In 1987, the Swiss artists Peter Fischli and David Weiss presented their film 'Der Lauf der Dinge', known internationally as 'The Way Things Go'. The film shows the chain reaction of a long sequence of objects and substances that activate and connect with each other, as if they were predetermined by a continuous cause-and-effect relationship. The sequence, that appears to be arbitrary and chaotic, is actually meticulously choreographed. The 1980s were also the decade when Daniel Jacoby & Yu Araki, Serafín Álvarez and Cécile B. Evans were born; to celebrate the 30th anniversary of the Swiss duo's film, these artists have used the piece as a basis for new creations. 'The Way Things Do' offers a perspective from which the artists explore the notion of the object as an independent, complex, inexhaustible reality. Their works reveal the background behind a traditional Japanese sport that is now only practised on a single track in the world; they examine the relationships that fans develop with consumer objects from the realms of fiction, and they build a narrative in which humans, data, machines and artificial intelligence work together.
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