M+

For art lovers who simply cannot get enough of Chinese-French printmaking legend Zao Wou-ki, this major retrospective of the artist’s graphic works at M+ is not to be missed. Highlighting key pieces from Zao’s decades-long career, ‘Zao Wou-ki: Master Printmaker’ collects close to 180 items from 1949 to 2000, including paintings, books, and prints, to introduce new perspectives on his career, artistic process, and creative thinking. ‘Encouraging Printmaking’ reveals Zao’s early encounters with the bold medium, ‘Towards Abstraction’ records his experimentation phase marked by expressive techniques, and ‘No Boundaries’ presents a body of mature pieces that blend Eastern and Western artistic traditions. Alongside these central themes, the exhibition format will also serve to inform visitors about the art of printmaking – the Open Print Studio at M+ is offering interactive printmaking workshops for visitors to simply drop in on weekends to take part in lessons.

M+ in West Kowloon Cultural District is honouring the late Ryuichi Sakamoto with a museum-wide programme from now until July. Comprising a site-specific installation, moving image works, a listening experience, and film, ‘Seeing Sound, Hearing Time’ celebrates the enduring legacy of the Japanese composer, producer, and artist. ‘Async–Immersion’ presents a three-dimensional, audio-visual representation of Sakamoto’s personal album, combining sonic experience with optical immersion. Nam June Paik’s ‘All Star Video’ explores Sakamoto’s influences and creative encounters, while ‘Vinyl Sessions with Music by Ryuichi Sakamoto’ allows visitors to engage with his compositions, alongside reflections on his work from three Hong Kong-based sound artists. Additionally, ‘Ryuichi Sakamoto: Music in Film’ will screen two films to allow for an intimate look into Sakamoto’s life, profound artistry, and innovative creative process.

M+ and Leeum Museum of Art are teaming up to present a comprehensive exhibition featuring the groundbreaking works of influential South Korean contemporary artist Lee Bul. More than 200 pieces will be shown, spanning the artist’s career from the late 1990s to the present to trace the evolution of Lee’s artistic approach. Split into three sections, ‘Lee Bul: From 1998 to Now’ interrogates ideas of utopian and dystopian existence, the relationship between body and technology, and Lee’s creative process. M+ Cinema will also screen a number of Lee’s performance works during the exhibition period. ‘Lee Bul: From 1998 to Now’ opens on March 14 and will be commemorated with a talk at the Grand Stair; Lee herself will be present to speak about her artistic vision.

Pakistani-American artist Shahzia Sikander presents her latest commissioned work at M+ Façade, exploring the historical traces of power and trade and their entanglement through a cinematic tableau of hand-painted animations. ‘3 to 12 Nautical Miles’ follows the maritime trail that linked the British East India Company, Mughal-era India, and Qing-dynasty China, examining the connections between empires and complex dynamics. Sikander’s practice brings the art of miniature painting to the big screen, allowing the medium to communicate to audiences on a different scale. Painted gestures, objects, and symbols are magnified through animation, revealing the nuanced history of the region. On March 26, the artist herself will lead a free illustrated lecture about the artwork at 5pm.