Golub was known for hacking his canvases up, creating a physical act of violence that ultimately imbued his work with a deeper resonance. The downstairs gallery features collaged sections of earthy and bloody coloured canvases that form looming gates whilst upstairs four segments from one his large-scale paintings are hung to eerie affect. A powerful response to questionable political and military actions in Vietnam by a painter shunned for many years by the American establishment.
![Installation view of Leon Golub's 'Mercenaries II (section III and IV)', 1975](https://media.timeout.com/images/100781529/750/422/image.jpg)
Leon Golub: Mercenaries II and Napalm Gates
Time Out says
Details
Discover Time Out original video