The Man Who Was Thursday

It’s hard not to look at The Man Who Was Thursday with suspicion. After all, how did a play about anarchist cults and government spies so perfectly attuned for 2019 manage to premiere all the way back in 2009? Were writer Bilal Dardil and director Jessica Hutchinson tipped off to some kind of vast Illuminati plan? And what of the fact that the two are now remounting Dardil’s rollicking G.K Chesterton adaptation at Lifeline Theatre? Do they know something we don’t? In order to solve this mystery, you’ll just to have see the show. Trust us: you won’t regret it.