Ratatat's electronic/instrumental works richly combine in miniature displays of computerized emotion, like synthetic laments to the passage of the ’70s and ’80s. Those electro-rock contortions on the duo's self-titled debut scored big points with the critical establishment in 2004, and as you can tell on last year's, Magnifique, the formula hasn't changed much since then—we're certainly not complaining.
Time Out says
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