Cymbeline

Jennifer Tang makes her directorial debut at the Globe with a revival for Shakespeare’s strange late pastoral play about a warring ancient Britain. We don’t know very much about this production yet, although advance information suggest that the eponymous King is now a Queen. The revival comes a decade after the play was last staged in the indoor Sam Wanamaker Playhouse, and nine years after Matthew Dunster’s riotous modern dress reworking Imogen ran outdoors.