Blending generative soundscapes, choreography and machine learning, Africa's first AI-generated opera is opening at the Baxter Theater in Rondebosch from March 26-29.
autoplay is presented by the award-winning Darkroom Contemporary Dance Theatre and offers a convergence of dance theatre, live art, and polyrhythmic opera that explores the intricate relationship between humanity and technology. It will challenge audiences to reconsider agency and free will in an era where digital algorithms shape daily life.
At least, that's what the press release says.
What it means for audiences is that no two performances are alike, as generative AI processes are used live to create musical compositions in real-time. Audience interaction also influences the narrative of the production, to create a theatre experience both fleeting, ephemeral and entirely unique.
The opera features live original music by Brydon Bolton (Benguela), vocalist Inge Beckmann (Lark, Beast), and Njabulo Phungula, the score combines organic and manufactured soundscapes fusing digital and analogue processing. Choreography, direction and set design are by Louise Coetzer, with performance by Louisa Talbot, Darion Adams, Lwazi Mzimase and Tamsyn Pretorius.
'As AI becomes an integral part of our professional and personal lives, autoplay asks vital questions: Who is truly in control? How do we distinguish between influence and autonomy? The performance doesn't just present these questions – it invites the audience to participate in finding the answers,' says Coetzer.
And if you really want help finding the answers, there's even an academic seminar on the making of autoplay , presented by the director and cast. The seminar takes place at the Little Theater on UCT's Hiddingh Campus, on 10 March from 10am – 12pm. Entry is free but booking is essential.
autoplay runs at the Baxter Theater Flipside in Rondebosch from March 26 – 29, 2025. Not under 13 years of age. Tickets from R240 – R270 per person at Webtickets.