1. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  2. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  3. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  4. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  5. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  6. The Barbican theatre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  7. Barbican theatre's stage (Rob Greig for Time Out)
    Rob Greig for Time Out
  8. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  9. The Barbican  (Nigel Tradewell for Time Out)
    Nigel Tradewell for Time Out
  10. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  11. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out

Barbican Centre

  • Cinemas
  • Barbican
  • Recommended
Alex Sims
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Time Out says

What is it? 

The Barbican Centre lures fans of serious culture into a labyrinthine arts complex, part of a vast concrete estate that also includes 2,000 highly coveted flats and innumerable concrete walkways. It's a prime example of brutalist architecture, softened a little by time and some rectangular ponds housing friendly resident ducks.

The focus is on world-class arts programming, taking in pretty much every imaginable genre. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO), which revels in the immaculately tuned acoustics of the Barbican's concert hall. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. The Royal Shakespeare Company stages its London seasons here, alongside the annual BITE programme (Barbican International Theatre Events), which cherry-picks exciting and eclectic theatre companies from around the globe. There's a similarly international offering of ballet and contemporary dance shows. And there's also a cinema, with a sophisticated programme that puts on regular film festivals based around far-flung countries or undersung directors. 

As if that wasn't enough, the Barbican Centre is also home to three restaurants, a public library, and some practice pianos. This cultural smorgasbord is all funded and managed by the City of London Corporation, which sends some of the finance industry's considerable profits its way. It's been in operation since 1982; its uncompromising brutalist aesthetic and sometimes hard-to-navigate, multi-level structure were initially controversial, but it's getting increasingly popular with architecture fans and Instagrammers alike.

Why go? 

As the UK's leading international arts centre, this is the place to get cultured.

Don’t miss: 

The huge, succulent-filled Barbican conservatory is a must-see on your London bucket list. It’s one of the biggest greenhouses in London, second only to Kew Gardens and houses 2,000 plant species, including towering palms and ferns, across an extensive series of concrete terraces and beds. There are even koi carp and terrapins. The atmosphere is almost post-apocalyptically peaceful. It’s open on Sunday and bank holiday Monday afternoons, as well as selected Saturdays. You can even book in for an afternoon tea among the plants. 

When to visit: 

Mon-Friday 8am11pm, Sat-Sun 9am11pm

Ticketing info: 

Free entry, some events and exhibitions are ticketed. 

Time Out tip: 

If I had a pound for every time I’ve tried and failed to find the entrance to the Barbican Centre among its maze of concrete walkways… If you don’t want to risk being late for the performance you’re seeing, look up the entrance you need in advance. Trust me. 

Find more culture in London and discover our guide to the very best things to do in London.

Details

Address
Beech Street
Barbican
London
EC2Y 8AE
Transport:
Tube: Barbican; Rail/Tube: Moorgate
Price:
Prices vary
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What’s on

A Midsummer Night’s Dream

3 out of 5 stars
It might seem strange to put on a play set at the height of summer in the middle of December. But the colourful excess of the RSC’s latest take on Shakespeare’s comedy – transferring to the Barbican under the direction of Eleanor Rhode after premiering in Stratford in January – fits the season. This production only skims the darker depths of the magical-drugging plot device that triggers the play’s love-swapping shenanigans, when four young lovers on the run in the forest outside Athens get caught up in fairy king Oberon’s season-disrupting feud with Titania. The play’s blurred lines between love and ownership and the intoxication of lust are mostly played for laughs. There’s great physical comedy from Ryan Hutton as a strutting Lysander, counterpointed by Nicholas Armfield’s stiffly wax-jacketed brown-nose, Demetrius. Boadicea Ricketts gives Helena real emotional heft. You wouldn’t want to pick a fight with Dawn Sievewright as Hermia. Sirine Saba’s Titania is perfectly pitched for the camp tone. Katherine Pearce’s Puck is less malevolent sprite, more ‘chuck a TV out of a hotel room on tour’ type. The aesthetic of Lucy Osborne’s costume design is a decades-jumbled Mods and (Punk) Rockers. It’s a neat visual flourish that distinguishes the stuffy Athenian court from the anarchy of the forest. Andrew Richardson’s Oberon has seemingly wandered straight out of Adam and The Ants’ Prince Charming, while his version of Duke Theseus owes a country-sized debt to King Charles. It's...
  • Shakespeare

La Pendue: La Manékine

This year’s MimeLondon mini-festival kicks off with French company La Pendue’s adaptation of the dark Brothers Grimm classic The Girl Without Hands, which concerns a naive miller who inadvertently trades his daughter off to the Devil. The show is performed by a group of evocative puppets, and is in French with English surtitles. 
  • Experimental

Brú Theatre: Not a Word

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  • Experimental

Plexus Polaire: Moby Dick

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  • Experimental

Frau Trapp: Five Lines

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  • Experimental

The Seagull

It’s a pretty damn starry start to 2025 over at the Barbican, as producers Wessex Grove lure legendary German theatremaker Thomas Ostermeier back over to London – following last year’s An Enemy of the People – to craft his first original British show. And what a cast: the legend that is Cate Blanchett will star as vain, insecure middle aged actress Arkadina in a new version of Chekhov’s early masterpiece by Ostermeier and Duncan Macmillan. Tom Burke will play her writer lover Trigorin, with Emma Corrin as the young actress Nina who becomes infaturated with him. They’ll be joined by Priyanga Burford (Polina), Zachary Hart (Medvedenko), Paul Higgins (Shamrayev), Tanya Reynolds (Masha), Kodi Smit-McPhee (Konstantin) and Jason Watkins (Sorin). It’s a stunning cast, but don’t go expecting a trad production from provocateur Ostermeier – his interpretation of the play is liable to be as much a talking point as anything Blanchett does, no matter how spectacular.
  • Drama
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