp through US history.
What is it? The RSC’s lavish stage adaptation of the Studio Ghibli classic is back for its third London run, and first time out in the West End.
Where is it? Gillian Lynne Theatre.
Why go? It’s a lovely – albeit very faithful – retelling of the beloved film, but it’s the spectacular puppet incarnations of furry forest spirit Totoro and whatever the hell the Catbus is that will really blow your mind.
What is it? The second play from Joe Murphy and Joe Robertson – who wrote The Jungle some years ago – is a lively dramatisation of the 1997 Kyoto climate change conference.
Why go? Yes, the premise sounds boring. But Kyoto is almost indecently fun, not least because of the genius decision to tell the whole thing form the POV of monstrous fossil fuel lobbyist Don Pearlman, played brilliantly by US actor Stephen Kunken.
What is it? James Graham’s furiously exciting play about Gareth Southgate and the England men’s team has come how to the National Theatre for one final run.
Where is it? National Theatre, Olivier.
Why go? Completists may be thrilled that Graham has updated his play to account for the Euro 2024 tournament. Truth be told it hasn’t changed the play massively (we got an identical result to Euro 2020) but it’s still an enormously enjoyable show, and the penalty taking scenes are astoundingly tense.
What is it? Ryan Calais Cameron’s slick drama about Sidney Poitier finally makes it to the West End.
Where is it? Apollo Theatre.
Why go? Having wowed us with the almost totally stylistically opposite For Black Boys…, Cameron proves he’s a major talent with this stylist and tense drama aboyt a young Sidney Poitier stepping into the bearpit of Red Scare-era Hollywood.
What is it? The longest-running musical of all time needs no introduction whatsoever (but if you really need to know it’s an all-singing adaptation of Victor Hugo’s seminal novel about the Paris Uprising of 1832).
Where is it? Sondheim Theatre.
Why go? Although the current West End iteration is a ‘new’ version that was ushered in in 2019 – and indeed there have been judicous updates throughout its long life – Les Mis is popular for the reason it’s always been popular: soaring songs, stirring story, memorable characters and a commitment to keeping it stocked with world class singing talent.
What is it? Andrew Lloyd Webber’s magnum opus is still going strong in the West End after almost 40 years.
Where is it? His Majesty’s Theatre.
Why go? To this day it looks utterly ravishing, with jaw dropping sets and impressive special effects. The plot – about a brooding psychopath who stalks a Parisian opera house – is wildly problematic, but it’s just extremely impressive theatre, with some deliciously bombastic songs, and as with Les Mis, the dedication to keeping first rate performers has kept it fresh decades after other shows have gone off the boil.
What is it? A big hit off-Broadway, this extremely goofy musical parody of James Cameron’s Titanic retells events from the perspective of the film’s real star: Celine Dion.
Where is it? Criterion Theatre.
Why go? Lauren Drew’s dotty, overbearing, perma-smiling Celine Dion is a truly wonderful creation, who lights up teh stage every second she’s on it. Things are a bit thinner in her absence, but it’s still a terriffic laugh.
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