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Circus in London

Roll up, roll up, for the best circus shows and events London has to offer

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Although you'll not see any lions being 'tamed' in massive stripy tents, London's modern circus scene is far more jaw-dropping than the suspicious magicians and caged animals of old. Have your breath taken away with your pick from our list of London circus shows.

Circus shows in London

  • Circuses
  • South Kensington
  • 3 out of 5 stars
  • Recommended
Corteo is quintessential Cirque du Soleil, insofar as it has a clear, simple and alluring theme that it flubs totally, but has such jaw-dropping set pieces that you don’t exactly leave with dramaturgical quibbles at the front of your mind. And by ‘jaw-dropping set-pieces’ I mean there’s a bit where the audience is invited to bounce a performer of diminutive stature strapped to four large inflatable balloons around the Royal Albert Hall as if she were a human volleyball. Is that… okay? I’m going to be honest, it didn’t feel 100 percent okay to me, although one-metre tall Ukrainian performer Valentyna Paylevanyan seemed to be having fun. Nonetheless, I’m unlikely to forget it, even if I wanted to: and that’s Corteo, baby! Created and directed by Daniele Finzi Pasca, the show is apparently influenced by nineteenth century Italian clowning, and is possibly set at the funeral of Stephane Gentili’s Mauro the Dreamer Clown, although it is often very hard to tell. ‘Whose funeral is this?’ somebody asks at one point, during one of the brief bits that actually look like a funeral. ‘I don’t know’ replies another, which possibly looks a bit Beckettian on paper but in fact pretty much sums up how half baked the concept is. Clown funerals are a thing! Why not do something coherent with the idea? A circus show doesn’t need a story per se, but Corteo’s refusal to explore its own premise is so pathological it speaks of demand avoidance. Still, if you’re here for setpieces, Corteo delivers...
  • Circuses
  • West Brompton
  • 3 out of 5 stars
  • Recommended
Come Alive is a tricky one to review because the question here is less ‘is this a good example of a mash up of a circus and the songs from The Greatest Showman?’ and more ‘what the hell are the criteria for a good mash up of a circus and the songs from The Greatest Showman?’ Conceived and directed by Simon Hammerstein, the brains behind posh strip club The Box, Come Alive occupies a huge building in Earl’s Court dubbed the Empress Museum, formerly called the Daikin Centre and home to an immersive David Attenborough documentary.   The actual big top-style performance space is comparatively intimate: 700 seats is not tiny, but if an obvious point of comparison is Cirque du Soleil’s annual shows at the Royal Albert Hall, then Come Alive offers similarly skilled acrobats at appreciably closer range – you can see each muscle contort and flex. The rest of the building has been given over to a sort of Greatest Showman-themed mini-mall: overpriced food, overpriced drinks, overpriced fancy dress clobber - but done in high travelling-circus style and there’s a little bit of gratis pre-show acrobatics in one corner of it that’s well worth catching. Anyway. Circus. And the songs from The Greatest Showman. I think one basic point here is that presumably literally every person who has bought a ticket to Come Alive will love the Benj Pasek and Justin Paul tunes from the film already. They’re done well – performed live and with personality, but also very faithfully, ie no drastic sonic...
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