The Guilty
This nailbitingly tense thriller is director Felix Barrett’s second ‘normal’ piece of theatre to open in London in the last year, following West End smash Paranormal Activity.
If you don’t know the name, Barrett is the founder and driving force behind brooding immersive theatre legends Punchdrunk. But his straight plays aren’t so much a case of him moonlighting as a normie director as a fascinating extension of the day job. Yes, The Guilty is fairly straightforward as a text. Concerning a troubled police call centre operator, it’s writer Chloe Moss’s adaptation of the Danish film Den Skyldige and its Jake Gyllenhaal-starring Hollywood remake. You could probably have a fairly good time taking a version to the Edinburgh Fringe.
But at the risk of throwing around an entirely debased term, this production is about as immersive as sitting in a seat watching a single guy onstage gets. The action is enhanced by an arsenal of disorienting light and sound tricks, some of which you might recognise from Punchdrunk shows (most notably the thunderous deployment of Massive Attack’s ‘Angel’ at the start, also recently used in Punchdrunk’s Viola’s Room). Gareth Fry, the sound designer for Viola’s Room and Complicité’s landmark The Encounter is back on board, as is much of the rest of the Paranormal Activity creative team. Subtle shifts in light and the crackly strangeness of the calls he receives take on a feverish, nocturnal quality, only growing stranger as the show wears on.
The single...