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There's rarely a dull moment in the work of David Altmejd, who doesn't deconstruct sculpture's figurative tradition so much as send it hurtling into a wormhole of stylistic shifts and effects. He uses a wide range of materials, including plaster, fur, mannequin pieces and mirror shards. The fantastical results—which more recently have included vitrines containing animal-like parts ensnared in webs—seem ready to fly apart at any moment, but miraculously don't.
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