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The Québécois six-piece LODHO – aka L'Orchestre d'Hommes-Orchestres – put a collection of more than 100 instruments and objects to use in revisiting the Tom Waits songbook in the form of a theatrical mélée of sound and image. Think junkyard Americana with a gnarly carny twist and uniquely deployed wine bottles, prams, turkey basters, strands of spaghetti and who knows what else.
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