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Brilliant French singer (formerly of Nouvelle Vague) whose brilliant (second) album 'Le Fil' used digital delay and samples of her voice to create rhythm tracks, bass lines, harmonies and incidental bleeps in a way that recalled Björk, Dani Siciliano and Steve Reich. Equally rapturous was the follow-up, 'Music Hole', but Camille returns to promote her latest album, 2011's 'Ilo Veyou', which further explores the possibilities of the human voice.
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