SOMPO美術館
SOMPO美術館

Sompo Museum of Art

  • Art
  • Shinjuku
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Time Out says

When Vincent Van Gogh's 'Vase with Fifteen Sunflowers' sold for a then-record USD39.7 million in 1987, the painting found its way into the permanent collection of this gallery owned by Sompo Japan Insurance Inc. Housed by the company's headquarters in Nishi-Shinjuku, the Sompo Museum of Art is also the proud owner of Paul Cezanne's 'Pommes et Serviette' and Paul Gaugin's 'L'Allee des Alyscamps, Arles', though these extravagant Bubble-era purchases are far outnumbered by the 200-plus works by 20th-century artist Seiji Togo. The museum's special exhibitions tend to focus on European art, though also include an annual competition to support up-and-coming Japanese artists.

Details

Address
Sompo Japan Headquarters Building 42F, 1-26-1 Nishi-Shinjuku, Shinjuku
Tokyo
Transport:
Shinjuku Station (Yamanote, Shonan-Shinjuku, Marunouchi, Fukutoshin, Keio, Odakyu lines), west exit
Opening hours:
10am-6pm / closed Mon (except for holidays)

What’s on

Eugène Boudin

Often celebrated as a pivotal bridge between Realism and Impressionism, Eugène Boudin remains one of the most quietly influential figures in nineteenth-century French art. Born in 1824, Boudin was among the first artists to embrace en plein air painting, capturing fleeting effects of light and atmosphere with remarkable immediacy. His luminous depictions of skies, coastlines and rural life, particularly in his native Normandy, would profoundly shape the vision of younger painters including Claude Monet. Marking the 50th anniversary of the Sompo Museum of Art, ‘Eugène Boudin’ brings together approximately 100 works, offering the first major retrospective of the artist in Japan in nearly three decades. While Boudin is best known for his marine scenes, the exhibition broadens this perspective, highlighting his depictions of figures, architecture and pastoral life. Through oil paintings, drawings, pastels and prints, the exhibition traces Boudin’s sustained engagement with the changing conditions of nature. His ability to render transient moments emerges as central to his practice. By revisiting Boudin beyond the familiar framework of Impressionist precursor, the exhibition offers a nuanced reassessment of his role in the development of modern landscape painting.
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