Duke of Yorks.JPG

Duke of York’s Theatre

Serious drama is the order of the day at this Victorian playhouse with a pedigree
  • Theatre | Musicals
  • Covent Garden
Advertising

Time Out says

Whereas yer average West End theatre houses shows that run for years, or even decades, Duke of York's Theatre has a snappier (and more serious-minded) turnover. Its 640-seater auditorium houses an ever-changing line-up of hit dramas transferring from Off-West End and quality new productions of classic plays.

Its substantial theatrical pedigree includes the premiere of J M Barrie's 'Peter Pan' in 1904, which is commemorated in the venue's Barrie bar, decorated from mementoes honouring the boy who wouldn't grow up. It also made opera history at the turn of the century, when composer Puccini visited a production of the play 'Madame Butterfly' and was inspired to turn it into the heartbreaking opera of the same name. A 14-year-old Charlie Chaplin made his only stage appearance in 1905, in a production of 'Sherlock Holmes'. And the Duke of York's made history off stage as well as on; in 1929, a meeting held in the theatre resulted in the creation of actor's union Equity.

Duke of York's Theatre was built in 1892, and was the first playhouse constructed on St Martin's Lane – it's since been joined by London Coliseum, St Martin's Theatre, and Noel Coward Theatre. It's unusual among West End theatres for being a standalone building: originally, dressing rooms were in a neighbouring house, and reached by a covered iron bridge. Outside, it's all late Classical grandeur with ornate doric columns. Inside, it glows in subtle shades of red and tobacco brown, with three balconies and elegantly restrained gilt flourishes – perfectly designed to prepare an audience for some serious drama.

Details

Address
St Martin's Lane
London
WC2N 4BG
Transport:
Tube: Charing Cross
Opening hours:
Temporarily Closed
Do you own this business?Sign in & claim business

What’s on

Elektra

The Ancient Greeks are definitely having one of their periodic ‘moments’ in London theatres: shortly after the NT’s ‘Antigone’ rewrite ‘The Other Place’  and Robert Icke’s ‘Oedipus’ wrap up and running concurrently with the Old Vic’s, uh, ‘Oedipus’, here’s a fresh take on Sophocles’s ‘Elektra’ from Canadian poet Anne Carson, directed by Daniel Fish, who made his name with his bold recent take on ‘Oklahoma!’. Toss in legendary choreographer Annie-B Parson and that’s quite a conglomerate of New World talent for this most Ancient World of plays, but the real story is Brie Larson, who’ll be playing the title role of Elektra, the daughter of Agamemnon who vows revenge upon her mother Clytamnestra for his death.  Larson is of course best known for playing Captain Marvel in the MCU films, to slightly mixed success (‘Captain Marvel’ was a box office beast; ‘The Marvels’ tanked so hard people started writing think piece about how superhero movies were over). It’s always been clear there’s a lot more to her than that, not least because she’s is a literal Oscar winner thanks to 2015’s psychological kidnap thriller ‘Room’, but she also writes, directs, produces and has an indie-leaning CV if you take out the 'lady with magic space powers' stuff. Getting involved with all this leftfield theatre royalty feels like a smart move and an interesting challenge – she’s done little in the way of stage work before and this will surely be something of a baptism of fire. She'll be supported by a...
  • Drama
Advertising
London for less
    You may also like
    You may also like