Named after a line in a 1964 review of one of Merce Cunningham's first performances, 'The Future Bursts In' brings three brilliantly forward-looking choreographers together. Senegal-born Amala Dianor kicks things off with a genre-blurring trio, followed by Jacobsson and Caley's 'For Four Walls', which sends 24 dancers ricocheting through a mirrored space. Things wind up with Cunningham's 1975 ear-poppingly strange 'Sounddance', performed by Ballet de Lorraine.
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