Painter Alma Itzhaky
Painter Alma Itzhaky gives rise to the city’s modern and clear voice in her work, using the medium of figurative painting to shed light on the complex contemporary reality of life in Tel Aviv. Her large and moving paintings are set in the dense environs of Tel Aviv-Jaffa and depict, according to the artist, “social scenes and moments of encounter.” Itzhaky’s latest exhibition, aptly titled The City Is the Pot And We Are the Meat, is a poetic display of tensions between the grey sidewalks of Tel Aviv and the presence of both the people and the birds that pass through it. In another exhibition from 2015, Judea Navalis, which was showcased at the Tel Aviv museum of Art, Itzhaky wrote of her fascination and strong ties to the city: “The day was scorching hot, the asphalt rippling in the heat. A touch of moisture and the smell of salt blended in the dusty air as I sped down Eilat Street on my bicycle. The scent of barbecue blended in as I turned right into Charles Clore Garden…. The hordes of people walking along the shore were dressed in bright colors that glowed intensely in the lingering evening light. They were mostly loud and ugly but I pedaled slowly, turning my gaze from one to the other, taking in as much as I could. I was overjoyed.”