1. © Oliver Knight / Time Out
    © Oliver Knight / Time Out
  2. From 'Death: A Self-Portrait' – © Wellcome Library, London
    From 'Death: A Self-Portrait' – © Wellcome Library, London
  3. © Wellcome Images
    © Wellcome Images
  4. © Wellcome Images
    © Wellcome Images
  5. © Wellcome Images
    © Wellcome Images
  6. © Wellcome Images
    © Wellcome Images
  7. Wandering Moon', shadow installation 2013 – © Wellcome Images, Courtesy B-Floor Theatre/Wandering Moon
    Wandering Moon', shadow installation 2013 – © Wellcome Images, Courtesy B-Floor Theatre/Wandering Moon
  8. Shoichi KOGA, "Seitenmodoki" – © Wellcome Images
    Shoichi KOGA, "Seitenmodoki" – © Wellcome Images
  9. © Wellcome Library, London
    © Wellcome Library, London
  10. 'Monster Soup...' by William Heath – © Wellcome Library, London
    'Monster Soup...' by William Heath – © Wellcome Library, London
  11. Dana Salvo, From the series 'The Day, the Night and the Dead' – © Clark Gallery, courtesy Wellcome Collection
    Dana Salvo, From the series 'The Day, the Night and the Dead' – © Clark Gallery, courtesy Wellcome Collection
  12. © Wellcome Images
    © Wellcome Images
  13. Cafe – © Wellcome Images
    Cafe – © Wellcome Images
  • Museums | Science and technology
  • Euston
  • Recommended

Wellcome Collection

Anya Ryan
Advertising

Time Out says

What is it?

Sir Henry Wellcome, a pioneering 19th-century pharmacist, amassed a vast and idiosyncratic collection of implements and curios relating to the medical trade. Now, they're on display at Wellcome Collection alongside several serious works of modern art. The temporary exhibitions are often brilliant and come with all manner of associated events, ranging from talks to walks. A £17.5 million development project opened up even more areas of the building to the public including two new galleries and the beautiful Reading Room, which is a combination of library, gallery and event space.

Why go?

If you want to see a collection of fascinating and often grisly items including ivory carvings of pregnant women, used guillotine blades and Napoleon’s toothbrush - look no further than their permanent collection. There are over 250,000 items ranging from paintings, drawings, prints, and photos to stamps, tv programmes and public health information films.

Don't miss:

The Wellcome Collection website has lots of resources, too. Why not check out one of the short films they have available on the power of art or loss and grieving? Or read a series of brilliant articles written by disabled artists and activists? There's lots to choose from. 

When to visit:

The Gallery and Reading Room are closed on Monday but open all other days except Thursday from 10am-6pm and Thursdays 10am-8pm

The Library is closed on Sunday but open Monday, Tuesday, Wednesday and Friday 10am-6pm; Thursday 10am-8pm; Saturday 10am-4pm

Ticket info:

Wellcome Collection is free to visit.

Time Out tip:

The Library, which is free to visit if you're over 18, is also well worth your time. We'd suggest going to gallery and then chilling out in the library while you're there.

Read more about The Wellcome Collection's weirdest exhibits

Details

Address
183 Euston Rd
London
NW1 2BE
Transport:
Tube: Euston Rail: Euston
Price:
Free
Opening hours:
Galleries: Tue, Wed, Fri, Sat 10am-6pm; Thur 10am-8pm; Sun 11am-6pm Library: Mon-Wed, Fri 10am-6pm; Thur 10am-8pm; Sat 10am-4pm
Do you own this business?Sign in & claim business

What’s on

‘Hard Graft: Work, Health and Rights’

Working hard? Or hardly working? This exhibition explores the physical, mental and societal impact of labour and the drudgery of toil. It will be the Wellcome’s usual combination of science, history and art, with a specific focus on the impact of work on the most marginalised people in society.

‘Jason and the Adventure of 254’

3 out of 5 stars
In a Wakefield hospital in 1980, at 2:54pm, while Sebastian Coe was running the 1500m wearing the number 254, Jason Wilsher-Mills’s parents were being told that he had only a few years to live.  A bout of chicken led to his immune system attacking itself. He was hospitalised and paralysed from the neck down. But the doctors were wrong: he survived.  Those years in hospital, then in recovery, stuck immobile on a ward, lost in his thoughts, awakened a deep creativity in him. Film, TV, cartoons and sport were his escape, and his path towards art. This show is the culmination of all that struggle and creativity. Two vast orthopaedic boots stand like totems as you walk in, but these aren’t austere miserable corrective devices, they’re psychedelically patterned, ultra-colourful - they’re Wilsher-Mills reclaiming his own history and trauma and turning it into joy. Its aim is to make his illness, his trauma, unthreatening A huge body lies on a hospital bed in the middle of the room, its feet massively swollen, its guts exposed. Toy soldiers brandishing viruses lay siege to the patient. Seb Coe, his head transformed into a TV, is the figure’s only distraction. The walls show comic book daleks and spaceships, Wilsher-Mills reimagining his static body as futuristic vehicles or beings with wheels and jets and thrusters. Every inch of the space is covered in pop trivia, or dioramas of happy memories. There’s a hint of Grayson Perry to this, mashed with pop culture and grizzly medical ter
Advertising
You may also like
You may also like