The top Broadway and off broadway musicals in NYC: complete A-Z list

Disney's latest toon tuner is a tourist-family–friendly theme-park attraction, robed in the billowing fabrics of orientalist Arabian fantasy. As in the 1992 film, the Genie (a charismatic James Monroe Iglehart) steals the show from its eponymous “street rat” hero (Adam Jacobs). Stuffed with glitz, the musical is a carpet with little texture but colorful patterns aplenty.—Adam Feldman

“Keep it light, keep it tight, keep it fun, and then we’re done!” That’s the pithy advice that the indignant 16th-century housewife Anne Hathaway (Betsy Wolfe) imparts to her husband, William Shakespeare (Stark Sands), as a way to improve his play Romeo and Juliet. It is also the ethos of the new Broadway jukebox musical & Juliet, a quasi-Elizabethan romp through the many pop megahits of the Swedish songwriter-producer Max Martin. This show is what it is: It gives you the hooks and it gets the ovations.—Adam Feldman

Newcomer Jasmine Amy Rogers stars as the muffin-headed 1930 cartoon sexpot Betty Boop in a new musical that finds Betty leaving ToonTown for the sometimes harsh realities of non-animated New York. The book is by the clever Bob Martin (The Drowsy Chaperone); the score is by veteran pop hitmaker David Foster—who has given us such hits as Chicago's "You're the Inspiration" and Whitney Houston's "I Have Nothing"—and  lyricist Susan Birkenhead (Jelly's Last Jam). Director-choreographer Jerry Mitchell (Kinky Boots) oversees a colorful production whose supporting players include Faith Prince, Erich Bergen, Ainsley Melham, Stephen DeRosa and Anastacia McCleskey.

Buena Vista Social Club offers an irresistible tropical vacation. A celebration of Cuban musical history, it’s a getaway and a gateway: To attend this show—Marco Ramirez's fictionalized account of the smash 1997 album that assembled elderly musicians to recreate the music of prerevolutionary Havana—is to enter a world that you’ll want to learn more about afterward, if you don’t know about it already. While you’re there, though, don’t think too hard. Just give yourself over to the atmosphere of the production (which is directed by Saheem Ali and choreographed gorgeously by Patricia Delgado and Justin Peck), and especially to the thrilling sounds that pour out from the stage.—Adam Feldman

Eddie Redmayne returns to Broadway as the sinister Emcee of a Weimar Era nightclub in another revival of John Kander, Fred Ebb and Joe Masteroff's exhilarating, harrowing 1967 masterpiece. This London import—directed by Rebecca Frecknall and designed by Tom Scutt—emphasizes the material's sordid underbelly in an environmental staging: The August Wilson Theatre will be extensively reconfigured into an in-the-round space, and audience members with money to spare can buy special packages that include preshow dining and drinks. Gayle Rankin, who memorably appeared in the last revival, now costars as the desperate Sally Bowles; Steven Skybell, Ato Blankson-Wood, Natascia Diaz, Henry Gottfried and the delectably tart Bebe Neuwirth.

This John Kander–Fred Ebb–Bob Fosse favorite—revived by director Walter Bobbie and choreographer Ann Reinking—tells the saga of chorus girl Roxie Hart, who murders her lover and, with the help of a huckster lawyer, becomes a vaudeville star.—David Cote

The team behind the lovely, Tony-winning musical The Band's Visit—book writer Itamar Moses, composer David Yazbek and director David Cromer, now joined by songwriter Erik Della Penna—reunites to tell the very weird story of Elmer McCurdy: a Wild West outlaw whose corpse toured the country for decades as a side-show mummy. The show's Off Broadway premiere last year earned it multiple prizes, includes the Drama Critics' Circle Award for Best Musical; the cast for the Broadway transfer has not yet been announced.

There’s a big twist at the end of the first act; the plot of the second includes a giant hole. Those are just two of the injuries that two old frenemies inflict on each other in this new Broadway musical, a savagely funny dark comedy about the quest for eternal youth. Adapted by Marco Pennette, Julia Mattison and Noel Carey from the 1992 film, and directed by Christopher Gattelli, the show is a catty, campy delight. The terrific Megan Hilty and Jennifer Simard, two of Broadway’s most gifted musical comedians, make musical-comedy magic together—and musical comedy, when performed this well, never gets old.—Adam Feldman

Jeremy Jordan was most recently seen on Broadway as the star of The Great Gatsby. Now he takes on a radically different 1920s title character: a Kentucky spelunker who became a national sensation when he got trapped underground in what is now Mammoth Cave National Park. More than a quarter century after its Off Broadway premiere, this ambitious cult-favorite musical—with music and lyrics by Adam Guettel (The Light in the Piazza) and a book by Tina Landau—finally makes its Broadway debut. Landau, who is also helming Redwood this season, directs the Lincoln Center production; the supporting cast includes Jason Gotay, Lizzy McAlpine, Marc Kudisch and Jessica Molaskey as Floyd's family members, Taylor Trensch as a reporter on the scene, and Wade McCollum, Sean Allan Krill and Cole Vaughan as worried locals.