Park Theatre

Park Theatre

This Finsbury Park theatre offers an ever-changing line-up of new shows
  • Theatre | Fringe
  • Finsbury Park
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Time Out says

Park Theatre counts some of theatre's biggest names amongst its fans, not least Ian McKellen, who recently donated the proceeds of a week-long run of his solo show to the theatre's kitty. And these friends in high places, plus plenty of local donors, mean that it's a much more professional outfit than your average unfunded neighbourhood theatre.

It puts on around 20 new shows a year, in two spaces: main stage Park200 and smaller studio Park90. They're generally new writing, but of a slightly more staid variety than you'd get at the likes of Bush Theatre or Theatre503. Expect a mix of issue-led dramas, new comedies, and star vehicles for veteran British actors. Its biggest hit so far has been David Haig's 'Pressure', which landed a West End transfer in 2018.

Park Theatre is housed in a shiny modern building tucked away on a quiet street behind Finsbury Park station. It opened in 2013, under the auspices of artistic director Jez Bond, who oversaw the building's £2.6 million creation from an old office block which stood on the site. Park Theatre has two cafe/bar areas - a spacious one upstairs, and a more hectic one downstairs - and both are popular with both laptop-toting locals and theatre fans waiting to see a show.  

Details

Address
Clifton Terrace
London
N4 3JP
Transport:
Tube: Finsbury Park; Rail: Finsbury Park
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What’s on

Holy Fool

Rosalind Adler and Lea Sellers’ new play concerns the great Russian composer Dmitri Shostakovich and his efforts to tiptoe around Stalin’s regime of terror, a time when he was outwardly compliant to the authoritarian regime, but still slipped subversive messages into his music. Kate Fahy directs a four-strong cast – none of whome seem to be playing Shostakovich, intriguingly.
  • Drama

Bull

Mike Bartlett’s savagely brilliant workplace bullying drama Bull – about a group of at-risk colleages mercilessly finding a sacrificial bull from their numbers – was a hit at the Young Vic way back in 2013 and now returns to London in a new production from deaf-led company Deafinitely Theatre. Paula Garfield directs.
  • Drama

The Pianist

This new musical from Thom Southerland combines an adaptation of Polish-Jewish pianist Wladyslaw Szpilman’s internationally acclaimed 1946 memoir – which was adapted into Roman Polanski’s Oscar-winning 2002 fim – with Szpilman’s own compositions, which were popular in pre-WWII Warsaw. It sounds like – more so than the movie – Southerland’s Pianist will focus on this happier period in Szpilman’s life, contrasting it with his later hard-fought suvival in the Warsaw ghetto, where he evaded the concentration camps that claimed his whole family thanks to the patronage of a German soldier named Wilm Hosenfeld.
  • Musicals

The Revlon Girl

Neil Anthony Docking's drama is set during the period of mourning that followed the 1966 Aberfan Disaster, a colliery landslide that killed 116 schoolchildren and 28 adults at a Welsh primary school. A woman from Revlon offers the grieving mothers make-up tips, and unlikely consolation. Maxine Evans directs. 
  • Drama
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