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Kogelnik (1935–1997), an Austrian artist who lived and worked in New York, is the latest previously overlooked female artist associated with ’60s Pop Art to enjoy a revival as part of a wave of resuscitated careers that have included Evelyne Axell, Marjorie Strider and Alina Szapocznikow, to name a few. Kogelnik, who was more concerned with feminism than the come-ons of mass culture, focused on the objectification of women's bodies, creating works like a coat hanger draped with vinyl cutouts of female forms. Her reemergence here suggests that the historical record has many more holes to fill.
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