Arcola Theatre, 2016
© Lidia Crisafulli

Arcola Theatre

East London's new writing stronghold is a bit erratic but much appreciated
  • Theatre | Private theatres
  • Dalston
Advertising

Time Out says

Situated slap bang in the middle of Dalston since 2000, the Arcola Theatre was here before the hipsters and – despite one enforced change from its original venue on Arcola Street to its present former paint factory site – remains a bastion of interesting work in theatre-light east London.

The programme here is quite unpredictable but occasionally brilliant: shows have often been announced late in the day and it’s tricky to really put your finger on what the artistic policy is supposed to be. Still, expect revivals of ‘serious dramas’, new plays from fresh voices, and plenty of work with a political, international outlook programmed across its 200-capacity main auditorium and smaller downstairs studio space.

Its biggest constant is Grimeborn, an irreverent and influential festival of new opera writing that takes place in the summer to coincide with the world-famous Glyndebourne Opera Festival. There’s also a real focus on work of interest to the area’s local communities, with occasional stagings of Turkish language plays sitting alongside dramas by the Arcola’s Queer Collective. Tickets generally start at £15-£20, with a small number of Pay What You Want tickets available in person on Tuesdays.

The ramshackle bar is a cosy place to sink a pint before or after the show; it serves tea and coffee during the day, and generally fills up with artsy types on a Friday or Saturday night. The Arcola also has an admirable commitment to becoming completely carbon neutral, as demonstrated in its rather advanced-looking toilets. 

Details

Address
24 Ashwin St
London
E8 3DL
Transport:
Dalston Kingsland or Dalston Junction Overground
Do you own this business?Sign in & claim business

What’s on

As Long As We Are Breathing

Diane Samuels’s play tells the true story of Miriam Freedman, a young Jewish woman from Czechoslovakia who evaded Nazi capture during the Second World War, and eventually learned to come to terms with the deaths of her family during the Holocaust. Ben Caplan directs.
  • Drama
Advertising
London for less
    You may also like
    You may also like