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Miguel Gutierrez's reflective, hilarious dance trilogy about the dancer's body, queer aesthetics, aging and the ins-and-outs of administration appears in its full-blown, tripartite form. Even if you saw the other parts—performed at the Whitney and Abrons Arts Center—you'll still want to see what new transgressions Gutierrez has invented; in the first two sections, he's already bickered with his agent onstage and exposed the deep flaws in the dance-presenting ethos—we can only expect Part Three to be similarly explosive. All of the work's three parts appear in rep, so be sure to check the website for the full schedule.
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