The 11 Classic Stephen Chow movies every Hongkonger has watched

Kicking off this list (pun intended) is the household name of Shaolin Soccer. The sports comedy is widely regarded as one of the most successful Hong Kong films of all time, having propelled the Hong Kong comedy-flick industry to international fame. It’s no surprise either – it's not every day you see a monk light a soccer ball on fire all whilst breaking every single one of Newton’s laws. 

The story follows Sing (Stephen Chow), a martial artist-turned-street cleaner who is struggling to promote Shaolin Kung Fu’s practical benefits to the general masses. However, this all changes when he meets an ex-pro soccer player, ‘Golden Leg’ Fung (Ng Man-Tat). Fung claims that he can help Sing achieve his goals through the medium of soccer, and motivates Sing to gather his estranged Shaolin brothers to form one of the wackiest soccer teams ever seen on the silver screen.

This comedic flick directed by Wong Jing is a riotous ride. We imagine this must be what it’s like journeying into the mind of a mischievous 10-year-old boy, because some of the trickery, pranks, and puns pulled off in Tricky Brains is exactly what makes a young lad roll around with laughter.

Stephen Chow stars as Koo Jing (whose English name is Jing Koo – a homonym for a Cantonese word that means to play a prank on someone), a self-crowned ‘trick expert’ for hire who uses his wide arsenal of childish to more sinister tricks on whomever he is paid to target. On one such mission, he pretends to be the long-lost brother of Che Man-kit (played by Andy Lau) in order to sabotage his romantic prospects. Chow’s long-time screen partner Ng Man-tat also stars in Tricky Brains, as does Rosamund Kwan, Chingmy Yau, and a cameo by Wong Jing himself.

Watch for the many jokes and wise-cracks, and the random song-and-dance number in the middle of the movie which mocks Hong Kong’s incessant white-collar hustle.

Whether you are a boomer, a millennial, or a Gen X member, this 90s classic ‘mo lei tau’ (nonsensical) comedy is definitely one that we’ve all seen. Though the celebrated school/action-comedy had earned itself two more sequels following its highest-grossing Hong Kong film record for 1991, both follow-ups seem to pale in comparison to what many consider to be the original Hong Kong buddy-cop masterpiece. 

The movie itself tells the story of eccentric cop Chow Sing Sing (Stephen Chow), who finds himself on the verge of disqualification for recklessly putting his teammates in danger during a practice drill. Sing is given a second chance though when a senior officer assigns him to infiltrate a high school with a bumbling, aged partner (Ng Man-Tat). Together, the hilarious duo try their very limited best to recover a stolen revolver hidden amongst the students of Edinburgh College, and even end up in a high-stakes hostage situation towards the end of the movie!

With all its hidden wires, trick camera angles, trampolines, and special effects, Kung Fu Hustle is easily the most technically impressive film on the list. Action-packed, funny, and even poignant at times, the film’s 11 prestigious awards are surely a testament to both its memorable quality and international success. 

Kung Fu Hustle’s plot revolves around Sing (Stephen Chow), a small-time crook who is convinced that 'good guys never win' due to the humiliation he experienced when standing up against bullies as a child. In order to survive, Sing tries (and fails) to extort the residents of Pig Sty Alley alongside his sidekick (Lam Chi-Chung) by masquerading as members of the violent Axe gang. However, this all ends up blowing up in his face when the real Axe Gang comes knocking after catching word of Sing’s scuffle with both the locals and actual gang members. An epic sequence of flying kicks, betrayals, and 1,080 degree spins then ensues, with Sing finding himself locked in a standoff between his morality and his chances of survival.

It’s no surprise that Stephen Chow is able to use a topic as serious as the cut-throat industry of the culinary world into a high-energy, hysterical film. The God of Cookery takes viewers on a whirlwind zero-to-hero story, giving us some of the most iconic moments in Hong Kong's cinematic history that is still remembered to this day, including a hilariously absurd nickname for char siu egg rice, a humble dish beloved by many.

The film follows Chow, who plays a celebrity chef dubbed as the God of Cookery. He is feared by many for his harsh critiques of other chefs in competitions that are secretly rigged to add credibility to his title. However, he loses his reputation after one of his business partners, Bull Tong, outshines him as a chef and exposes Chow as a con-man. Feeling defeated, Chow embarks on a journey to develop his culinary skills, which takes him from the bustling streets of Temple Street to the kitchen of a shaolin monastery. During an epic cookoff, Tong plants a bomb inside of Chow’s elaborate dish, leaving him with few ingredients to use. Despite the setback, Chow uses his skills to prepare a bowl of char siu rice topped with a fried egg, which he hilariously names ‘Sorrowful Rice’. To everyone’s surprise, Chow ends up winning the competition and earns the title of God of Cookery for good.

All’s Well End’s Well is arguably one of the most classic Chinese New Year comedies. The film revolves around three brothers – Moon, Foon, and So –  who each have their own problems with love and relationships. While all of the characters have hilarious storylines, Stephen Chow’s cheeky on-screen moments definitely steal the show.

Chow plays Foon, a radio jockey who’s also a flirtatious playboy. He gets a call from Holli, one of his listeners, who asks him out on a date. Desperate to try and impress her, Foon taps into Holli’s avid fascination with Hollywood movies by dressing like movie characters and recreating cinematic moments. Soon after becoming lovers, Holli catches Foon cheating on her, which led to a Mexican standoff between them. As Foon attempts to flee, he suffers a head injury that leaves him with a debilitating mental illness. Hilarity ensues as Holli becomes his caretaker and tries to wrap her head around Foon’s endless antics, making her question her decision to punish him for his infidelity.

When ‘Blackie Tat (Ng Man-Tat) discovers his nephew Sing’s (Stephen Chow) mysterious ability to see through objects, he naturally tries to exploit this talent for money by adapting Sing’s skillset to the field of gambling. However, as Sing begins to make a name for himself through his abilities as the ‘Saint of Gambling’, he quickly finds himself in trouble with the ‘God of Gambling’ after falling in love with one of his henchwomen Yee-mung (Sharla Cheung). To prove his skill and win her hand, Sing must gamble his way to the top through Hong Kong’s most prestigious gambling tournament.

This spin-off to the God of Gambler series is easily one of Chow’s funniest pieces, and this is largely thanks to its hilariously unpredictable ‘mo lei tau’ comedy. Chow’s portrayal of the ditzy but lovable nephew is genuinely endearing, and his on-screen chemistry with Ng in this film is arguably the most iconic out of all his works. So, if you ever wanted to get a six pack from laughing too hard, watching this film will probably do it.

A film with a name fitting of the lead actor, this unforgettable comedy-drama is largely regarded as an autobiographical piece for the early career of Stephen Chow. The film describes the story of Wan Tin-Sau (Chow), an acting teacher for his local community centre who moonlights on the side as a movie extra. Despite being ridiculed for taking his unimportant roles way too seriously, Wan persisted through his passion for acting and is eventually rewarded with a leading role alongside a famous actress. On top of this, Wan also finds love along the way, getting into a serious relationship with one of his students Piu Piu (Cecilia Cheung). However, this is probably where the autobiographical element of the film stops, as the plot then takes a turn for the ridiculous, with Wan ending up involved in a CIB undercover stunt, complete with its own shootout. Nevertheless, this classic still remains to be an enjoyable, off-beat cinematic experience with a soulful story that will have your heart crying tears of both joy and sadness after the 90 minutes is up. 

Stephen Chow’s hysterical take on the infamous 007 franchise. Filled to the brim with references to the beloved spy series, From Beijing with Love tells the story of Ling Ling Chat (Chow), a secret agent sent on a mission to recover a stolen dinosaur cranium. On the way, he meets a mysterious beauty in the form of Lee Ham-Heung (Anita Yuen), and enlists her help to take on the film’s elusive villain, Golden Gun (Wong Kam Kong). Though we can’t say that this was one of the more intricate plots Chow has come up with over the years, it's hard to argue with the barrel of laughs brought to us by the goofy gadgets and unending stream of topical puns. 

Set in the era of the Ming Dynasty, Flirting Scholar tells the story of Tong Pak Fu (Chow), a famous scholar known for his talent in art, poetry, and calligraphy – oh, and his eight wives who are all gambling addicts. Determined to find a woman who can truly appreciate all his artistic skills, Tong meets Chow Heung (Gong Li), a housemaid for the House of Wah. Naturally, Tong decided to go undercover as a lowly servant at the House of Wah in order to get closer to Chow Heung.

The classic boy-meets-girl plotline of the film may not be the most original or exciting, but this film is loved by so many Hongkongers thanks to the iconic 'chicken wing song'. Ask any Hongkonger about it and they'll be able to recite the whole song word for word.

From the genius casting of Chow as the Monkey King to the masterstroke of letting Buddhist monk Tang Xuanzang (played by Law Kar-Ying, no less) burst into song with his own rendition of The Platters’ Only You, this wildly imaginative Journey to the West adaptation is deservedly recognised for its sublime wackiness. Yet, beneath all the time-travelling and supernatural slapstick of this postmodern two-parter is, a traditional love story so cheesy it’s actually romantic. There are countless Journey to the West adaptations out there, be it a movie or drama series, but nothing can amount to the love Hongkongers have for this two-part classic.