A man and his dog walking down a path in Brockwell Park on a spring morning
Photograph: Chris Bethell for Time Out
Photograph: Chris Bethell for Time Out

Things to do in London today

The day’s best things to do all in one place

Rosie Hewitson
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In this city, you’re never too far away from a picturesque park, a lovely pub or a cracking cinema, and on any given day, you’ve got a wealth of world-class art shows, blockbuster theatre and top museum exhibitions to choose from if you’re twiddling your thumbs.

Use your spare time wisely with our roundup of the best things happening in London today, which gets updated every single day and includes a specially selected top pick from our Things to Do Editor seven days a week.

Bookmark this page, and you’ll have absolutely no excuse to be bored in London ever again!

Find even more inspiration with our curated round-ups of the best things to do in London this week and weekend

More things to do in London today

  • Things to do
  • Markets and fairs
  • South Bank
Every winter the Southbank Centre turns the banks of the Thames into a frosty wonderland, full of little wooden Alpine-style cabins selling gifts, warming drinks, and snacks. You’ll find huts serving up truffle burgers, duck wraps, mulled wine, Dutch pancakes, churros and many more tasty morsels to nibble on while you look through gifts, jewellery and decorations made by independent craft traders. Or, once you’re done browsing, snuggle up at pop-up king Jimmy Garcia’s riverside venue Fire And Fromage, where you can snaffle all you can eat raclette, sip on seriously decadent hot chocolates, and even toast your own marshmallows round a cosy fire pit.  When is Southbank Christmas Market open? The market opens on November 2, and will stay open until January 3 in the New Year. Do you need to buy a ticket? No, it's free to enter and have a wander. 
  • Things to do
  • Exhibitions
  • Camden Town
  • 4 out of 5 stars
  • Recommended
We’ve all heard of Sid Vicious, Joe Strummer and Iggy Pop. But what about Gina Birch, Ari Up and Gaye Black? Although not completely unknown, these women pioneers of punk often go unsung. In a new free exhibition, the Museum of Youth Culture (MOYC) is finally giving them their safety pin-adorned flowers with a show dedicated entirely to the ‘she punks’ of the past 50 years.  Taking place in a single room at the MOYC, God Save the Queens brings together rare and previously unseen artwork, photography, fashion, film and archival material. A large chunk of the exhibition comes from the archive of the late Poly Styrene – the braces-wearing frontwoman of X-Ray Spex – and is curated by her daughter Celeste Bell.  The museum crams a lot into the fairly compact space. On the far wall is a gallery of larger-than-life photos – the highlight of the exhibition. Vivienne Westwood, shot by Dennis Morris (1978), leans nonchalantly against the SEX shop counter with her iconic spiked hair. Debbie Harry, by Bob Gruen (1977), looks at the camera in her Wayfarers, while sitting in a car smoking a cigarette. Jayne County of the Electric Chairs squats down on stage, holding the mic stand to her crotch like an appendage, shot by Jill Furmanovsky. Poly Styrene, Siouxsie Sioux and Soo Catwoman are also all here.  The women in these photos look like the coolest people on earth The women in these photos look like the coolest people on earth, and what’s most striking is how they all appear...
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  • Things to do
  • Food and drink events
  • Covent Garden
Dreaming of a kitsch Christmas? New York’s famous Miracle on Ninth Street bar is popping up in London for its eighth year, ‘50s Christmas decorations, nostalgic accessories and creative new spins on beloved cocktail favourites in tow. For festive season 2026, it’s taking over 9 Russell Street in Covent Garden. Past years have seen the bar slinging the likes of a Snowball Old Fashioned or a Christmapoliton, which includes cranberry sauce and absinthe mist – a take on Christmas trimmings that’s not for the faint-hearted. If you’re failing to get into the Christmas spirit, this is one great place to find it.
  • Things to do
  • Exhibitions
  • South Kensington
This major exhibition from the V&A will transport visitors to one of the world’s great cities, exploring its best-known landmarks, from the Hippodrome and Hagia Sophia to Topkapı Palace and the Galata Tower. Constantinople to Istanbul: One City, Two Empires will explore 1,600 years of this influential city. Once called Constantinople and now called Istanbul it was the imperial and religious capital at the heart of two successive empires: the Byzantine (AD 330– 1453) and the Ottoman (1453–1922), and this show will span AD 330 to 1922, it will bring together remarkable works of art, design and architecture to reveal the enduring creative legacy of an imperial capital that shaped the Mediterranean world and far beyond.  This will be the first exhibition in the UK to tell this story in full, serving up a new perspective on a city defined by artistic excellence across more than a millennium. Expect rarely seen objects dating back to 4th century, drawn from the V&A collection as well as national and international loans, including decorative arts such as fine silks and textiles, ceramic tiles, mosaics and tableware, precious metalwork and jewellery, as well as sculpture and architectural furnishings, works on paper, manuscripts and paintings. 
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  • Things to do
  • Ice skating
  • Aldwych
  • Recommended
Skate at Somerset House
Skate at Somerset House
Somerset House’s annual ice rink pop-up has long been one of the city’s favourite festive traditions, with thousands of Londoners and tourists alike making it part of their celebrations each year, and for good reason. Gliding (or nervously shuffling) around the rink, gazing upon the surrounding Georgian architecture and the courtyard’s magnificent 40ft Christmas tree feels like you’ve skated onto a movie set, ready to be watched by families settling in for their post-turkey food coma.  There’s more to this rink than just skating, though. This year's Skate Lates programme is sponsored by Aperol Spritz, who'll have an orange van parked rinkside for refreshments. Soar round the rink to a DJ soundtrack at these night time ice parties. The line-up for 2026 includes community sounds from Netil Radio, ground-shaking bass from UKF and BUMPAH, South Asian creative collective Daytimers, queer Latinx partystarters 2CPERREA, and selections from the team behind Gauchoworld. For the first time ever, there's also a K-Pop party (Nov 23) with a special live set from DY EMKAY. While you're at Somerset House, don't forget to head indoors for Through Our Eyes, a free group exhibition of works by indigenous Sámi artists, who'll explore their lives in snowy Nordic landscapes using sculpture, photography, video and performance art. How much does Skate at Somerset House cost? Ticket prices for Skate at Somerset House vary depending on what time you visit, with cheaper tickets at less popular...
  • Things to do
  • Walks and tours
  • Kew
A humongous light trail that takes over south west London’s 300-acre World Heritage Site botanic garden, Christmas at Kew has become a key date in London’s festive calendar since its first iteration in 2013. Visitors embarking on the 3km trail will get see the space lit up with dozens of larger-than-life illuminations, with both the venue’s glass houses and the trees that cover its grounds drenched in different hues. The whole thing is stunning, but don’t miss the lake, where you’ll catch reflections of the vibrant bulbs dancing on the water, taking the magical feeling to another level. Specific details for the light trail 2026 are yet to be unveiled but, as ever, the traditional fairground and warming winter snacks from food vendors are sure to be there.  How to get Christmas at Kew 2026 tickets  Tickets for Christmas at Kew 2026 are on sale right now. The sooner you book the better – as the UK’s original festive light trail, it sells out fast, especially for December. If you’re willing to wait until the New Year, there are normally a decent number of tickets available for the first week of January. And if your desired dates are booked up, it’s worth checking back regularly for returns.  What are the prices and opening times? Tickets for non-members start at £28.50 for off-peak slots and £36 at peak times. Members can get 15 percent off.  Christmas at Kew is open from 4.20pm to 10pm. Each visitor is given a specific time slot, with the last entry at 8pm.  How long does...
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  • Things to do
  • Markets and fairs
  • Marylebone
Marylebone Village’s Christmas lights are always super sustainable. Designed by Blachere Illumination, the displays are completely made from recycled plastic bottles and use recyclable LED systems that require 95% less energy than conventional lighting. Featuring curly banners adorned with golden leaves, the displays operate on reduced hours, from dusk until 11pm daily.  For a big party, head to the switch-on, which will see Marylebone Village transformed into a winter wonderland with stalls selling festive food and drink as well as crafts, family entertainment, and even a 55-foot Ferris wheel. The centre of the celebrations will be on Devonshire Street, where BBC broadcaster and local resident Jo Good will host an afternoon of live performances culminating in the official lights switch-on at 6pm, led by a tbc special celebrity guest.  This year, the switch-on will support Evelina London Children’s Charity, part of Guy’s & St Thomas’ NHS Foundation Trust, which helps to improve specialist care and outcomes for young patients and their families.  
  • Things to do
  • pop-ups
  • Belgravia
Father Christmas clearly enjoys his posh new-ish Chelsea digs as for 2026 he’s returning to Anya Hindmarch’s Village store for the third year on the trot. In it, visitors will be guided through a wintry wonderland of candy cane forests and icicle caves. When they make it to their destination, they’ll be rewarded with a festive story by the fire and a gift from Saint Nick. Grown-ups get a free hot drink from the Anya Cafe, where there will be piles of mince pies, gingerbread men and Christmas cakes on sale. Exit through the gift shop to buy limited-edition Anya Hindmarch gifts and Christmas decorations, including ceramic tree baubles, crackers, puzzles, mugs, crayons and teddy bears. 
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  • Things to do
  • Film events
  • Hackney
Autumn is a busy time for London’s cinephiles, with a slew of film festivals arriving in the capital But alongside LFF, Doc ‘n’ Roll, the Hong Kong and French Film Festivals (to name a few!), be sure to save some room in your schedule for the inaugural London edition of MUBI Fest. The art-house lover’s streaming service of choice is hosting its very own mini film festival at Hackney’s Picturehouse cinema over three days this November, offering you the chance to catch some of the distributor’s buzziest upcoming titles on the big screen ahead of their theatrical release, alongside a programme of indie classics worth revisiting.  Highlights of the programme include Sandra Hüller’s stellar new period drama Rose, with director Markus Schleinzer in attendance for a Q&A (Fri Nov 13), World War I queer romance Coward (Sat Nov 14), with leads Valentin Campagne and Emmanuel Macchia answering questions afterwards, Andrew Haigh’s adaptation of a Colm Tóibín short story, A Long Winter (Sun Nov 15), and Paul Thomas Anderson’s concert doc capturing Cameron Winter’s 2025 solo show at Carnegie Hall (Sun Nov 15).  There’ll also be a 4k restoration screening of Donnie Darko (2001) followed by a live recording ot the Evolution of Horror podcast on ‘the horror of adolescence’, plus a special 15th anniversary screening of 2011 neo-noir thriller Drive, and a 10th anniversary showing of Park Chan-wook’s erotic thriller The Handmaiden.  Tickets go on sale to MUBI subscribers at 10am on Wednesday,...
  • Things to do
  • Soho
Oxford Street is one of the most iconic areas for London’s Christmas lights, and for good reason, given that a hefty proportion of us Londoners will see them lighting our way as we do battle for Yuletide gifts. This year, the lights are Harry Potter-themed to mark the release of Harry Potter and the Philosopher’s Stone TV show, scheduled to premiere on HBO on Christmas Day. Alongside the usual display, look out for the Hogwarts-themed designs. As is now tradition, the lights will be made from eco-friendly materials, including LED lights and recycled plastic. Featuring 5000 twinkling stars – they shine from 4pm to midnight daily until early January.  The switch-on, on November 4, will also coencide with the opening of the new Harry Potter Shop Oxford Street, which will be the largest shop in the UK to sell memorabilia from the magical franchise. 

Theatre on in London today

  • Experimental
  • Shaftesbury Avenue
  • 5 out of 5 stars
  • Recommended
‘Tis the season: master mentalist Derren Brown is back on the West End, this time with a disorienting show that sets out to challenge the illusion of free will and our ownership of the future. Pretty classic Brown stuff, right? Well, indeed. You might think that, some 30-odd years into his career, you know exactly what Brown’s shtick is. He’ll put someone to sleep with a tap on the head; he’ll plumb the depths of a stranger’s mind with a single glance; he’ll predict what will happen in five minutes’ time with uncanny accuracy. But, of course, the thing you can always expect from Brown is the unexpected. His stunts, however routine they might be, still manage to confound. The first half of Only Human cycles through a circus of tricks, some more convoluted than others, some requiring physical participation from the entire audience. It’s complete chaos in the theatre at times, particularly compared to the decidedly more solemn Showman, his last Apollo show which centered on themes of grief and death.  Having been to both shows, I found Only Human far more unsettling. The first half is disorienting but still buoyant, thanks to Brown’s excellent comedic timing and disarming warmth. The second half takes a drastic turn; a sense of alarm no doubt helped by masterful stage effects, lighting and sound design, but largely down to Brown taking some of his more extreme psychological manipulation, usually reserved for television, to the stage. Without giving too much away, trigger...
  • Drama
  • Regent’s Park
  • 3 out of 5 stars
  • Recommended
Is this what the world needs right now: another conspiracy drama about how we were lied to over the Kennedys and Marilyn? Torben Betts' new play Speculations does at least have a fresh historical protagonist: Dorothy Kilgallen, the Pulitzer-nominated journalist who interviewed Jack Ruby in prison after he gunned down JFK's assassin Lee Harvey Oswald in public and was herself found dead, like Marilyn, from an overdose of booze and barbituates. It also has the reliably luminous Janie Dee as Kilgallen, and heavyweight director Trevor Nunn at the helm. Kilgallen's a fascinating figure to disinter, and Nunn's production has gravitas, and a couple of outstanding performances, but ultimately I wasn't persuaded: by the speculations on whodunnit, or by the drama. Betts' play is subtitled On the Unexplained Deaths of Several American Icons - which is a lot of speculation to wrap up in a two hour stage play. There are three scenes, which unfold in instalments. First, Kilgallen's New York apartment where she types, swigs vodka and confides her theories to a fictional Black babysitter she's only just met; then Lee Newby's fantasic modular set swivels open to reveal an underworld bar where Lee Harvey Oswald (a nicely twitchy Joseph Potter) is being groomed by a crime boss; finally Marilyn's last night on earth, imagined as a deadly confrontation with Bobby Kennedy. Betts' play is more of a whydunnit than a whodunnit: we know from the get go that Bobby, Marilyn, Dorothy, and Lee will...
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  • West End
  • Victoria
  • 4 out of 5 stars
  • Recommended
This review is from 2025. An Oak Tree returns yet again for 2026 as part of a season at The Other Palace curated by producer Francesca Moody. Guests this time include Hammed Animashaun, Bessie Carter, Rosalie Craig, Sacha Dhawan, George Fouracres, Clare Perkins, Tom Mothersdale and Gemma Whelan. New shoots keep growing from Tim Crouch’s An Oak Tree, its legend quietly bubbling away for 20 years and its strange, unsettling magnificence never wavering. First performed in 2005, it was a solid rejection of stuffy plays where the actors say their memorised words each night in the same way. Instead, every performance has a different actor performing alongside experimental theatremaker Crouch, now almost 400 of them, including Hugh Bonneville, Mike Myers and Alanis Morrissette. They come on stage, follow Crouch’s instructions, take on the part of a grieving father and generally look very nervous while doing it. The actor has never seen or read the play before, and the audience doesn’t know which star guest they’ll get. For this twentieth anniversary production, the list of actors eager to submit themselves to this grief-laden improv show is impressive: David Tennant and Indira Varma are on the roster, while on press night it was Jessie Buckley pulled up from the front row.The performer is instructed very precisely by Crouch what to do and say. She is Andy, a middle aged man, grieving the recent loss of his daughter who was killed by a driver. The driver was a stage hypnotist –...
  • Immersive
  • King’s Cross
  • 3 out of 5 stars
  • Recommended
The first thing that grabs you about Aardman Animation’s new immersive documentary Larger than Life is that yes, it is larger than life. All your Aardman faves – Wallace, Gromit, Shaun, various chickens – are blown up to a gargantuan scale on the Lightroom's walls. To an adult Aardman lover, it looks amazing. And the sprinkling of pre-schoolers in the house when I saw it were clearly having a whale of a time, joyously booping into their claymation faves. Larger than Life is a triumph visually and no more so than in its opening moments: it's delightful when the walls transform into row upon row of the extremely recognisable eyes of dozens of your Aardman faves, staring at us through peepholes (a la the cardboard box Gromit hides in during The Wrong Trousers); it’s sublime when we get a full blown song-and-dance sequence featuring everyone from Morph to the Creature Comforts gang. It is of course delightful: it’s Aardman. The problems with Larger than Life as a complete film are twofold. On the one hand, there isn’t that much original claymation, and most of it is confined to the beginning. This is perfectly understandable as it famously takes Aardman years to make their films. But it does mean it peaks early. On the other it can feel a bit diffuse: more often than not it’ll be trying to explain some point about the studio’s history and the walls will be covered in loads of little frames, each with something different going on in it, a disembodied voice from a member of Team...
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  • Drama
  • Covent Garden
  • Open run
  • 4 out of 5 stars
  • Recommended
This review is from 2022. My Neighbour Totoro is now running at the Gillian Lynne Theatre in the West End with a mostly new cast. Studio Ghibli’s 1988 cartoon masterpiece My Neighbour Totoro is a stunningly beautiful, devastatingly charming film, in which not a huge amount happens per se.  It follows two young sisters who move to the countryside with their dad and basically get up to a lot of extremely normal things… while also fleetingly encountering a succession of astounding otherworldly creatures, most notably Totoro, a gigantic furry woodland spirit, and the Cat Bus, a cat that is also a bus (or a bus that is also a cat, whatever). Its most iconic scene involves young heroines Mei and Satsuki waiting at a bus stop, and Totoro shuffling up behind them, chuckling at their umbrella (a new concept to him) and then hopping on his unearthly public transport. So if you’re going to adapt it for the stage you’re going to have to absolutely nail the puppets you use to portray Totoro and co.  The RSC absolutely understood the brief here, although you’ll have to take my word for it, as for this first ever stage adaption – by Tom Morton-Smith, overseen by legendary Ghibli composer Joe Hisaishi – the company hasn’t allowed a single publicity photo of a single puppet (bar some chickens) to be released.  Nonetheless, the puppets – designed by Basil Twist, assembled by Jim Henson's Creature Workshop – are fucking spectacular. They have to be fucking spectacular because that’s the...
  • Musicals
  • Strand
  • Open run
  • 4 out of 5 stars
  • Recommended
It’s difficult to pinpoint why the moment Paddington walks on stage at the start of his new musical is quite so moving.  Spoiler alert: ‘Paddington’ is a small woman (Arti Shah) in a bear costume (by Tahra Zafar), with a regular-sized man (James Hameed) doing the voice and remote controlling the facial expressions from backstage. Which doesn’t sound groundbreaking but it’s enough to make us believe that Paddington is really in the room with us. Which is surely the point of the endeavor. He’s not the Paddington of the films: he looks different, more teddy-like, and Hameed’s voice is much younger and more boyish than Ben Whishaw’s. He looks more like the Paddington of Michael Bond’s books, but he’s not really him either, on account of all the singing he does and how much more wordy that makes him. He is a new Paddington. But he is, fundamentally, Paddington, right there in the room with us. Does that make it a good performance? I mean sure, he’s a triple threat: adorable, polite and also a bear. The normal rules for a musical theatre lead are suspended here. But Hameed can sing well, and there’s enough expression in both face and body for Paddington to feel genuinely alive to us. Shah doesn’t really dance, but a couple of elaborately choreographed sequences in which our hero pings around causing chaos are impressively physical. Main attraction aside, a fine creative team led by director Luke Sheppard has created a very enjoyable show indeed. It’s by and large a stage...
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  • Immersive
  • Covent Garden
  • Open run
  • 4 out of 5 stars
  • Recommended
A Catholic upbringing has left me both terrible at lying and capable of looking guilty about more or less anything. As such I was morbidly convinced that I would get the tap on the shoulder designating me a traitor in this live recreation (you could call it immersive theatre if you wanted) of the smash BBC game show. This proved to be entirely correct and long story short I lasted four rounds until I was rumbled (though it was a close thing and involved me being inexplicably betrayed by my fellow traitor). And speaking as somebody who has barely watched the show: I had a blast. If you can swallow the cost (a little under £50 in the evening, but cheaper by day) and go in prepared to be eliminated early then The Traitors Live Experience is extremely good fun. As much as anything, this adaptation from Immersive Everywhere is extremely well organised. Clearly you can’t make a note-perfect recreation of a show that involves 25 contestants staying at a remote Scottish castle for three weeks. But what they’ve done captures a sense of it very nicely. In this much shorter format, a large number of participants book in for a given time slot and are then divided into groups of around 12. Each is spirited away to their own round table, which comes complete with its own Claudia Winkleman-substitute host. Ours was a chipper young man who did a great job of geeing things along with help from a pre-recorded Winkleman (wisely she’s only used sparingly). It’s such a rock-solid conceit that...
  • Drama
  • Waterloo
  • 3 out of 5 stars
  • Recommended
This review is from 2024. In 2026 A Christmas Carol returns to the Old Vic for its tenth and presumably final year, as its director Matthew Warchus’ very final piece of prgramming at the theatre. Giles Terera will play Scrooge. Although it’s the second most influential Christmas story of all time, Charles Dickens’s A Christmas Carol is a tale that’s disseminated by adaptations rather than because everyone still religiously reads the 1843 novella. And for eight Christmases in a row – including 2020! – the main form of dissemination for Londoners has been the Old Vic’s stage version, which packs ‘em into the huge theatre for two months every year. I haven’t been since it debuted in 2017, when Rhys Ifans played supernaturally reformed miser Ebeneezer Scrooge. Back then, Matthew Warchus’s production of Jack Thorne’s adaptation was simply a stage version, of a story endlessly retold each year. Now it is essentially the version, not because nobody else does it (in 2022 I counted 11 adaptations), but because of the unparalleled scale of its success: it’s certainly the most successful stage adaptation of this century, and quite possibly ever. Eight Christmases on and it’s charming, but groans under the weight of its own success. What really struck me on second viewing was the conflict between Thorne’s smartly empathetic text and Warchus’s ecstatically OTT Christmasgasm of a production. Making a few judicious departures from Dickens, Thorne seeks to humanise Scrooge, get to the...
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  • Immersive
  • Dalston
The Waldorf Project is a series of radical large scale immersive theatre works from artist Sean Rogg, that took place in London and beyond thoughout the ’10s. It’s seemingly been dormant since 2019, but it reemerges at the end of 2026 with the extraordinarily ambitious sounding Chapter Five/Kaihogyo. In a nutshell, the show – for 40 participants per night – is a three-and-a-half-hour labyrinth, staged at a secret Islington location, inspired by the 1,000-day pilgrimage of Japan’s Tendai Buddhist monks’, that is designed to ‘induce an elevated state of consciouness’. There’s a lot going on there, and certainly in an era of rather bland immersion, it sounds pretty damn wild.
  • Immersive
  • Royal Docks
  • 3 out of 5 stars
  • Recommended
This review is from 2025. Wundrful World of Christmas will retrun for 2026 at a new location. Although it sounds like the core experience will be the same, it will now feature ‘a brand-new sparkling village - the Elves’ Playground, filled with twinkling light installations, gentle fairground rides, festive food and drink, Christmas market stalls and more.’ Long gone are the days when a British grotto meant a quick sit on the knee of a boozy-smelling man with an obviously fake beard in the backroom of a mid-tier department store. In the age of immersive theatre, London’s grottos have spun off into all sorts of esoteric forms that now typically involve a lengthy ‘adventure’ prior to finally meeting Old Saint Nick, whose knee you are very definitely not allowed to sit on because of woke. The oddly named Wundrful World of Christmas is billed as an immersive experience rather than a grotto, and indeed in its native Australia that may be fair enough – do they even have grottos in the land of beach Christmas? But here it is basically a posh grotto, and probably London’s biggest this year, with an expensive marketing campaign and fancy location in Borough Yards. It begins with us ‘boarding’ what my notes say is a flying lift, which – as conveyed via computer generated vista we see out of its ‘windows’ – is piloted by a slightly fractious group of elves all the way to the North Pole. There we encounter… more elves, who are hanging out in a cluster of rooms so Christmassy they...

Exhibitions on in London today

  • Art
  • Trafalgar Square
London’s art lovers go mad for a bit of French Impressionism, so it’s a little surprising that the capital hasn’t hosted an exhibition on one of its leading figures, Pierre-Auguste Renoir, since the National Gallery’s 2007 show on his landscapes nearly 20 years ago. And now, just weeks after France’s most recent high profile art heist targeted the Musée Renoir, the Trafalgar Square institution once again hosts a major exhibition dedicated to the divisive painter. Created in partnership with Paris’s Musée d’Orsay, Paris, and Boston’s Museum of Fine Arts, Renoir and Love will focus on the most significant and prolific years of the artist’s career, from the mid-1860s to the mid-1880s. Opening in October 2026, it will feature several of Renoir’s most iconic works, including  the 1876 painting Bal au Moulin de la Galette, exhibited for the first time ever in the UK. 
  • Art
  • Painting
  • Barbican
  • 4 out of 5 stars
  • Recommended
Anyone who’s ever done a bit of DIY at home will know the struggle of picking the right shade of white paint. That lovely, warm, buttery hue you’ve eyed up in the brochure inevitably turns into the jarring white of a doctor’s surgery once it’s on your own walls. The American artist Robert Ryman knew a thing or two about this, devoting his nearly 60-year painting career to exploring how paint, surface and light can transform what we see.  Ryman wanted to ‘paint the paint’, you see. That is, he wasn’t interested in depicting people, places or things, but rather in how paint – more often than not white – behaved on different surfaces, catching and responding to real light rather than simply creating the illusion of it. A major retrospective at the Barbican, Robert Ryman... The Real Thing, brings together more than 60 works spanning his career, from his earliest experiments in the 1950s to his final paintings in the 2000s. Many might look deceptively similar at first glance, but it’s close up, with your nose inches away from the canvas, where things get interesting. A young Ryman discovered the great rewards of looking at paintings while working as a guard at the Museum of Modern Art in New York (a job also once held by British Museum director Nicholas Cullinan) . It was during those years that he made the first painting he would ever exhibit, which is on view here: ‘Gertrud Mellon’, named after the individual who bought it for $70 at the 1958 staff exhibition. Consisting of...
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  • Art
  • Contemporary art
  • Millbank
If Tate’s 2025 programme was big on the 80s – thanks to Photographing Britain and Leigh Bowery! – then 2026 is all about The 90s! Following on from a major Tracey Emin retrospective at Tate Modern, its sister gallery Tate Britain will host a blockbuster autumn show about British art, fashion, photography and pop culture in the final decade of the last millenium. And if that isn’t already a tasty enough prospect, it’s being curated by none other than former British Vogue editor Edward Enninful OBE. Expect flashy photography from the likes of Juergen Teller, Nick Knight, David Sims and Corrine Day, iconic looks from Vivienne Westwood and Alexander McQueen, and era-defining artworks by Damien Hirst, Gillian Wearing, and Yinka Shonibare. The opening party will no doubt give the Met Gala a run for its money.
  • Art
  • Photography
  • Soho
  • 4 out of 5 stars
  • Recommended
When William Eggleston’s photographs were shown at New York’s MoMA gallery in 1976, the reaction was mixed. It was ‘the most hated show of the year,’ according to the New York Times. ‘Just plain dull,’ said one review. ‘Perfectly boring,’ wrote another. Why all the hooha? Well, for one thing, Eggleston’s photographs are, on one level, boring. That is to say, they show boring things. Eggleston’s ‘democratic photography’ was about photographing your environment: a trash can, say, or that pink toilet in the bathroom. The sort of photograph your dad looks at and says, ‘I could've taken that!’  But such quotidian subjects had been photographed before. The real reason behind the critical commotion was that Eggleston had shot his work in colour. MoMA had shown colour photographs before, but Eggleston’s show represented a new era. Colour was no longer just for tacky magazine spreads. Now, it was art. And people weren’t happy.  The exhibition celebrates Eggleston’s work in all its saturated ordinariness The years since have been kinder. Eggleston’s work has been exhibited in countless retrospectives, the latest being All That Goes Unnoticed, now open at The Photographers’ Gallery. The show gives a broad overview of Eggleston’s career, including a wall of early black-and-white images from when he was still developing his eye. Coming 50 years after that notorious MoMA debut, the exhibition celebrates Eggleston’s work in all its saturated ordinariness: the gas stations, the abandoned...
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  • Museums
  • History
  • Bloomsbury
  • 5 out of 5 stars
  • Recommended
In a massive coup for the British Museum and for London as a whole, the Bayeux Tapestry is on display in Britain for the first time in 900 years. The 70-metre-long artwork is an intricately embroidered depiction of the 1066 Battle of Hastings, in which William the Conquerer took the English throne, and it’s coming to the British Museum. Although it’s believed to have been embroidered in Canterbury, the tapestry has resided in Bayeux, Normandy for the past nine centuries. Despite numerous attempts from Brits to borrow the masterpiece over the past century, it is finally on show on British soil for the first time, nearly 1000 years after it was made. You absolutely don’t want to miss an exhibition which feels like the most significant thing British Museum has done in our lifetimes. Read our full review of the exhibition here.
  • Museums
  • Euston
The Wellcome Collection’s big spring exhibition is a deep dive into perceptions of ageing. Expect the Euston Road institution’s typical blend of art, science and pop culture in the 120+ artworks and objects on display, which range from16th century woodcuts made by German printmaker Sebald Beham to Deborah Roberts’ contemporary collages exploring Black childhood. There’ll also be a spotlight on the Wellcome Trust-funded health research project Age of Wonder – one of the largest studies of adoloscence in the world – and an exploration of how societies can adapt to improve everyone’s experience of ageing.
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  • Art
  • Sculpture
  • Kew
Henry Moore’s bulbous and undulating sculptures were designed to be seen outside and surrounded by nature. So we’re happy to say that Kew is displaying a huge collection of his works as they were intended at this mega exhibition. The world’s biggest ever exhibition of Moore will open at the botanical gardens, with 30 sculptures on show in the open air and more than 90 works including carvings and drawings displayed in the Shirley Sherwood Gallery. Several of his famous and iconic reclining figures will be on view, as well as more abstract and amorphous pieces like the massive bronze marvel ‘Large Two Forms’. 
  • Art
  • Installation
  • Bankside
In our age of mind-boggling CGI and AI-optimised everything, it’s easy to forget how much pleasure can be had from the simple optical tricks of mirrors and lights. But not for Julio Le Parc. A key figure of the Kinetic and Op Art movements of the 1960s, the late Argentinian artist spent seven pioneering decades making illuminated, kinetic and participatory works, and was still making art at the ripe old age of 97 before his death this past May. This major retrospective celebrates his visionary seven-decade career, spanning from from his arrival in Paris in the late 1950s to his resurgence in the 2010s, with over 60 colourful, immersive (and extremely Instagrammable) works.
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  • Art
  • Piccadilly
Painters have been being dazzled by the glorious natural light and sparkling azure sea of the French Riviera for centuries. This autumn, you’ll be able to feel like you’re taking in the sea air on the Côte d’Azur from London, as the Royal Academy brings together artworks depicting the French southern coast from greats including Monet, Braque, Picasso, Matisse, Cézanne, Renoir and Klein. Spanning the Impressionists, Post-Impressionists and Modernists, Painting the French Riviera will not only transport you to the SAD-beating coastline, but explore how the riviera was inextricably linked to the rise of modern art. 
  • Art
  • Aldwych
  • 5 out of 5 stars
  • Recommended
‘This painting makes me so happy,’ said my usually gallery-averse friend, pulling me over to Salman Toor’s ‘The Women’, on display in the painter’s first solo museum show in Europe, at the Courtauld Gallery. ‘We’ve had so many Sunday mornings like this.’ In the painting in front of us were three women slumped across a bed, each propping her head up with one arm. In our version, we’d probably be debriefing on the events of the night before. The painting is small, the room cosy and cocooned from the outside world in Toor’s characteristic velvety green, laid down in thick, parallel strokes of oil paint. At the dresser stands a boy. Toor has said that if he were to write a collection of stories, this image would be the first: ‘a coming-of-age moment for the boy experiencing a blossoming sense of self.’ Toor was born in Lahore, Pakistan, into a middle-class Muslim family. At 20, he moved to the US to study painting, and eventually settled in New York. It was there that he began painting the world that now fills his canvases: queer South Asian men drinking, dancing, flirting, scrolling, lying around with friends, falling in love and being alone. His figures aren’t portraits of real people, but they come from a world he knows. They occupy the sometimes uncomfortable territories between intimacy and exposure, belonging and estrangement. His work draws as much from the Old Masters and the traditions of Western painting as it does from the art history of Pakistan and South Asia,...

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