This week in Accra – our top 10 events

The hugely respected Ghanaian artist Ablade Glover established this renowned arts venue, which has become one of the most important of its kind in Ghana. There are three expansive floors of art displayed in cool marble galleries. Some are by established artists, such as Owusu Ankomah and George Hughes, whose paintings are reminiscent of Jean Michel Basquiat and Willem De Kooning, while others are by new and upcoming artists like Ebenezer Borlabie. Market, rural and urban scenes are interspersed with political satires – and naturally, there are also the shrouded figures and staccatoed crowd scenes by Glover himself. There are collectors’ pieces too: Asafo flags with appliquéd and embroidered symbols; ancient strip-woven Kente cloths by the Akan and Ewe; African masks of the type that inspired Picasso; and intricately carved furniture. Also on show are full-sized coffins in the shapes of crabs, running shoes and eagles. Everything is for sale. There’s a lovely pool out the back. 

Along the seafront near Black Star Square is the Arts Centre. Hawkers attack from all sides as soon as you arrive, but if you’re not exhausted by the scrum you can find carvings, baskets, drums, bags, beads, fabrics, sandals, sculptures, stools, rugs and occasionally antiques. It’s a place to unearth some incredible finds and gifts. The best bet is to head past the hassle which you’ll inevitably encounter at the entrance and make your way towards the back of the complex, where it’s a bit more relaxed. Haggling is expected. There’s also an art gallery, which sells prints and paintings at reasonable prices.

Carving its way out of the ‘West African literature’ hold all category and emerging as a genre in its own right, Ghanaian fiction has received due credit in recent years with young authors taking the reigns from the likes of Kofi Awoonor (This Earth, My Brother, 1971), Ama Ata Aidoo (Our Sister Killjoy, 1977) and Ayi Kwei Armah (The Healers, 1979). Ghana’s new generation of writers includes poets, successful bloggers, authors of young adult fiction, crime fiction and strong contenders on ‘recommended new novelist’ tables in bookstores across the globe. Probably last year’s most talked about novel of this realm is Ghana Must Go, by Taiye Selasi. It leaves readers with plenty to chew on, with its unusual narrative style and complex characters. The intelligent Ms Selasi has certainly stepped into the literary world with a grand entrance (her fan base includes Toni Morrison and Salman Rushdie). The story revolves around a Boston family of six  - the mother Nigerian, the father Ghanaian - whose mixed up lives repel and retract like a rubber band. Accra is referred to more as a backdrop to the storyline, however it is obvious the city and Ghana are familiar territory for Selasi with descriptions such as “lush Ghana, soft Ghana, verdant Ghana, where fragile things die” and “the smell of Ghana, a contradiction, a cracked clay pot: the smell of dryness, wetness, both, the damp of earth and dry of dust.” Selasi enjoys flitting between hot, slower paced Accra and crisp, snow covered...

African art is a good investment. New World Map by El Anatsui, a Ghanaian artist recently appointed as the first African Royal Academician, sold in 2012 for £541,250, a record for contemporary African art. The works of the late Nigerian painter are also fetching hundreds of thousands, while Ghana’s Ablade Glover, who had a recent solo retrospective at the October Gallery in London, has long gained acclaim internationally. And of course, Ghana’s now famous “coffin art” has understandably captured attention throughout the world; works can be seen in the British Museum in London Yet locally, the art scene is only just beginning to get off the ground. This has been disappointing to some, although others have seen it as an opportunity – quality is getting better all the time. If you’re looking to purchase, aim for those works that aren’t mere copycats. Commercial galleries in Accra are great places to pick up quality art at a decent price. One new gallery, which also offers a “consultation service”, is Tiga African Art – it’s a good place to buy paintings and, not so commonly, sculptures. Loom Gallery owner Frances Ademola, doyenne of Accra’s art scene for decades, has been spotting emerging artists in Ghana for more than 40 years. She cites Gabriel Eklou, Gordon Amponsah, Seth Clottey and his eldest son Serge Clottey as the artists to watch out for. Samuel Agbenyegah (also known as Samkobee) is also a young and highly-regarded artist. “He came to me when he was 12 with two...

Loom’s Frances Ademola has a popular gallery that exhibits paintings and sculptures by a good selection of Ghana’s foremost artists, with a smattering of expressive Nigerian pieces. The modest space has been here since 1969, and is bursting at the seams with the work of nearly 100 artists. If Ademola is around, she’s delightful company, chatting exuberantly about artists such as Seth and Serge Clottey and Gabriel Eklou, and happily offering her great knowledge of the Ghanaian art scene, past and present. Loom is regarded as one of Ghana’s premier galleries.

The Foundation for Contemporary Art at the WEB du Bois Centre (a research centre for Pan-African history and culture, named after African-American civil rights activist William Edward Burghardt Du Bois) was set up by Joe Nkrumah, formerly of the National Museum, and Australian artist Virginia Ryan. It exhibits work by up-and-coming artists in interesting ways, such as its Art in the Garden projects. Its growing library, now with more than 800 books about visual arts, is one of the organisation’s most important projects. It’s also developing a debating forum and a public database of artists, organisations, galleries and patrons. There’s a wide range of information on its website.

Since achieving independence in 1957, Ghana's artists have been steadily embracing a freedom of self-expression that is transporting them out of the controlled and literal, and into a playful and exciting meld of semi-abstract and impressionism. Traditional Ghanaian scenes remain popular subject matter, but today's artist can be found confidently experimenting with colour and form, and the market is awash with bold and emotive pieces.No one has had a better view of this post-independence transformation than Loom gallery's Frances Ademola - an ardent champion of Ghanaian artists for over 40 years. When Time Out Accra popped in to browse the stacks of paintings filling Loom's walls and giant folders, we took the opportunity to get Ademola's pick of 21st century Ghana's brightest artistic talents.An artist she first encountered when he was just 12 is Samuel Agbenyegah (also known as Samkobee), whose semi-abstract figures demonstrate a bewitching understanding of colour blending and form. 'He came to me when he was 12 with two wonderful paintings,' explains Ademola. 'I said "who did these?" He said "me". I didn't believe him and told him to go and do another one. He came back with four more.'Bowled over by this young talent, Ademola had one big piece of advice for him. 'I told him "do not go to art school, whatever you do! It will take away your natural flair." He is now 30-something, and such a natural artist.'One of the most established Ghanaian artists found exhibiting both...

Artists take to James Town’s streets for this vibrant alfresco art festival that spans acrylic street painting, stencil work, side walk painting, chalk art and vast graffiti murals. Past events have also featured large art installations and photography displays, as well as live music, DJ sets and theatre and spoken word performances. The festival takes place along High Street James Town between the Light House down to Ussher Fort. One of the best events of the year - the artwork on display is amazing, the music is energising and the artistic buzz is unforgettable.

The opening dates and gallery locations for Wiz Edinam Kudowor’s first major retrospective in Accra, has been announced. The collection is made up of more than 50 powerful paintings and other assorted works that have never been displayed in the public domain. After a series of discussions and curatorial advice, it was decided to stage a multiple-location exhibition due to the expansive nature of the collection. The collection spans a period of 40 years including works from Wiz’ high school days from the early 1970s. The works include figure drawing, portraiture, still life, architectural designs, fabric designs and his well-known signature style of figurative abstraction with influences of African masks, geometric patterns and esoteric symbolism. The medium range from pastel, acrylic, charcoal, collage, appliqué and watercolour. The exhibition opens at Ano Gallery on Friday, 16th March and follows through with subsequent openings on 20th and 22nd at Berj Gallery and Artists Alliance Gallery respectively. This retrospective will reestablish Wiz Kudowor as a powerful force to reckon with in the vibrant Ghanaian art scene. Sela Adjei will be the lead Curator for the Exhibition. Curatorial advisors for the exhibition are Prof. Ablade Glover and Nana Oforiatta Ayim. Follow AnoGhana, Grin Studios, Berj Gallery and Artists Alliance Gallery for further details.

Run by the painter Betty Acquah, this gallery represents Larry Otoo and other well-established artists. It also offers a good framing service.