Christopher Brett Bailey's 'This Is How We Die' was one of the most exciting pieces of theatre of the last couple of years, a bug-eyed, blackly hilarious mix of beat poetry performance and post-rock gig like nothing else out there. Follow up 'Kissing the Shotgun Goodnight' is billed as 'a journey through the multiverse and into the afterlife' inviting audiences to 'consider their relationship to food, capitalism and the right to kill yourself', with a 'pulverising live musical score'. From that description it could be a remake of 'TIHWD' or something unrecognisably different. It should be interesting, anyway.
Kissing the Shotgun Goodnight
Time Out says
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