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Belle Epoque France furnishes the raw material for soprano Natalie Dessay's Wigmore Hall debut. Gor it she has prepared a banquet of mélodies to complement Philippe Cassard's choice of piano works by Debussy and Fauré. Debussy's Romance (unpublished); 'Romance: Silence ineffable'; 'Les cloches'; 'L'Archet'; 'Clair de lune' (piano solo); 'Clair de lune'; 'En sourdine'; 'Fête galante'; 'Pierrot'; 'Apparition'; Chabrier's 'Chanson pour Jeanne'; Chausson's 'Le temps de lilas'; Duparc's 'L'invitation au voyage'; Fauré's Nocturne No 4 in E flat, Op 36; Debussy's 'Le Matelot qui tombe à l'eau' (unpublished); 'Coquetterie posthume'; 'Regret, devant le ciel'; and 'La romance d'Ariel'.
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