Park Theatre

Park Theatre

This Finsbury Park theatre offers an ever-changing line-up of new shows
  • Theatre | Fringe
  • Finsbury Park
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Time Out says

Park Theatre counts some of theatre's biggest names amongst its fans, not least Ian McKellen, who recently donated the proceeds of a week-long run of his solo show to the theatre's kitty. And these friends in high places, plus plenty of local donors, mean that it's a much more professional outfit than your average unfunded neighbourhood theatre.

It puts on around 20 new shows a year, in two spaces: main stage Park200 and smaller studio Park90. They're generally new writing, but of a slightly more staid variety than you'd get at the likes of Bush Theatre or Theatre503. Expect a mix of issue-led dramas, new comedies, and star vehicles for veteran British actors. Its biggest hit so far has been David Haig's 'Pressure', which landed a West End transfer in 2018.

Park Theatre is housed in a shiny modern building tucked away on a quiet street behind Finsbury Park station. It opened in 2013, under the auspices of artistic director Jez Bond, who oversaw the building's £2.6 million creation from an old office block which stood on the site. Park Theatre has two cafe/bar areas - a spacious one upstairs, and a more hectic one downstairs - and both are popular with both laptop-toting locals and theatre fans waiting to see a show.  

Details

Address
Clifton Terrace
London
N4 3JP
Transport:
Tube: Finsbury Park; Rail: Finsbury Park
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What’s on

Jab

This new dark comedy from James McDermott follows a couple who’ve been together for 29 years and who don’t much care for each other, but have succeeded in rubbing along… until the pandemic locks them at home together with no other distractions. Scott Le Crass directs Kacey Ainsworth and Liam Tobin as disintegrating couple Anne and Don. 
  • Comedy

How to Fight Loneliness

American writer Neil LaBute invariably takes big swings in his plays. Debuting at the Park Theatre, his first UK premiere in an age is no exception. At a time of intense debate around euthanasia and assisted dying in the real world, he collides Brad and Jodie, an American couple who are facing her terminal cancer, with Tate, the man Jodie wants to kill her. If you want nuanced debate, look elsewhere. LaBute blasts clear through this. As Jodie, Justina Kehinde brings a powerful rawness to her character’s frustration and anger at her situation. But – no spoilers – the solution we’re eventually presented with is so convoluted and elaborate that it drowns out any believable character development. This isn’t helped by a script that repeatedly circles the same points. Instead, as is so often the case with LaBute’s work, Jodie feels like a catalyst for two men to work through their manliness. Middle-class Brad and his reluctance to help Jodie end her life is juxtaposed with the working-class Tate, a mechanic with a troubled family history who went to school with her and is willing to do what Brad won’t. Morgan Watkins brings an intriguing unpredictability to Tate, bristling and coiling him like a spring as he comes into conflict with Archie Backhouse’s condescending Brad. Under the play’s increasingly ludicrous set-up, there are some trenchant themes about small-town America, classism and lack of opportunity. But these are drenched by the pissing contest the script devolves into....
  • Drama

Conversations After Sex

Acclaimed in playwright Mark O’Halloran’s native Ireland – where it premiered in 2021 – Converations After Sex follows the intimate connections and unnamed woman makes with a carousel of strange men who she sleeps with in what’s billed as an exploration of ‘the nature of grief, loneliness and promiscuity’. Jess Edwards directs a cast headed by Olivia Lindsay.
  • Drama
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