In medieval and Renaissance England, leper squints were built into churches so that 'undesirables' could watch the sermon separate from the main congregation. Michael Simpson's collection of 'squints' paintings use the architectural quirk as the basis for considering exclusion of all forms, and how this is (sometimes literally) built into the world around us. See them, and more of the artist's recent work, in this solo show, the first time the artist has exhibited in London for over a decade.
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